Sentences with phrase «performance art piece by»

They were part of an multi-faceted installation and performance art piece by Desi Santiago that mingled neon, inflatables and performers in clandestine locales.

Not exact matches

Dan bets it all on the chance to steal a major client out from under Chuck, flying his motley little crew over to Europe where, among other things, he goes to a nude German unisex spa, finds himself the main exhibit — «American Businessman 42» — in an avant - garde museum / performance - art piece, and does an entire scene surrounded by penises in a gloryhole gallery.

When Andrew decides to contribute a film to the Humpday fest (a real - life amateur porno festival sponsored by Seattle alternative weekly The Stranger), a piece of art that will «push boundaries,» Ben proposes (in front of a crowd of artist - types) that the two of them — two straight men — have sex on camera as a radical performance piece.

From the appearance of the credit «written and directed by Brian De Palma» overlaid on the sleek outer casing of an Apple MacBook Pro to a shot of a car driving into and destroying a parking - lot Coca - Cola machine, there's a through line of anticorporate humor that juxtaposes the ideas of «art» and «product» — never more so than in an amazing, extended split - screen scene in which footage of a ballet performance competes for our attention with a knowingly clichéd, Halloween - style slasher - on - the - loose set piece.

It's also true that I have been conducting experiments on how the performing arts affect students, including this piece on a musical performance, and a forthcoming piece in Education Next about an experiment in which students were assigned by lottery to see Hamlet and A Christmas Carol or to serve in the control to identify what students learn from seeing live theater.

In the basement, a sculptural installation by Marc Andre Robinson weaves together formalism with black cultural history, while another, «Lorraine O'Grady: Art Is...» offers a fantastic exhibition of photographs documenting Ms. Grady's performance piece during the 1983 African - American Day Parade, in which she skillfully weaves together art, activism and participatiArt Is...» offers a fantastic exhibition of photographs documenting Ms. Grady's performance piece during the 1983 African - American Day Parade, in which she skillfully weaves together art, activism and participatiart, activism and participation.

This is an interview with the artist Joan Jonas, who talks about her performance piece Mirror Check, which she showed at 14 Rooms, the Live Art exhibition during Art Basel, organized by Fondation Beyeler, Art Basel, and Theater Basel.

In 1983, Available Light was the first in a series of projects commissioned by the Museum of Contemporary Art in Los Angeles (LA MOCA) that gathered teams of artists to develop collaborative performance pieces.

In this performance, contemporary artist Jumana Emil Abboud invites audiences to move in and between spaces in a newly commissioned live art piece inspired by Palestinian folklore.

HALF a century ago, on Oct. 4, 1959, an event took place at the Reuben Gallery in the East Village that changed the course of art history: a performance piece by the artist Allan Kaprow titled «18 Happenings in 6 Parts.»

One not to be missed this weekend if you're a fan of performance art and visual puns is Deux Chevaux, a performance piece by the artist William Mackrell taking place Saturday from 11.

Currently represented in the 56th International Art Exhibition of this year's Venice Biennale by Librettos, a new series that brings together the score of the opera La Vida Breve by Spanish composer Manuel de Falla and a speech from 1964 by Black Panther Party member Stokely Carmichael, and Sound Text, a multipart series incorporating drawings on paper that lead to a performance by a seven - piece ensemble, Gaines continually produces ambitious and compelling work that is as challenging as it is inviting.

«Hybrid: A Performance Arts Showcase» at Brooklyn Fireproof (119 Ingraham St., June 1st, 6 pm to 9 pm) will feature a series of performance pieces by 11 different BushwiPerformance Arts Showcase» at Brooklyn Fireproof (119 Ingraham St., June 1st, 6 pm to 9 pm) will feature a series of performance pieces by 11 different Bushwiperformance pieces by 11 different Bushwick artists.

Highlights have included Northern Ireland's first Andy Warhol exhibition and a performance piece by Martin Creed at the Ferens Art Gallery in Hull.

When I invited Carlos Motta he suggested collaborating with art writer John Arthur Peetz and choreographer - dancer Carlos Maria Romero for a bigger performance piece inspired by queer manifestos from the 1960s to the present.

This latest issue of Esopus, featuring a brand - new format and design (and encased in a slipcover), features artists» projects by Sharon Core, Joyce Pensato and John Sparagana; 100 still frames from David Lynch's Blue Velvet (introduced by Gregory Crewdson); materials from MoMA's archives related to late artist Scott Burton's early performance pieces; never - before - seen photographs from 1949 by Magnum photographer Burt Glinn; commentary on artworks from the New Orleans Museum of Art by two of its guards; fiction by Chelli Riddiough; and an audio compilation of new songs inspired by the customer - service experiences of Jens Lekman, Richard Swift, Basia Bulat and others.

Recent exhibitions and publications include New American Paintings, issue 107; the LA Art Show 2018, Los Angeles, CA; Present Standard, Chicago Cultural Center, Chicago; Transient Visitant (with Marimba, Clarinets, Body and Chair), Truman State University, Kirksville, MO; performance piece in collaboration with composer Victor Marquez - Barrios; Mutual Dealings, Bert Green Fine Art, Chicago; The Moments Between: New Work by Rafael E. Vera, Averill and Bernard Leviton A+D Gallery, Chicago; Pillow Talk: New Sculptures by Rafael E. Vera, Seerveld Gallery, Palos Heights, IL; Nothing Concrete, Bert Green Fine Art, Chicago; and the 23rd Evanston and Vicinity Biennial, Evanston, IL.

Burrow: Revisited is a collaborative performance piece by world - class musician and sound artist Alex Waterman and MECA Assistant Professor, writer, and scholar Seth Rogoff, premiering at the Institute of Contemporary Art (ICA) at Maine College of Art (MECA) at 7 pm on Friday, February 2, 2018, during the First Friday Artwalk.

In addition to the installation, we will present a carefully curated, dynamic selection of works including a stunning new series of paintings by Terence Koh - ART HK 12 is one of the premiere occasions that the gallery has exhibited work by the ground - breaking contemporary artist - as well as a rarely seen editioned work documenting a seminal early performance piece by Tehching Hsieh and an important early work by Joseph Kosuth.

Maine College of Art presents the world premiere of Burrow: Revisited, a collaborative performance piece by sound artist Alex Waterman and Assistant Professor Seth Rogoff.

Guests entered single - file through the bamboo entrance and were met by the first art performance piece unfolding in the woods: Costume Designer Jacques Reynaud's Angels of Apocalypse, which included sound installations adapted from recent recordings by Oscar nominee singer / songwriter, ANOHNI (aka Anthony Hegarty).

Bob's group have extended their collecting practice to include Performance Art — «Home Suite», a performance piece by Katharine Fry was commissionPerformance Art — «Home Suite», a performance piece by Katharine Fry was commissionperformance piece by Katharine Fry was commissioned in 2008.

Adding some unexpected fun to the proceedings were demonstrations of transformational paper sculptures by contemporary Chinese artist Li Hongbo at Klein Sun Gallery (New York) and a performance art piece Mehrung # 6 by Bohler & Orendt presented by Galerie Anita Beckers (Frankfurt).

Gray refused to formally document the performance piece photographically or by using video adhering to the tropes of conceptual art, lest the documentation became a surrogate for the physical experience of the work itself.

Media Arts features significant historic pieces by performance and video pioneers Ant Farm, Lynn Hershman Leeson, and Nam June Paik.

Performa07, the second installment of New York's biennial of performance art, included live pieces by Kalup Linzy as Taiwan and Tamy Ben - Tor as an eccentric quartet of women.

A string of exhilarating performances, all sold out, have concluded, but a treasure box of an exhibition of Eastman's archival materials remains on view through this Saturday at the Chelsea alternative space alongside a moving show, inspired by the artist's work, of contemporary art, including pieces by Sondra Perry, Carolyn Lazard, and Chloë Bass.

Mitchell - Innes & Nash announces The Problem, a new performance piece conceived by Pope.L staged for the opening of Unlimited during Art Basel in Basel.

Each room is its own installation, confronting the visitors with a unique experience that both stands on its own as a piece of performance art and as a piece of the larger, diverse show that is equally enjoyed by the infrequent museum - goer to the contemporary art critic.

Many members of the Duke Community watch a performance art piece entitlled reVERSE — gesture — reVIEWed by Thomas F. DeFrantz, professor and chair of Duke's African and African American Studies Department and SLIPPAGE.

Forthcoming projects include new works by Pedro Barateiro and Quinn Latimer; a group exhibition in collaboration with Jose Luis Blondet that will consider relationships among gesture, meaning, and spectacle in performance art and theater; and the re-staging of a historical performance piece by Argentinian artist Leon Ferrari in collaboration with The Getty Institute.

The sound recording was made during preparations for the experimental performance Desert Walker, a land art piece produced by the Oslo - based artist group Motherboard in 2008.

These textual explorations are complemented by extensive documentation of related projects, both historical and contemporary, by artists, architects, and performance artists, including Coughing Piece, a never - before released 1961 audio work by Yoko Ono; an obscure audio work by Nauman from 1969; projects by Suzanne Lacy, a leading figure in the development of conceptual practice and public art; and an experimental text by Jane Rendell on psychic architectures.

Performance art isn't defined by the artist's career, but rather by the individual piece — a painter can make a performance and a performance artist can make Performance art isn't defined by the artist's career, but rather by the individual piece — a painter can make a performance and a performance artist can make performance and a performance artist can make performance artist can make a painting.

Public performances include Kitchen, Roulette, and pieces at the Guggenheim Museum SOHO, Museum of Contemporary Art of Barcelona, Tokyo Opera City Gallery, and a commission by the American Dance Festival for Merce Cunningham.

We look forward to the opportunity to present BLISS (REALITY CHECK), a site specific, durational performance piece created by Donna Huanca for Art Basel's Unlimited sector.

Cleveland, OH (December 17, 2017)-- Recent acquisitions by the Cleveland Museum of Art include a performance piece by Pierre Huyghe, a leader in the Relational Aesthetic genre and the first work of its kind to enter the museum's collection; an oil painting on copper by Johann König, one of the most significant masters of German painting at the beginning of the 17th century; a generous bequest of several works from Frances P. Taft, a beloved Trustee of the Cleveland Museum of Art; and two groups of photos, gifted to the museum by The George Gund Foundation.

Zhang's first major performance was an unannounced piece titled Angel (1993), in which he laid almost completely naked, covered in red liquid and surrounded by dismembered doll parts at the entrance hall of the National Art Museum of China.

In this excerpt from his lecture / performance, artist Theaster Gates reflects on the last 10 years of his art practice through the medium of his 60,000 - piece glass lantern slide collection, given to him by the University of Chicago's art history department.

This will include a tribute to the Latin American composers of Hollywood by the Mexican Institute of Sound at the Getty Center, a sound installation by award - winning Mexican composer Guillermo Galindo at the Huntington Library and a performance by experimental soul rockers Chicano Batman, who will be creating a piece inspired by the paintings of Carlos Alamaraz at the Los Angeles County Museum of Art.

A self - proclaimed dropout of the art world, Lozano rejected the commerciality of the art scene by committing an act of defiance, in four parts: General Strike Piece, a performance that began in February 1969 as a protest to the banality of the existing artistic atmosphere; Decide to Boycott Women, a twenty - seven year hiatus from contact with her female supporters, including artists, gallerists, and critics, begun in August 1971; Dialogue Piece, an invitation to dialogue that blurred the roles between artist as sender and viewer as receiver.

A wearable piece of art created by Somogyi was recently included in Fall Collection a runway show performance at P.S. 1 Contemporary Art Center, Queens, as part of the NY Art Book Faart created by Somogyi was recently included in Fall Collection a runway show performance at P.S. 1 Contemporary Art Center, Queens, as part of the NY Art Book FaArt Center, Queens, as part of the NY Art Book FaArt Book Fair.

This public piece, entitled 100 Walkers, West Hollywood, is the work of Richard Kraft, a Los Angeles - based artist who was asked by the West Hollywood Arts and Cultural Affairs Committee to create a performance as part of their 30th anniversary of city - hood.

Yet, while Made in L.A. appeared as diverse and sprawling as the city whose art it presented, it might also be argued that the bulk of the work on view extended four familiar (and familial) lineages of Los Angeles art that were well represented in «PST»: hard - edge abstraction (represented here in paintings by Brian Sharp and Alex Olson and painterly objects by Lisa Williamson and Brenna Youngblood), found - object assemblage (in the work of Liz Glynn, Ry Rocklen, Henry Taylor, and Erika Vogt, among others), eclectic performance practices (including live pieces by Math Bass, Kenyatta A. C. Hinkle, and Ashley Hunt, as well as the collective Slanguage's array of community - based works at LAXART), and film and video projects that pointed, more or less, to the looming shadow of Hollywood (e.g., Miljohn Ruperto's Seven and Five, 2012, which includes multiple remakes of a 1961 episode of the TV show Alfred Hitchcock Presents, and Dan Finsel's The Space Between You and Me, 2012, for which the artist restaged Farrah Fawcett and Keith Edmier's decade - old roll in the clay).

She dropped by the studio this week to talk about working with professional actors for her pieces, her recent solo exhibition at On Stellar Rays, complicating traditional notions of the viewer's gaze, watching bad TV, not buying video equipment, and her constantly - shifting relationship with the genre of performance art.

I probably made it worse when I stepped up to speak, by doing my version of Bruce Nauman's video performance piece Clown Torture — jumping up and down shouting No, No, No, No, No, as well as performing my Mark Rothko - Killed - Himself - Because - He - Met - the - People - Who - Bought - His - Art routine.

Part installation, part Happening and part performance piece, the immersive nature of this Work is central to the inclusive nature of Creed's art, «If you make a movement, you make a balloon rub up against someone else, what you do effects people» (M. Creed, quoted by J. Jones, «What's so minimal about 15,000 balloons?

«Life, Once More: Forms of Reenactment in Contemporary Art,» at Rotterdam's Witte de With in 2005, queried the status of such representations of historical actions and events, and to this end included Sullivan's aforementioned piece along with, for instance, the earlier example of Andrea Fraser's Kunst muss hangen (Art Must Hang), 2001, a video depicting Fraser's own performance of a drunken speech once given by Martin Kippenberger.

The concurrent Art Perform program at the Art Positions site, curated by Jens Hoffmann (Director Wattis Institute for Contemporary Arts San Francisco), presents daily performances by four artists invited to conceive and present specially commissioned pieces: Christian Jankowski (Germany), Yoshua Okon (Mexico / United States), Adriana Lara (Mexico), and Jordan Wolfson (United States).

Instructions for the performance piece The Greenhouse (1971) by Kerry Trengrove [showing along with Flanagan in Art Spectrum London].