Sentences with phrase «performance as a visual art form»

Abramovic pioneered the use of performance as a visual art form in the early 1970s, exploring her physical and mental limits by withstanding pain, exhaustion, and danger in the quest for emotional and spiritual transformation.

Since the beginning of her career, during the early 1970s when she attended the Academy of Fine Arts in Belgrade, Abramović has pioneered the use of performance as a visual art form.

Marina Abramović Since the beginning of Marina Abramovic's career, during the early 1970s, where she attended the Academy of Fine Arts in Belgrade, Abramović has pioneered the use of performance as a visual art form.

Since the early 1970s, Marina Abramovic (b. 1946) has pioneered the use of performance as a visual art form, exploring her physical and emotional limits in some of the most iconic works in contemporary art.

A pioneer of performance as a visual art form, Abramović has used her body as both subject and medium of her performances to test her physical, mental, and emotional limits — often pushing beyond them and even risking her life — in a quest for heightened consciousness, transcendence, and self - transformation.

A pioneer of performance as a visual art form, Marina Abramović has used her body as both subject and medium of her performances to test her physical, mental, and emotional limits — often pushing beyond them and even risking her life — in a quest for heightened consciousness, transcendence, and self - transformation.

In her quest to use her body and performance as a visual art form, Marina Abramovic has cut herself, burnt herself, had a bow and arrow pointed at her heart and sat for hundreds of hours in the same chair in silence.

Not exact matches

Reflecting on the exhibition's consideration of «the blues» as a political and aesthetic idiom within the visual arts, the performances will showcase contemporary musical forms that extend aspects of the blues legacy.

Performa: New Visual Art Performance presents an authoritative introduction to the genre, many forms including radio broadcast, dance, live installation, new technologies, film and video, music, historic reconstructions and lecture - as - performance, and provides a vivid tour through the world of contemporary performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, aPerformance presents an authoritative introduction to the genre, many forms including radio broadcast, dance, live installation, new technologies, film and video, music, historic reconstructions and lecture - as - performance, and provides a vivid tour through the world of contemporary performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, aperformance, and provides a vivid tour through the world of contemporary performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, aperformance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, and Gelitin.

«Tagore's Galleries in New York, Los Angeles and now Hong Kong combine visual arts with other forms such as poetry reading, dance performances, music, films and charity funding.»

This work adds to current debate involving the recording and documentation of performance and live event in the arts, exploring slow capture in an age of acceleration at the intersection between visual arts practice and physical geography, to investigate image - making as a form of material transformation and transportation.»

The key subject of the course is the Exhibition as Communicative Space and will include: discussions about criticism and analysis of comprehensive phenomenon of how contemporary art, design, architecture, sound and performance, and publications as dominant art forms of visual culture adapt, co-exist, and conflict with market system; the course will reflect upon creative responses to conflict and crisis versus problems of value judgment on today's market - led cultural phenomenon and cultural movement, and the role of curator as a cultural translator and mediator between the two; and exploration of alternatives for ecological health of increasingly globalized art and culture.

NOTE: Some art critics believe that Performance art is best understood as a «performing art», like drama, dance or stand - up comedy, rather than a form of «visual art» - especially since the «artwork» in question is typically accorded a low priority by the performance artists Performance art is best understood as a «performing art», like drama, dance or stand - up comedy, rather than a form of «visual art» - especially since the «artwork» in question is typically accorded a low priority by the performance artists performance artists themselves.

In their attempt to popularize and broaden access to visual art, they introduced (or refined) a series of new art forms, such as Conceptualism, Performance, Happenings, Installation, Earthworks, Projection art, and in the process took full advantage of new media like video, computers and digital technology.

Work from all crafts and mediums such as fine art, performance art, forms of dance, photography, short films for visual projections, spoken word poetry, instrumentalists, vocal performances are welcome.

Session I, 5 — 7 pm Discussant: Tom McDonough Associate Professor and Chair of Art History, Binghamton University Nicolas Linnert «All Access Politics: Reality and Spectatorship in Two Film Installations by Jean - Luc Godard & Hito Steyerl» Hammam Aldouri «Sortir du Champ: Toward the Readymade as Artistic Practice» Benedikt Reichenbach «Materialism of Form: Binary Images as Models of Representation» Session II, 7:30 — 9:30 pm Discussant: Soyoung Yoon Assistant Professor of Art History & Visual Studies, The New School Kim Bobier «Mine the Gaps: Subliminal Civil Rights Struggle in Lorraine O'Grady's Art Is...» Kaegan Sparks «Routine Performance: Self - Management and Affective Labor in Martha Wilson's Early Works» Harold Batista «Immediate Peers for the Generations: Intergenerational Cooperation and Mutual Dependence» Admission is free.

In fact, within the world of visual art, the term art festival typically embraces the widest possible spectrum of creative events, involving contemporary art: from traditional media, such as painting and sculpture, to more modern forms like installation and video art, film - making, animation and photography, as well as avant - garde art forms such as performance art.