In the 20 years since, his career has been defined by a remarkable wealth and variety of interesting characters and intense
performances in films as diverse as Lone Star, American Beauty, Seabiscuit and Capote.
Michelle Williams» Oscar nominated roles include
performances in films as wide - ranging as Brokeback Mountain, Blue Valentine, Manchester By The Sea, and playing Marilyn Monroe in My Week With Marilyn.
Josh Brolin, fresh off playing Thanos in «Infinity War,» gives perhaps the best supporting
performance in the film as Cable, a time - traveling mutant soldier on a mission to take down Firefist before the kid does some serious damage.
While the character falls inside the actor's established wheelhouse, that doesn't mean he still doesn't approach the role with the same sort of tenacity and gusto he brought to previous
performances in films as diverse as Nocturnal Animals, 99 Homes, Take Shelter, Premium Rush and Revolutionary Road.
Not exact matches
He also produced a series of Disney concerts around the world, such
as «Fantasia Live
in Concert,» that feature orchestral
performances and
film clips.
There can be something sweet and even radiant about Sonia's hopefulness (
as in Brooke Smith's lovely
performance in Louis Malle's
film Vanya on 42nd Street); but there is certainly something deeply sad about her resignation to incomprehension, to the failure of understanding, on this side of the grave.
Described
as «beautiful, bright, witty and down to earth», she starred
in 10
films and earned a Tony nomination for her
performance in the Broadway production The Pleasure of His Company.
His rise to fame and relationship with his first wife, Jane, who was a Christian, was dramatised
in a 2014
film, The Theory Of Everything,
in which Eddie Redmayne put
in an Oscar - winning
performance as the physicist battling with a devastating illness.
«These investments mean we are now fully integrated into the
film value chain at the Hueck Folien plant
in Weiden and will strengthen Constantia Flexibles» credentials
as a supplier of high -
performance films for different food industries,» said Stefan Grote, EVP Food Europe.
His
performance has taken a nose dive, not just
in the box score, but on the
film as well.
He's likely to play out the year, put
as much solid
performance on
film as opportunities given him
in our offensive play calls this year allow, and auction his services to the highest bidder next year.
ArsenalFanTV specialises
in filming videos where fans are able to express their unbiased opinions on topics such
as the
performance of the team, transfers and on how the club is run.
Surprisingly, the
film is genuinely funny at times, with McGregor turning
in a fantastic
performance as the boozy and depressive ghost writer, and a restrained Pierce Brosnan is unobtrusively Blair-esque.
Part of musical
performance involves narcissism, just
as some part of writing or acting or painting or sculpting or making
film is deeply self - absorbed, but we don't condemn musicians or artists for daring to put their creations out
in public for people to see.
A composite thin
film made of two different inorganic oxide materials significantly improves the
performance of solar cells,
as recently demonstrated by a joint team of researchers led by Professor Federico Rosei at the Institut national de la recherche scientifique (INRS), and Dr. Riad Nechache from École de technologie supérieure (ÉTS), both
in the Montreal Area (Canada).
Once the fear has passed, just
in time for nap, visual and musical style are sometimes played
in an immersive fashion by highlights
in a directorial
performance by Nicolas Winding Refn that bring some life to the
film, though not
as much
as John Turturro's inspired lead
performance, which does about
as much
as anything
in bring the final product to the brink of decency, which is ultimately defied by the serious underdevelopment, overambition, monotonously unfocused dragging and near - punishingly dull atmospheric dryness that back a questionable drawn non-plot concept, and drive «Fear X» into mediocrity,
in spite of highlights than can't quite obscure the many shortcomings.
Of course it would take more than a small independent
film to truly set Washington apart from the pack, and many saw her
performance in the 2001 romantic drama Save the Last Dance
as one of the few redeeming qualities
in the otherwise forgettable teen drama.
Many
film fans assume that Mitchell won his 1939 Best Supporting Oscar for his portrayal of Gerald O'Hara
in the blockbuster Gone With the Wind;
in fact, he won the prize for his
performance as the drunken doctor
in Stagecoach — one of five Thomas Mitchell movie appearances
in 1939 (his other
films that year, classics all, were Only Angels Have Wings, Mr. Smith Goes to Washington, and The Hunchback of Notre Dame).
The
film is anchored by two excellent central
performances; normally known for stand - up comedy, Dave Johns
as the titular character delivers solid work
in his
film debut but it's Hayley Squires
as the single mother of two who finds herself
in some devastating circumstances that truly captures your heart.
Already a familiar face
in world cinema thanks to fine
performances in such
films as Open Your Eyes and Talk to Her, Spanish actor Fele Martínez teetered on the brink of international success
in the wake of work for such internationally recognized directors
as Alejandro Amenábar and Pedro Almodóvar.
His
performance as Billy Crystal's put - upon brother
in the
film won him an Oscar nomination for Best Supporting Actor of 1992,
as well
as a Golden Globe nomination.
«Just Go with It» has major problems with its lack of wit and exhausted repeated jokes, but thankfully, Aniston's
performance is able to boost up the comedy
in the
film; adding to an amount that ranks higher than many other
films that try the same formula of comedy
as of this
film With Sandler's and Aniston's connection being believable, «Just Go with It» manages to hit the mark for several adults and teens to enjoy.
A great deal of the impact
in The Piano Teacher comes from Isabelle Huppert's
performance, which comes
as her finest career moment,
as well
as one of the year's early choices for 2002's Best Actress (personal list, of course: I highly doubt that the conservative Academy of Motion Picture Arts and Sciences will be able to make it through the
film).
There are elements of tragedy and comedy
in this character and
in this
performance, and
in that regard, Mendelsohn and Gerry are the heart of this
film, which plays out
as a tragic comedy
in one moment and comic tragedy
in the next.
In 1987, she made her breakthrough film performance in the romantic comedy Making Mr. Right, ideally cast as the high - fashion publicist Frankie Stone opposite the literally robotic John Malkovic
In 1987, she made her breakthrough
film performance in the romantic comedy Making Mr. Right, ideally cast as the high - fashion publicist Frankie Stone opposite the literally robotic John Malkovic
in the romantic comedy Making Mr. Right, ideally cast
as the high - fashion publicist Frankie Stone opposite the literally robotic John Malkovich.
Hanks» solid yet stiff
performance is,
in the end, emblematic of everything that's wrong with Inferno,
as the
film's overly serious feel is completely at odds with the fun, fast - paced tone of Brown's page - turner - with, especially, the dull third act ensuring that the movie ends on
as anti-climactic a note
as one could envision.
The teenage drama is a little soapy but its easy to forgive their
performances, seeing
as the
film in its entirety is extremely potent.
And Gordon's got Jeffrey Combs
in one of the great comedic
performances (undoubtedly so,
as Jim Carrey aped Combs
in most of his
films to box office success) but he's also got a very difficult role for David Gale.
Other big names
in film, such
as Ellen Burstyn, Sam Elliot, Dennis Leary, and even Jennifer Garner all gave great
performances.
In truth, he had more good film performances to his credit than one might think: he was excellent as the tubercular Doc Holliday in John Ford's My Darling Clementine (1948), and also registered well in Kiss of Death (1947), Cry of the City (1948), The Egyptian (1954), Betrayed (1954), and Chief Crazy Horse (1955
In truth, he had more good
film performances to his credit than one might think: he was excellent
as the tubercular Doc Holliday
in John Ford's My Darling Clementine (1948), and also registered well in Kiss of Death (1947), Cry of the City (1948), The Egyptian (1954), Betrayed (1954), and Chief Crazy Horse (1955
in John Ford's My Darling Clementine (1948), and also registered well
in Kiss of Death (1947), Cry of the City (1948), The Egyptian (1954), Betrayed (1954), and Chief Crazy Horse (1955
in Kiss of Death (1947), Cry of the City (1948), The Egyptian (1954), Betrayed (1954), and Chief Crazy Horse (1955).
Could Hanks, who remarkably hasn't been nominated since 2000's Cast Away (a race he ludicrously lost to Gladiator's Russell Crowe), end his drought
as he couldn't with acclaimed
performances in esteemed
films like Captain Phillips and Sully?
Michael B. Jordan, who broke out
in Coogler's debut
film, «Fruitvale Station,» brings scrappy, street - smart volatility to his
performance as a character with whom T'Challa has a karmic connection, and Gurira steals every scene she's
in as an indomitable warrior trained
in the art of spearcraft.
The Beijing - raised, London - and Mount Holyoke — educated filmmaker shares with the American Honey helmer an interest
in young people at the margins, a knack for eliciting fantastic
performances from amateur or under - the - radar actors, and what
film critic April Wolfe described to me
as a «dream - like realism.»
There is indeed a certain immersion value even within the
film's style, subtle though it may be, and when it comes to substance, no matter how thinly or formulaically it goes handled, it carries a potential that is reflected
in the
film carrying wit and dramatic elements
as a portrait on man's interactions with his environment and his peers, anchored by memorable characters who are themselves anchored by memorable
performances.
For over a decade, sold out audiences have enjoyed Rocky Horror - like participation consisting of hilarious traditions such
as screen - shouting, football playing, throwing spoons at the screen, rooting on the shockingly long establishing pans of San Francisco, and generally laughing hysterically at the
film's clunky pseudo-Tennessee Williams dialogue, confused
performances, and bizarre plot twists, like the mother -
in - law character whose breast cancer ought to play like it matters a great deal, but really comes off
as a non-sequitur.
From his early life to his journeys from New York, Cuba, and Paris, Crane's story and that of the loves that defined him is told with imaginative empathy, and with a no holds barred
performance -
in a
film as introspective, rebellious, heartbreaking, and honest
as Crane himself.
The
film will feature live
performances by the lead actors and is rumored to have a documentary feel
as it tracks one week
in the life of the main character.
The hard - to - characterize
film (which blends comedy, musical, political drama and more) follows Halla (Halldóra Geirharðsdóttir,
in a highly praised
performance)
as she battles the local aluminum industry
in order to protect her beloved Icelandic Highlands.
The
performances are extraordinary,
as they often are
in Beauvois»
films, with Baye a study
in quiet suffering and Bry wonderfully enigmatic — seemingly simple, but hinting at a soul capable of expansion and adaptation.
There's little doubt that the effortlessly engaging central
performances play a substantial role
in the
film's success, with D'Agosto and Olsen's charismatic work ensuring that their respective characters never come off
as the sleazeballs one might've anticipated (ie Shawn and Nick's relentless scheming is almost Ferris Buelleresque
in its good - naturedness).
Washington also turned
in powerful
performances in a number of other
films, such
as Mississippi Masala (1991),
as a man
in love with an Indian woman; Philadelphia (1993),
as a slightly homophobic lawyer who takes on the cause of an AIDS - stricken litigator (Tom Hanks); and Devil
in a Blue Dress (1995),
as a 1940s private detective, Easy Rawlins.
As «The Disaster Artist» progresses, you notice the separation
in his
performance: Franco allows himself to play into the jokes when Tommy is off - camera, and he rejects all of his comedic instincts when
filming scenes from «The Room.»
It does have a few holes story wise, but the
performances from Granger and Walker alone make this worthy of a view, and it is not hard to fall
in love with how Hitchcock shoots his
films,
as well
as the music he selects to raise the hair on the back of your neck at the precise, appropriate time.
But it is a powerful
film, one of the nine shortlisted for the foreign - language Oscar, and it is elevated,
as it would need to be, by Diane Kruger's superb
performance in the central role.
Also earning the highest Metascore of the festival, the
film is a «tender, wrenching, and beautifully made movie,» according to Owen Gleiberman of Variety, with a «remarkable
performance» by Mary Kay Place
in the title role
as a widow who spends her days caring for others, including her drug - addicted son.
But while the inelegant structure and lacklustre
performances are a problem, a deeper issue is the fact that Eastwood seems to lose interest
in the story
as the
film unfolds.
Director Stanley Kubrick, working from a script cowritten with Calder Willingham and Jim Thompson, kicks Paths of Glory off with an admittedly less - than - engrossing stretch,
as the movie boasts (or suffers from) a somewhat talky first act that doesn't contain much
in the way of compelling elements - although, by that same token, it's clear that the
film benefits substantially from Kubrick's stellar directorial choices and a host of above - average
performances.
Allison Janney almost pinches the entire
film with her award - winning
performance as LaVona, Tonya's chain - smoking mom - slash - personal manager who believes
in the motivational power of abuse.
Modine was nominated for an Emmy for his
performance as aloof AIDS researcher Don Francis
in the 1993 TV movie And the Band Played On, and continued to accept occasional stage roles
in between his
film and TV projects.
After 12 years
as a struggling actor, Mark Ruffalo became the next big thing with his exceptional
performance in the Oscar - nominated independent
film You Can Count on Me (2000).