Sentences with phrase «performance curators from»

The invited speakers were performance curators from important American institutions including the Dia Art Foundation, Performa, Danspace Project, and MoMA; local projects like FD13 Residency (Sandra Teitge) and The Bindery Projects (Nate Young); as well as artists whose work is linked to the above mentioned institutions and projects (Ralph Lemon, Maria Hassabi, Pope L., Charles Atlas, Rashaun Mitchell).

Not exact matches

Mark Beasley, the Robert and Arlene Kogod Secretarial Scholar and Curator of Media and Performance Art, has programmed the Washington, D.C., debuts of five video installations from recent biennials, which are to be experienced in the following sequence: Camille Henrot's Grosse Fatigue (2013), a transcendent and lyrical multilayered rumination on the creation and organization of the universe, conceived during a residency at the Smithsonian; Hito Steyerl's How Not to Be Seen: A Fucking Didactic Educational.

RoseLee Goldberg RoseLee Goldberg, Founding Director and Curator of Performa, is an art historian, critic, and curator whose book Performance Art: From Futurism to the Present, first published in 1979, pioneered the study of performanCurator of Performa, is an art historian, critic, and curator whose book Performance Art: From Futurism to the Present, first published in 1979, pioneered the study of performancurator whose book Performance Art: From Futurism to the Present, first published in 1979, pioneered the study of perfoPerformance Art: From Futurism to the Present, first published in 1979, pioneered the study of performanceperformance art.

An independent curator and scholar, she is known for organizing processional performances that explore the «political aesthetics of walking, marching, second lining, masquerading and parading,» which she has presented in public spaces from Miami and New Orleans to Gwangju, Cape Town, Venice, and the Tate Modern in London.

More than 70 eyewitness accounts and idiosyncratic recollections from artists, curators, critics and friends create a vivid sense of the exhibitions, performances, screenings, discussions, ideas and people that were part of Exit Art during its three - decade run.

Find all our upcoming shows on our website: http://westside.pilotenkueche.net/?p=11377 — «UNHEIMLICH» / international group exhibition Opening: 09.02.18, 19:00 hOpen from: 10.02 - 01.03.18 Finissage: 02.03.18, 19:00 hLocation: Alte Handelsschule, Gießerstraße 75, 04229 Leipzig Find this event on Facebook: https://www.facebook.com/events/238067913399668/ International residentsAlexander Hulphers (Painting; Oroville, USA) Alma Vissher (Installation, Textile; Edmonton, Canada) Elsa Henderson (Painting; Los Angeles, California, USA) Hannah Naify (Painting; Brooklyn, New York, USA) Ilil Kenaan (Performance, Theatre; Tel Aviv, Israel) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Lucas Recchione (Painting, Sculpture, Video; New York, USA) Malda Alajlani (Painting; Damascus, Syria) Maria Barros (Sculpture; Santiago, Chile) Mirel Torun (Photography, Drawing; Izmir, Turkey) Rory Harron (Sculpture, Installation; Redcastle, Donegal, Ireland) Stephanie Morissette (Installation, Video; Québec, Canada) Viktor Witkowski (Painting, Video; Norwich, USA) Local ParticipantsAnja Heymann (Mixed Media; Leipzig, Germany) René Schäffer (Photography; Halle, Germany) CuratorsMaria Stadirani (Curator; Rome, Italy) AssistantsPaula Blower (Mixed Media, Video, Installation, Performance; Rio de Janeiro, Brazil) Kay Lotte Pommer (Leipzig, Germany) Further Exhibitions «Kaleidoscope GmbH» / international group exhibition Opening: 08.02.18, 19:00 h Open: 09 - 11.02.18, 15:00 - 20:00 hLocation: PING PONG, Helmholtzstraße 1, 04177 Leipzig, Germany Find this event on Facebook: https://www.facebook.com/events/666373870492573/ Artists Alma Vissher (Installation, Textile; Edmonton, Canada) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Maria Barros (Sculpture; Santiago, Chile) Stephanie Morissette (Installation, Video; Québec, Canada) René Schäffer (Photography; Halle, Germany) «LOOK, CAN I START A GROUP LIKE YOU» / international group exhibition Opening: 10.02.18, 19:00 h Open: 11.02 - 14.04.18 Location: LS43, Lübecker Strasse 43, Berlin, Germany Follow LS43 Find this event on Facebook: https://www.facebook.com/events/909424109214442/ CuratorJos Diegel (Mixed Media, Video, Installation; Frankfurt, Berlin, Germany) A selection of former residents video works will be presented.

In this edition, Performa Founding Director and Curator, RoseLee Goldberg, and the Performa Team bring us inside the Performa 13 biennial, in which over one hundred visual artists from around the world presented live performances at more than sixty venues throughout New York City.

There is no longer any excuse for scholars, curators, and critics to exclude black artists from any conversation about contemporary performance art.

In conjunction with the exhibition, DHC / ART and guest curator Barbara Clausen will present Affinities: a series of performances, screenings, and conversations, a program of events in two parts, from May 24 to 27 and from June 20 to 22.

Eduardo Paolozzi, talks and events (February — May) A number of events expand on the themes explored in the exhibition, including an evening of performance featuring artist Anthea Hamilton (30 March, 7 pm, # 5 / # 3.50 concs) an introduction to Paolozzi with the exhibition curator Daniel F. Herrmann (18 February, 3 pm, # 12.50 / # 10.50 concs), and a day - long symposium inspired by the artist's 1985 exhibition Lost Magic Kingdoms and Six Paper Moons from Nahuatl (25 March, 2 — 6 pm, # 15.50 / # 13.50 concs).

RoseLee Goldberg, Founding Director and Curator of Performa, is an art historian, critic, and curator whose book Performance Art: From Futurism to the Present, first published in 1979, pioneered the study of performanCurator of Performa, is an art historian, critic, and curator whose book Performance Art: From Futurism to the Present, first published in 1979, pioneered the study of performancurator whose book Performance Art: From Futurism to the Present, first published in 1979, pioneered the study of perfoPerformance Art: From Futurism to the Present, first published in 1979, pioneered the study of performanceperformance art.

Their donation of $ 3 million will endow the Chief Curator position held by Anthony Elms, who joined ICA in 2011 from Performa where he was part of the organizational team behind the 2011 visual art performance biennial in New York, along with other independent curatorial projects.

That exhibition, from curator Osman Can Yerebakan spans an online component and IRL performances, loosely based on a sci - fi film of the same name wherein a dying computer programmer falls in love with a psychic nightclub performer.

Thinking of painting as a form of technology is a very interesting vantage point, because if you consider the whole sweep of different mediums that artists are employing today — from video and virtual reality to immersive installation and performance — then painting becomes the least optimized medium for avant - garde curators to engage the kinds of crowds that come to biennials and exhibitions.

The fair's exhibiting galleries represent some of the most exciting artists working today, from the emerging to the iconic; and a team of world - leading independent curators advise on feature sections, making possible performance - based work and ambitious presentations by emerging galleries.

Vernita Nemec, a.k.a. Vernita N'Cognita, the curator and creator of Art from Detritus, is a visual & performance artist and has been the director of Viridian Artists since 2005.

Performance: Keil Borrman, «Airing the Facilitation Banner Paintings,» at Osmos As part of a program called «Beer on Sundays,» inspired by anarchist saloonkeeper Justus Schwab's effort in the late 19th century to operate his drinking establishment on that day, which was once housed at Osmos's address, Keil Borrman will stage a performance, curated by Jovana Stokic, which involves the audience taking banners with political messages from the gallery, recently founded by curator Cay Sophie Rabinowitz, to the nearby First Street Green, at 33 East Performance: Keil Borrman, «Airing the Facilitation Banner Paintings,» at Osmos As part of a program called «Beer on Sundays,» inspired by anarchist saloonkeeper Justus Schwab's effort in the late 19th century to operate his drinking establishment on that day, which was once housed at Osmos's address, Keil Borrman will stage a performance, curated by Jovana Stokic, which involves the audience taking banners with political messages from the gallery, recently founded by curator Cay Sophie Rabinowitz, to the nearby First Street Green, at 33 East performance, curated by Jovana Stokic, which involves the audience taking banners with political messages from the gallery, recently founded by curator Cay Sophie Rabinowitz, to the nearby First Street Green, at 33 East 1st Street.

A certain reminisces of Minimal Art and Post Object art is notable, yet this selection, which ranges in media spanning from video, performance, sculpture, photography, painting to installations, reflects an apparent interest of the curator in conceptual and formal approaches of the artwork itself.

From 2008 - 2012 she was Assistant Curator for Performance in the Department of Media and Performance Art at The Museum of Modern Art, where she co-organized the Performance Exhibition Series.

The foregrounding of installation, film and performance, mixed with the presence of names familiar from western biennial circuits points to one thing: the class of curators who have become associated with biennials, and with criss - crossing the globe.

Instead of including only recent performance art and earlier artist projects with full documentation so viewers could witness the action - based art for themselves, exhibition curator Andrea Grover selected works important to the developing art movement, tracing its course from its roots in the»60s to the present day.

But in the hands of curator Boris Groys the proposition turns ambiguous... «Specters,» as conceived by Groys, explores Russian «post-conceptual realism,» an artistic practice in which artists shift attention from isolated art objects and performances to their social and political context.

Today from our friends at REORIENT, we bring you an excerpt from Joobin Bekhrad «s interview with artist and curator Ali Ettehad, who says, «I strongly believe that at a time — especially in the Middle East — when art is, for the most part, commercially - driven, performance art is powerful in its ability to help artists retain their independence and integrity.»

«The unstable identity of the present begs for the return of power of the mask from ancient times, when it was used as a form of protection, disguise, performance, or just plain entertainment», states curator and artist Bogomir Doringer in the catalogue for his newly opened exhibition Faceless II at the Freiraum Quartier21 International of MuseumsQuartier Wien.

For more in this series, see my thoughts on Art itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video art.

Join Erin Brannigan in conversation with Catherine Wood, Senior Curator of International Art (Performance) as they trace the influence of dance on Robert Rauschenberg's work from the 1950s and 1960s.

For more in this series, see my thoughts on Private views, Art itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video art.

[33] Maria Troy, «I Say I Am: Women's Performance Video from the 1970s,» also the title to a collection of «early feminist tapes» curated by Troy as Associate Curator of Media at the Wexner Center in Columbus, Ohio.

The 2014 Whitney Biennial will take a bold new form as three curators from outside the Museum - Stuart Comer (Chief Curator of Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), an...

Made in Arts London has invited a number of key professionals — specialising in the creation, commissioning, promotion and sale of new media, moving image, performance and installation — to discuss the topic from a number of perspectives; the artist, the curator, the gallerist and the consultant.

On view from June 29, 2011, to January 2, 2012, in The Yoshiko and Akio Morita Media Gallery, Harun Farocki: Images of War (at a Distance) is organized by Sabine Breitwieser, Chief Curator, and Erica Papernik, Curatorial Assistant, Department of Media and Performance Art, The Museum of Modern Art.

Michael Kliën's Excavation Site: Martha Graham U.S.A. is curated by Travis Chamberlain, Associate Curator of Performance and Manager of Public Programs, with generous support from the Austrian Federal Ministry for Education, Arts and Culture and the Austrian Cultural Forum New York.

In 2004, Tate acquired its first performance work, from Frieze London, and the following year saw the creation of New York's first performance biennial, Performa, by the curator RoseLee Goldberg.

Marco Antonini, the Executive Director & Curator from 2011 — 2016, elevated NURTUREart's profile and deepened the quality of our programs, including the expansion of our programs to include live performances, publications, and video art festivals.

Acting as curator, Santiago Muñoz has selected works from the permanent collection that include Hector Mendez - Caratini's photographs of Taino petroglyphs, Ana Mendieta's polaroids of her performance Body Tracks, a selection of destroyed film works by El Museo's founder Raphael Montañez Ortiz, and works by Nuyorican artists including Marcos Dimas.

Additional essayists include Franklin Sirmans, Department Head and Curator of Contemporary Art, Los Angeles County Museum of Art, who explores the early performances of Lorraine O'Grady; Tavia Nyong» o, Associate Professor of Performance Studies at New York University, who discusses black performance art from the perspective of sex and gender; and Naomi Beckwith, Curator, Museum of Contemporary Art Chicago, who examines the relationship between live performance and its docPerformance Studies at New York University, who discusses black performance art from the perspective of sex and gender; and Naomi Beckwith, Curator, Museum of Contemporary Art Chicago, who examines the relationship between live performance and its docperformance art from the perspective of sex and gender; and Naomi Beckwith, Curator, Museum of Contemporary Art Chicago, who examines the relationship between live performance and its docperformance and its documentation.

Highlights of the night include Rhizome assistant curator of net art Aria Dean's presentation on William Pope.L's work Disturbing Martin (2000 — 05) and a talk from Eva and Franco Mattes, also known as http://0100101110101101.org, who made the entirety of their desktop available for public view for their online performance Life Sharing (2000 — 03).

The keen retrospective eye of the curators has thrown up a rewarding mix of the mainstream and the obscure, and it is worth the ticket price solely for the video of German opera singer Klaus Nomi performing Lightning Strikes in an over shoulder - padded, shiny tuxedo.Highlights include the subversive designs of the Italian collectives Studio Alchymia and Memphis; graphics by Peter Saville and Neville Brody; the original presentation drawing for Philip Johnson's AT&T building (1978); paintings by Robert Rauschenberg and Andy Warhol; Jeff Koons» stainless steel bust of Louis XIV (1986); performance costumes, including David Byrne's big suit from the documentary Stop Making Sense (1984); excerpts from films such as Derek Jarman's The Last of England (1987); and music videos featuring Laurie Anderson, Grace Jones and New Order.Catalogue offerSave # 8 on the exhibition catalogue with your National Art Pass.

Macky Auditorium, University of Colorado HOVAB @ Macky: Shark's Ink Curator: Joan Markowitz September 1 to November 15 University of Colorado Campus 1595 Pleasant St, Boulder, CO 80309 [phone] Gallery Hours: Admission to the gallery is free and open to the public Monday through Friday from 10 a.m. to 5 p.m. and to ticketed patrons during Macky Auditorium performances and events.

Whitney to Bring Downtown Uptown — Performance curator Jay Sanders is gathering together a historic collection of ephemera, sets, and documentation from the performances that occurred in New York's alternative spaces between 1970 and 1980, a period that has not yet been as fully treated as the era of Fluxus and the Happenings.

The Idea Fund will accept proposals from artists / curators focusing on the visual arts, performance, film, video, new media, social practice, and interdisciplinary projects.

Sunday, June 23 Opening Reception from 2 - 5 pm Bronx Museum Members Tour with State of Mind curators and artists from 1 - 5 pm Performance of Sons of War Games by Darryl Sapien from 2:30 - 4 pm (2nd floor, North Wing terrace) Performance by AIM artist Alejandro Guzmán at 4:30 pm (1st floor, North Wing Gallery) FREE

Collectors, artists, and curators from around the world meet in the Second City for scores of events built up around the EXPO centerpiece, among them: gallery openings, gala benefits, lectures, curator - led private tours, and performances.

Luce is currently artist / curator of international project «Esparto» (2016 --RRB-, with touring exhibition, symposium and trilingual publication; has recently returned from the US opening of her Rabbit Island residency exhibition with performance lecture at DeVos Art Museum, Michigan (2016 - 17); and her Bideford Black commission (shown Devon 2015, Lincoln 2016) has been selected for the upcoming touring performance exhibition «Documents, Alternatives» (UK / Australia 2017 - 18).

With two keynote presentations, the contributions of over 60 scholars, curators, and artists from around the world, the Southeast Premiere of Black Mountain Songs at Diana Wortham Theatre, and the opening of our inaugural ACTIVE ARCHIVE exhibition (Martha McDonald, Process + Performance) it is safe to say that this ReVIEWING weekend was like nothing our museum has tackled before.

Curated by Adelina Vlas, the AGO's Associate Curator of Contemporary Art, Sandra Meigs: Room for Mystics (with Christopher Butterfield) will be located on the 5th Floor of the AGO's Contemporary Tower (the Vivian & David Campbell Centre for Contemporary Art) and consists of 30 large - scale paintings stationed throughout the gallery floor space, 13 fabric wall banners, a large mobile hung from the ceiling, a custom - designed sound system, and a recurrent 15 - minute musical performance by the Vox Aeris brass trio.

The 77th Whitney Biennial will, this year, be corralled by three curators sourced from outside the institution (but no less internationally regarded): Stuart Comer (Chief Curator of a Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (artist and a professor in the Painting & Drawing Department at the School of the Art Institute of Chicago).

She was a curator at Iniva from 1997 to 2003 and projects include Soft: Artist as Curator, Janette Parris» performance Mezzo Scurator at Iniva from 1997 to 2003 and projects include Soft: Artist as Curator, Janette Parris» performance Mezzo SCurator, Janette Parris» performance Mezzo Soprano?

Finch; Uri Aran; Oscar Munoz; Superflex; Busted (group) / High Line Park Orly Genger / Madison Square Park / thru 9/8 Ugo Rondinone / Public Art Fund / Rockefeller Center / thru 6/7 Alexandre Arrechea / 10 works on Park Avenue between 53 to 67 / thru 6/9 Thomas Schutte / Public Art Fund / 5th Avenue @ 60th / thru 8/25 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 10/13 (extended) Thomas Hirschhorn / Gramsci Monument / Forest Houses off Tinton Ave @ 163, The Bronx / info: gramsci-monument.com / thru 9/15 Opening 7/1 SELECTED EVENTS: Tuesday, 6/4, 7 PM / Dred Scott in conversation with Andy Zee / Revolution Books / 146 W 26 / Donation Thursday, 6/6, 6:30 PM / Heads in Limbo reading — book launch: Geoffrey O'Brien; Barry Schwabsky; Susan Mastrangelo / Heller / 54 Orchard / FREE Friday, 6/7, 6:30 PM / The Review Panel: David Cohen; Eva Diaz; Ken Johnson; Chloe Rossetti / National Academy / 1083 Fifth @ 89 / $ Saturday, 6/8, 10AM - 6PM (also 6/8) / Figment / Governors Island / FREE Saturday, 6/8, 4 - 6 PM / Mei - mei Berssenbrugge; Charles Bernstein book launches with Susan Bee / Accola Griefen / 547 W 27 — floor 6 / FREE Saturday, 6/8, 5 - 9 PM / Morgan Avenue Open Studios / 649 Morgan bet Nassua & Norman / FREE Sunday, 6/9, 2 PM / State of Sculpture: panel: D.Goodman; B.Albertini; R.Gero R.Maltz / Dorsky Curatorial / 11 - 03 45th Ave., Long Island City / FREE Wednesday, 6/12, 7 PM / Thomas Lanigan - Schmidt on his work / Morgan Library / 225 Madison @ 36 / FREE Friday, 6/14, 7 PM / Chloe Bass speaks on her work, & book launch / Momenta / 56 Bogart / Bushwick / FREE Thursday, 6/20, 6:30 PM / Laylah Ali in conversation with Kelly Kivland, web launch / DIA / 535 W 22 / FREE Friday, 6/21, 2 PM / James Turrell speaks with Michael Govan / Guggenheim / 1071 5th @ 89 / $, students free with RSVP Friday, 6/21, 7 - 10 PM / Far From Now curated by C.Cox: Screening & performance / 1665 Norman, Ridgewood, Queens / FREE Saturday, 6/22, 4 PM / Lorna Williams speaks on her work / Dodge / 15 Rivington / FREE Saturday, 6/22, 4 PM / Inside Out curator Laura Phipps speaks / Kentler Int.

Alessandra Gomez is an independent curator from South Carolina specializing in contemporary art and experimental dance and performance.