Sentences with phrase «performance continues with works»

The idea of performance continues with works including Wearing's 1997 masterpiece, 10 — 16.

Not exact matches

While a reward provides employees with a sense of recognition and self - worth, it's equally important to ensure that the rewards are only given during performance months, and as a result of hard work and success, to continue driving overall company growth.»
Oregon also accuses Oracle of breach of contract, along with civil racketeering, for «failing to deliver on its obligations, overcharging for poorly trained Oracle personnel to provide incompetent work, hiding from the state the true extent of Oracle's shoddy performance, continuing to promise what it could not deliver, and willfully refusing to honor its warranty to fix its errors without charge.»
«As expected, in the first quarter our performance continued to reflect supply headwinds associated with key brands within our Knee, Hip and S.E.T. portfolios, as well as the ongoing quality remediation work at our Warsaw North Campus facility,» said Bryan Hanson, President and CEO of Zimmer Biomet.
Mozilla said it would «continue to work closely with Adobe to deliver the best possible Flash experience for our users» as it phases the multimedia player out, and said that an engineering partnership between the two companies has improved some performance and stability in Firefox when it displays Flash content.
Following the completion of this offering, we plan to continue to work with independent compensation consultants to maintain a list of peer group public companies of similar size and in comparable industries which our compensation committee can reference when analyzing executive officer compensation to ensure our executive compensation program is, and remains, competitive and offers the appropriate retention and performance incentives.
The financial performance of the flagship Australian business continued to deteriorate with a $ 67 million loss and it suffered an adverse movement of work in progress and payments to former owners.
From biking, running and triathlons to skiing, tennis, soccer and hockey, GU continues to work with pro and amateur athletes to formulate a suite of products that work together to improve your performance in endurance pursuits.
Continues to shake off the bad reputation he got at Arsenal with hard - working, if not prolific, performances.
The Hammers had seemingly turned a corner under new manager David Moyes after encouraging results against Man City, Chelsea, Arsenal and Stoke, but undid all that good work with a disappointing performance in the 3 - 2 loss at Rafa Benitez's struggling Magpies at the London Stadium Continue reading →
Dr. Meyer continues working in the area of pediatric exercise with the emphasis of thermoregulation, hydration and nutrition, and she has published extensively in these areas specific to sweat - prompted fluid and electrolyte losses, sex and maturation effects and performance related to exercise - heat stress in youth athletes.
«As we continue to work on enhancing the performance and efficiency of the solar cells, we also look forward to opportunities to collaborate with industry in order to develop this technology further,» Yang said.
Online, we'll continue to work to become more efficient with search, and we look to expand our relationship with our existing partners MSNBC, iVillage and Oxygen, while solidifying a couple of other key performance based partnerships.
Although the noted writer / director continues his trend of capturing excellent performances from his leading ladies (having worked with Jane Birkin in La Fille prodigue, her daughter Charlotte Gainsbourg in Amoureuse, Juliette Binoche in La Vie de famille and Isabelle Huppert in La vengeance d'une femme), The Three Way Wedding fails to turn its significant female presence into anything more than an expressive yet insubstantial feature, instead existing in the space between amusing and neurotic, and passionate and melodramatic.
Isaac has quickly established himself as one of the better actors working today with a string of great performances; hopefully that streak will continue with his next film, another sci - fi movie called Star something or other.
Meanwhile, James Marsden continues to build on a great year with his turn as the charming reporter, and while earlier roles seemed to indicate he lacked the range for leading man status, his highly underrated performances in «Hairspray» and «Enchanted,» as well as his work here, looks to remedy that in the coming months.
So far, the task force has succeeded in completing the first - ever performance assessment of reform initiatives in the four provinces and continues to work closely with local governments to develop long - term strategy and action plans to improve performance of the education sector.
While we continue to develop daring new live experiences for young audiences, we are working with artists to capture and offer «virtual performances» so students and teachers outside of NYC can watch BAM performances at their local cinema, on their computers or devices, participate in virtual workshops with BAM teaching artists, and access BAM's extensive archive and library of educational resources.
Are you empowering employees with continued performance support within the flow of work?
The overall goal of this extension of our existing work in partnership with TFF and Achievement First Bridgeport Academy (AFBA) is to continue and expand our work in Bridgeport focusing in several keys areas: (1) building knowledge about (a) children's emerging skills and areas of challenge in the social - emotional domain and why these skills are critical to school success, and (b) the ways in which adult stress and skills in the social - emotional domain can impede or foster children's social - emotional skill development; (2) identifying, deploying, and evaluating strategies to build adult and child skills in social - emotional learning with an emphasis on the Tauck Family Foundation's (TFF) five essential SEL skills; and (3) developing and testing a performance management system for SEL that (a) guides the identification of strategies, (b) provides a mechanism for ongoing progress monitoring, feedback, and changes to practice, and (c) serves as an anchor point for ongoing coaching and support in using SEL strategies.
As part of the Obama Administration's continued commitment to working with tribal leaders to address the challenges facing Indian Country, Interior Secretary Sally Jewell and Education Secretary Arne Duncan convened a study group to work with tribes and other BIE stakeholders to identify the causes of low - performance in BIE - funded schools.
TCSA supported this legislation and continues to work with charters on increasing performance through training, technical assistance, and the Quality Framework, a research - based continuous improvement tool and process designed to help public charter schools assess quality and improve academic performance.
«This work will ensure that we continue to measure the performance of students with disabilities and better monitor student progress.
Please bear with us as we work to keep our parts in stock and continue to push the envelope of off - road performance parts for the specialized product line.
Once you discover how much fun training and working with your dog is you may want to continue on with classes for performance obedience, Rally, and dog sports, such as Agility, whether or not you choose to actually compete in these sports.
- despite the new business partnership with Cygames, Nintendo is very satisfied with its mobile business - they are also happy with the various projects created in partnership with DeNA, and their relationship will continue - Nintendo is trying to expand its lineup of mobile games - Cygames had a plan for a title that was very deep and Nintendo thought it was important to develop and operate it jointly - DeNA doesn't just support Nintendo's mobile applications, but also its Nintendo Account system with tech and dev support - those areas of Nintendo's partnership will also continue - Nintendo is open to partner with other companies as well in the future - by using Nintendo IP in mobile apps, the company wants to spread awareness about Nintendo's characters - ultimately they'd like it to become synergistic with the console business - Nintendo wants to make mobile games one of the pillars of revenue - it's not enough to just expand dedicated internal development resources for this goal - this is why Nintendo is looking for possibilities to do it externally as well - Nintendo thought that Cygames» plan with Dragalia Lost was common ground for the companies, so they decided to partner - one important factor to think about when managing a company like Nintendo is that its products aren't daily necessities - Nintendo creates entertainment and fun, and the essence of its business will remain unchanged - Nintendo says it's a high - risk business, and there are times in which performance could be good or bad - Nintendo will continue to create specialized gaming hardware and software for the world - the aim is to be successful every time, but sometimes it will work out, and sometimes it won't - instead of thinking «I can't do this» they'd rather think «what can we do to continuously tighten our relationship with the customers?»
We're regularly shooting scenes for the game in our in - house homemade performance capture studio and we are excited to be continuing our work with a great group of actors that are performing the various voices that Senua hears throughout our journey.
Going live with 3.0 allows us to merge back into our main development branch, continue the performance and optimization work (which will be a big part of future releases) and deliver it with solid testing for Q1 2018.
It continues with works from the world's leading innovators in the arts, as they break through thresholds of space, memory, sound, and genre — from Philippe Parreno who, in his largest exhibition in the U.S. to date, transforms the presentation of visual art into an evolving sensory journey; to Wayne McGregor, Olafur Eliasson, and Jamie xx as they create a new contemporary ballet; to avant - garde performance artist Laurie Anderson who, through a site - specific installation in the Armory's drill hall, will expand upon her work with storytelling and technology to create a site - specific environment that serves as a meditation on time, identity, surveillance and freedom; and finally to Igor Levit and Marina Abramović as they interpret Bach's renowned Goldberg Variations, to create a concentrated durational performance that reflects upon music, time, space, emptiness, and luminosity.
Often working in a cross section between concert theatre and performance the duo challenges the idea of performance as a fixed time frame and often leaves a visual fingerprint that enables the narrative to continue its own life and dialogue with the site on which it takes place.
O'Brien began working with the artist in 1993, and continued to collaborate with him for 10 years, photographing sets, actors and outtakes from films and performances Barney created.
Following the grand reopening of the Stedelijk Museum in September 2012, Folkerts continued to oversee performance, film, and discursive programs there, working with such artists as Pablo Bronstein, Valie Export, Dominique Gonzalez - Foerster, Sharon Hayes and Brooke O'Harra, Ulrike Rosenbach, Emily Roysdon, and Wu Tsang.
With performance art, activism, social justice, feminism, and the gay rights movements in its DNA since the beginning, 18th Street has continued to foster and support the work of many of Los Angeles» most engaging and diverse artists, and has built bridges to like - minded artist communities around the globe.
She collaborated with Ulay from 1976 - 89, created some of the most iconic early performance pieces, and is one of few artists of her generation who continues to make important durational works.
With over 50 artists, most of whom worked — and continue to work — in New York, Concept, Performance, Documentation, Language illustrates the shared interests and common endeavor that animated a loosely defined community of artists from the late 1960s to the early 1980s.
He received his BFA in painting and drawing from the University of Georgia in 2012 and has continued developing his work in painting as well as his experimentation with sculpture, installation, performance art, and film.
Following the grand reopening of the Stedelijk Museum in September 2012, Folkerts continued the Public Program in the museum, working with international artists and scholars to develop performance, film and discursive programs.
In the three years since her last solo exhibition at the gallery, Rafferty has been pushing forward her dialogue with materials and strategies of making while continuing to engage themes that have been preoccupying her in her work to date: mid - to late - 20th - century media culture and the proliferation and subsequent impoverishment of imagery that has arrived in its wake; tropes of performance and comedy; and the theatricalized, often female, body, with its simultaneous centrality and abjection.
Mitchell Center Artist in Residence, Daniel Bernard Roumain (DBR) continues to work with the UH Cougar Marching Band in a residency that spans two years and included En Masse, a large scale outdoor performance in downtown Houston in April 2013.
Its «artists for artists» legacy continues today with Grants to Artists, unrestricted, by - nomination grants supporting pioneering work across the fields of dance, music / sound, performance art / theater, poetry, and the visual arts.
While they may or may not term themselves «conceptual artists», ideas such as anti-commodification, social and / or political critique, and ideas / information as medium continue to be aspects of contemporary art, especially among artists working with installation art, performance art, net.art and electronic / digital art.
He continued: «The problem with the work I see that concerns pop culture or performance is... how do I know you actually did this?
The exhibition will feature an expansive series of performances and events, including a number of episodic, one - time demonstrations of rarely seen works, as well as new commissions, which will bring contemporary artists into dialogue with Calder's innovations and illuminate the many ways in which his art continues to challenge and inform new generations.Info: Curators: Jay Sanders and Greta Hartenstein, Whitney Museum of American Art, 99 Gansevoort Street, New York, Duration: 9/6-23 / 10/17, Days & Hours: Mon, Wed - Thu & Sun 10:30 - 18:00, Fri - Sat 10:30 - 22:00, http://whitney.org
The American Folk Art Museum continued to thrive in reduced circumstances, most visibly in «When the Curtain Never Comes Down,» which examined aspects of performance with the work of both European and American 20th - century outsider artists.
Locke's first carnival - inspired performance is the outcome of decade - long meditations on Carnival in Guyana and London and continued engagement with carnival aesthetics that have long suffused his work.
Atlas» formative and continued involvement with The Kitchen began in 1974, when he appeared in an irreverent two - minute performance in Jean Dupuy's marathon soiree, Soup and Tart; over the decades, his work has become an indelible part of The Kitchen's history.
These new works are a collision between painting and video, with Oursler continuing to innovatively employ sculpture, performance, video and painting.
Living Room Index and Pool is an exhibition of sculpture by Yuri Masnyj and performance by Lauren Bakst with Emma Geisdorf that took place at Pioneer Works from March 13 — April 26, 2015, and will continue to evolve this summer as part of the Open Sessions exhibition at The Drawing Center, New York.
Encompassing photography, sculpture, sound, LED light boxes, film, video installations, architectural interventions, and live performances called «happenings», Aitken's work testifies to his continuing engagement with the myriad of art forms available to the artist in the 21st century.
Sierra's second work called Veterans of war facing the corner continues a series of performances he has staged since 2011, inviting war veterans from historical conflicts to simply stand in a corner with their backs to the viewer for a period of time.
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