Heeding the Tang Dynasty dictum of landscape as a fusion of observation and memory, they interweave external and internal
perceptions of particular locations.
Not exact matches
The origin we choose and to which we refer our sensible
perceptions of things «we call here: our
location in a
particular part
of space round which we group the whole Universe is the essential fact
of our bodily existence» (IM 91).
Her approach to filmmaking is decidedly sculptural: she presents objects in space, fascinated by how light and time inform
perception, harnessing silence to study how a
particular location, individual or event is located within space and time, reworked through the telling, and mis - telling,
of history.
But by focusing on the
location of one
particular station or another and how its
location may result in slightly lower or higher measurements, contrarian rhetoric obscures this essential issue in popular
perceptions.