Not exact matches
But its sorry state also made the
piece, part
of Reinhardt's «Black Square» series painted between 1960 and 1966, the
perfect specimen for art conservators at the Guggenheim, and its Manhattan neighbor, MoMA — The Museum
of Modern Art, eager to test out the latest restoration
technologies.
This
piece — its documentary mode, its gritty surface, its use
of technology — is the
perfect beginning for the Museum
of Contemporary Photography's Phantoms in the Dirt, a group exhibition curated by Karsten Lund, which currently showcases sixteen artists.
Sette's modernist - space, wrapped in a fabric scrim that glows with soft backlighting, is the
perfect setting for the
pieces shown here — which marry the artist's passion for literature,
technology, and the vast expanse
of wilderness.
«By 2008,» Joe says
of his Legal Bytes blog, «I realized that my format — small, insightful, narrative
pieces, virtually always referencing more robust information — covering a wide variety
of topics at the intersection
of law, advertising,
technology, media and entertainment, finance, travel and more, was
perfect for a blog format.»