Sentences with phrase «performances during the exhibition»

Six comedians will take the stage, occupying that charged frame of performance otherwise filled by the artists» works that stand in for performer or performance during the exhibition.

His exhibition record includes: a one month durational performance during the exhibition Onderweg at Cultuurcentrum Zwaneberg, Heist - op - den - Berg, Belgium (2017); a solo exhibition at MART Gallery, Dublin, Ireland (2015); participation with Flux Night 2012 (Nuit Blanche Atlanta, Georgia) with a multi — channel video installation, Small Meteorites, projected within five vehicles; a city wide art installation commissioned and curated by the Duncan and Jordanstone College of Art and Design (2011), funded by the Scottish Arts Council; a solo exhibition at the Monster Truck Gallery in Dublin Ireland (2011); a Triangle Arts Trust residency and solo exhibition at the Kuona Trust Gallery in Nairobi, Kenya (2011).

Not exact matches

Rockford Corp, the industry leader in high - performance car audio systems, is proud to announce the exhibition of an advanced technology demonstration vehicle during its product showcase at The Palms Casino Resort in Las Vegas, Nev. from Jan. 8 - 10, 2013, in The Palms Ballroom.

During the exhibition's opening weekend, as well as Art Basel week, New York choreographer / dancer Silas Riener has interacted with the sculptural installation through a performance developed collaboratively with Friedman.

CAMH extended its reach with major exhibitions that presented and toured thematic exhibitions ranging from performance art to still - life painting during this time.

During the exhibition's opening weekend, as well as Art Basel week, New York choreographer / dancer Silas Riener will interact with the sculptural installation through a performance developed collaboratively with Friedman.

This includes performance ranging from the BxNU Respond series, open studios during The Late Shows and associated programme for the annual BALTIC 39 FIGURE series, an open submission exhibition curated by BALTIC and resulting in ten exhibitions running over five weeks.

Not surprisingly that exhibition was not universally well received, not least by a woman who the actor accused of rape when she took extreme liberties with him during the performance.

In the basement, a sculptural installation by Marc Andre Robinson weaves together formalism with black cultural history, while another, «Lorraine O'Grady: Art Is...» offers a fantastic exhibition of photographs documenting Ms. Grady's performance piece during the 1983 African - American Day Parade, in which she skillfully weaves together art, activism and participation.

More than 70 eyewitness accounts and idiosyncratic recollections from artists, curators, critics and friends create a vivid sense of the exhibitions, performances, screenings, discussions, ideas and people that were part of Exit Art during its three - decade run.

After hearing anecdotes of Owens's infamous final performance during his Anthology exhibition at MoMA PS1 earlier that afternoon, I sped on my bicycle to the second night of his Atlanta performance.

The space will have solo exhibitions open during Frieze by Donna Huanca, who will present daily performances involving painted models, and Luke McCreadie, who will create a site - specific video installation.

In parallel with the exhibition, MUMA presents Found Sound — a series of live performances by Australian musicians and sound artists using found sound, every Saturday during the Melbourne Festival (12 - 26 October).

From June 3 through August, 28 in the main gallery, Artists Jerri Allyn and Inez S. Bush, with collaborating artists Juna Amano, Micol Hebron, Michele Jaquis, Carol McDowell, Marissa Mercado, Rosalyn Myles, Shana Nys Dambrot, Juliana Ostrovsky, Beth Peterson, Karl Jean Petion, Erika Reynoso, Trinidad Ruiz, Marjan Vayghan, and Erich Wise will present Debating Through the Arts: Exhibition & Performance 3, during the summer based on a model United Nations.

During their residency, artists will present an exhibition / performance and a talk / workshop at The Auxiliary's gallery space, network with local artists and organizations and benefit from critical feedback sessions with invited artistic mentors.

Not quite the case this time — rather, I was tricked, yet still intrigued by the footprints and other naïve - styled drawings that were scattered on the gallery walls, the majority of which were the products of a live performance held during the exhibition's opening.

Located at 888 Newark Ave., Jersey City, NJ, Mana Contemporary hosts two open houses each year during the spring and fall, which include special programs, performances, and open studios in addition to new and continuing exhibitions.

Focusing on photographs, collage works, performances, films and videos produced throughout the 1970s, the exhibition reflects a moment during which practices of emancipation, gender equality and civil rights protest movements became part of public discourse.

There are also documentary photographs and other archival ephemera, books printed on campus by BMC poets and sound works of readings, and a stage and piano for performances to take place regularly during the run of the exhibition.

These performances will take place during the exhibition preview, which opens at 18:00 Anthology (David Blandy) Anthology (John Akomfrah and Trevor Mathison) Anthology (Godfried Donkor) Anthology (Lynette Yiadom - Boakye)

Destruction, a video documenting a performance included in the 1997 group exhibition Slot in the Box at the Cemeti Art House in Yogyakarta, was created in response to accusations of voter fraud during the New Order period.

This is an interview with the artist Joan Jonas, who talks about her performance piece Mirror Check, which she showed at 14 Rooms, the Live Art exhibition during Art Basel, organized by Fondation Beyeler, Art Basel, and Theater Basel.

Taking as its title and starting point a statement by the pioneering British feminist artist Jo Spence, the exhibition focuses on major performance art made by women artists in the UK during the 1970s.

In conjunction with the exhibition, Dominique Lévy presented New York City's first public performance of Yves Klein's Monotone - Silence Symphony, which was performed only once during the artist's brief lifetime, on the night of March 9, 1960 as one part of the happening Anthropometries de l'époque bleue at the Galerie internationale d'art contemporain in Paris.

For One Sweet Day on view at The Hole, Warren presents video documentation of four previous performances alongside the set for a fifth performance that will take place during the exhibition.

Open House: August 7 - 9, 2009 Fall 2009 — Spring 2010 The Great Poor Farm Experiment is a series of works (performance, installation, sculpture, painting) installed and presented in and around the Poor Farm during the renovation of the main exhibition building.

Sunday, April 29 1 — 7PM Exhibition Opening (during Mana Contemporary Spring Open House 2018) 1:30 PM Sougwen Chung Performance Omnia per Omnia (tickets not required) Gallery 1

The live performance will be presented twice during the exhibition and the original score, written collaboratively by the artist and musicians, will be incor - porated into the installation.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera, (June 6 — August 30, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he selected small books from flea markets, manipulating and altering the found objects; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes - overlooked artist in the first museum survey of her work since 2001.

Recent solo exhibitions include The Trickle - Down Syndrome, Whitechapel Gallery, London, accompanied by a performance during Art Night 2017, and KAPUT, Walker Art Gallery, Liverpool (both 2017); The Saw Tooth Wave, 2016 - 17, Centre for Contemporary Art, Derry ~ Londonderry and Heads May Roll, 2014, Matt's Gallery, London.

A series of performances will take place during and within the exhibition.

In addition, I have produced work for two solo and six group exhibitions, as well as delivering numerous Street Poetry performances as part of Splash Adelaide Waymouth Street Parties, Barossa Vintage Festival, the Adelaide Central Market and at Holden Street Theatre during the Adelaide Fringe Festival.

The exhibition will also feature artworks created during and around the performances, including Red Grooms's vibrant «Painting from «A Play Called Fire.»»

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

In 1984, Barbara Haskell did an exhibition called «Blam» at the Whitney Museum that surveyed the early years of Pop, Minimalism and performance during 1958 - 64.

Drennen has performed versions of his «AWFUL» piece at Socrates Sculpture Park (Awful Outside, 2011), during Atlanta's FLUX Night performance festival (1 - Hour Awful for Apemantus, 2011), and at the openings for his own exhibitions (Awful Inside Saltworks, 2012; Awful Inside Florida Mining, 2014; and Awful Inside Samsøñ, 2014).

Additionally, the exhibition will incorporate a small selection of special ephemera, artist books, and archival materials, including documentation of notable dance and theatrical performances that were organized or commissioned by the museum during the 1960s.

Enacted live at SFMOMA during the opening days of Soundtracks and replayed on video for the remainder of the exhibition, the performance reflects the constant interaction between human labor, with all its imperfections and syncopations, and the near perfection of trained musicians, who skillfully follow but also consciously deviate from the regime of a preprogrammed rhythm.

The London - based artist — who works with a variety of media, including video, performance and installation — will be the recipient of six - month residency in Italy, during which she will create new work for a solo exhibition to be presented at the Whitechapel and the Collezione Maramotti.

We were pleased to have the opportunity to collaborate with Frank Smigiel and Christian Davies, our colleagues in Performance and Film, for the live performances presented by Soundtracks artists O Grivo and Camille Norment during the exhibition's opening weekend, and with Dena Beard, executive director of The Lab, San Francisco, for an additional performance by Norment at The Lab as part of the artist's residency in the Bay Area, organizedPerformance and Film, for the live performances presented by Soundtracks artists O Grivo and Camille Norment during the exhibition's opening weekend, and with Dena Beard, executive director of The Lab, San Francisco, for an additional performance by Norment at The Lab as part of the artist's residency in the Bay Area, organizedperformance by Norment at The Lab as part of the artist's residency in the Bay Area, organized by SFMOMA.

The pupils experimented with this possibility for themselves: they made choreographed interventions into the main gallery space during Heman Chong's exhibition, directing each other's movements; they drew up proposals for artworks covering their school buildings; they created a performance on Peckham Rye Park, working together as one body.

During the fall and throughout the exhibition, Torrance Art Museum will present a series of events for visitors and families ranging from tours to artist - led hands - on events, artist talks, performances, screenings, and live music.

The two week exhibition will include curated performances and discussions during Bushwick Open Studios and the following two weekends.

During the past thirty years, Jones» work has been featured in significant group exhibitions, including Disparities & Deformations: Our Grotesque, Site Santa Fe (2004); Out of Actions: Between Performance and the Object at the Museum of Contemporary Art, Los Angeles (1998); Mapping at the Museum of Modern Art, New York (1994); and Choices at the New Museum of Contemporary Art, New York (1986).

In the past, his exhibitions have included a mural made during a performance in which he affixed piece of bacon to the wall with their own fat, a stack of Playboy Magazines topped with a hypodermic needle, a gallery full of objects arranged as though they were simply the refuse in a used hotel room of a rock star.

During Spring 2011 Magasin 3 has invited a number of artists to produce work that lands somewhere between performance and exhibition.

During the run of the exhibition, audience participation is invited through a series of performances including Ana Prvacki's The Greeting Committee, Lee Mingwei's The Dining Project, and Tom Marioni's salon The Act of Drinking Beer with Friends is the Highest Form of Art.

In addition to the openings and ongoing exhibitions during Berlin Art Week, there are also a few performances not to be missed:

Additionally, 32º Degrees East organised and realised, with support of Stichting Doen, a visit of artist Xenson Znja to Amsterdam, for a special performance intervention during the exhibition.

During this exhibition he relocated to New York City, and over the course of the following eight years, created 13 performances and exhibited in five solo shows and more than 60 group exhibitions throughout the United States.