This paper describes the development of a new measure to assess children's
perception of their skin color and their satisfaction with it.
Not exact matches
People who study face
perception have been arguing that when we meet new people, all we are learning about their faces are so - called static features that don't change, like the shape and size
of their face and
skin color.
While her subjects are always African - American, Sherald renders their
skin - tone exclusively in grisaille — an absence
of color that directly challenges
perceptions of black identity and seeks, in the artist's words, «to exclude the idea
of color as race.»
Meaning «Hail the Dark Lioness» in Zulu, she confronts racism by photographing herself while on the road, highlighting various aspects
of her identity which speak to her
skin color, ethnicity and the cultural
perceptions and stereotypes
of femininity and African culture.
Dermo Optics is an account
of the artist's visit with Dr. Yvonne Duplessis, director
of the Centre de I» Information de Couleur in Paris and a researcher into eyeless sight, the
perception of color via a sensation in the
skin (touch is not necessarily involved).
These new autobiographical works portray the tangled roots
of her ancestry and deal with her interpretation and
perception of prejudice, often among African - Americans themselves, in reaction to the blending and merging
of skin colors and cultures.
One should not lightly dismiss the inherent unfairness
of, and the
perception of mistreatment that accompanies, a system
of allocating benefits and privileges on the basis
of skin color and ethnic origin.