Chastain hit a peak from 2011 to 2013 with back - to - back Oscar nominations for The Help and Zero Dark Thirty and has continued turning in quality
performances in good movies such as Interstellar, The Martian and Molly's Game.
Not exact matches
This year's field of
Best Picture nominees features eight
movies with widely variant box office
performances, from 20th Century Fox's (FOX) The Martian «s leading $ 228 million
in domestic gross to Room, which barely cracked $ 12.5 million
in ticket sales.
The
performances are so
good, that both Steve Carell and Christian Bale have been nominated for Golden Globe Awards for «
Best Actor
in a Comedy» and McCay and Charles Randolph, who co-wrote the
movie, were nominated for «
Best Screenplay.»
Stewart has spent the last few years turning heads
in quieter, moodier indie fare, earning raves for nuanced
performances in movies like Still Alice and Personal Shopper (both of which are quite
good).
This would be a
good time for baseball to review the
performance of the umpire
in question and publicly hold the umpire accountable for their actions but we've seen this
movie before and we know how it ends.
Avant - garde
performance artist / writer, lives part time
in San Francisco and Mexico City; very famous but loves privacy, tours internationally, bohemian type, 57, fit,
good sense of humor, loves conversation,
good food, art, literature, indie
movies, creative dancing, costuming, unique art objects
I like to hang out and just watch a
good movie with my special someone, sleep
in on a rainy day or going to a play, theatre, museums, art
performances, Broadway,...
The
movie portrayed her personality and as a legend of a woman posed as a man to enter the monastery and become Pope.German actress Johanna Wokalek was pretty
good for that role and the other
performances were decent as well.The portrayal of the time, crowds and the cities was below average, but very effective, since it was a low - budget
movie, the image and lighting quality was not always
good.The weak point of the
movie was
in the rhythm, which at times was uneven, and went from fast to very slow, but still it was never boring because of the strong plot.
a great music film this is the words which i can say about Justin Timberlake + the Tennessee Kids great work by Jonathan demme and great
performance bt Justin Timberlake is this
movie a history is counted they show the people the history not just the concert i love how jonathan direct this and i love the edition i love how justin timberlake is humble and lovely funny smart with everybody i'm more
in love with him.this deserves an emmy and a grammy for
best music film at grammys 2018 everybody should watch this
movie is amazing congrats justin timberlake netflix and jonathan demme great music film truly amazing maybe we have this film
in dvd soon i will love if its happen i» ll love some extras yes i will.
The latter probably gives the
best performance in the film, and the fact that he also starred
in the far superior «Bright Young Things» makes you realize how much this
movie is lacking.
«Enough» was a bad
movie, although the plot is very
good, which deals with the subject of intrafamily mistreatment, but I see that it was not handled
in a
good way, since the
performance of Jennifer Lopez was overacted, as was the
Many film fans assume that Mitchell won his 1939
Best Supporting Oscar for his portrayal of Gerald O'Hara
in the blockbuster Gone With the Wind;
in fact, he won the prize for his
performance as the drunken doctor
in Stagecoach — one of five Thomas Mitchell
movie appearances
in 1939 (his other films that year, classics all, were Only Angels Have Wings, Mr. Smith Goes to Washington, and The Hunchback of Notre Dame).
Much of what makes the
movie work so
well are the moving
performances from Molly Shannon and Jesse Plemons
in roles that allow them both to stretch
in unprecedented dramatic ways.
His
performance belonged
in a
better movie.
Hugh Jackman's and Liev Schreiber's forceful
performances in the lead roles drive the
movie; Danny Huston is
well cast as William Stryker.
Josh Hartnett's
performance in this film, is a
good reason to check out the
movie.
Critic Consensus: Southside With You looks back on a fateful real - life date with strong
performances and engaging dialogue, adding up to a romance that makes for a pretty
good date
movie in its own right.
Clint Eastwood won kudos from theater fans for tapping Broadway stars for his
movie adaptation of 2014's «Jersey Boys,» but John Lloyd Young was a
better singer and stage performer than actor
in his
performance as Frankie Valli.
Really enjoyed this
movie especially all the cast like Will Smith and Margot Robbie were
best performance in whole
movie there were some scenes are messy u didn't mind it all
Much like last year and the year before, this year's
Movie Studio Report Card evaluates both the box office
performance and overall film quality of the six major studios (and many indie distributors)
in an attempt to determine the
best and worst studios of 2011.
The acting was okay for the most part (Marsden and Perabo were pretty
good but Glenn and Thornton gave two of the most wooden
performances I've seen recently), the attacks by the bear were not that
well made but it could've been worse but, ultimately, the
movie is entertaining and
in the end you really care for the 3 main characters (Perabo, Marsden, Jane).
It's never mawkish or manipulative, and its characters are so
well - established both
in the writing and
in the
performances that the
movie ultimately does the hard work of earning those damp Kleenexes.
It showcases a career
best performance (Ed Norton
in that
movie)
in a character piece that isn't so much about a personal journey as it is a grand statement about a specific social problem that will continue to thrive with no end
in sight.
Beyond its
best little moments, the
movie is addressing a serious issue, and it feels awfully churlish to complain that its earnest depictions of soldiers
in psychological pain isn't novel enough, or that Koale's
performance is a little shakier than Teller's, or that the
movie doesn't have much to say about the Iraq War
in particular, or that it eventually tries to pass off a lack of resolution as an abbreviated happy ending.
By far the
best aspects of the
movie are the
performances by Bale, Studi, Pike — her character is rescued early
in the trek and becomes an emotional lifeline to Blocker and he to her — and the many familiar faces peppering the proceedings.
Just when you thought we were done with our review of the past year
in film (including our recent report on 2013's
best and worst
movies), we have one last look back to offer you: our annual evaluation of
movie studio
performance.
I like Lawrence's
performance best when she actually gets to do some spy stuff, like
in a centerpiece scene that feels flown
in from a different
movie,
in which Dominika cultivates a boozy senatorial staffer played by Mary - Louise Parker (making the absolute most of a little).
I really liked Shearer and Gable
in this
movie, they give very
good performances.
With stunning
performances from its cast, the film occur during the First World War, and it shows us the chaos, and considering the fact that this was made
in 1930, it's an impressive feat
in filmmaking, as what we have here is a picture that captures the fear and agony of combat, and it's a
well made
movie for its time, and it still looks great after all these years.
Sure, this film possesses a
better pedigree than most
movies of its type — director Fatih Akin is rated higher
in international film circles than «Death Wish» remake director Eli Roth, Diane Kruger won the
Best Actress prize at Cannes for her
performance and the
movie is Germany's entry for this year's Oscar for
Best Foreign Language Film — and its intentions may be nobler, but, at its heart, it is not markedly different from its genre brethren.
With some films, you can tell where one or two things went wrong — perhaps a decision
in script, or a
performance that's off base — but The Snowman is the rare
movie where for every choice, there was a
better way to go.
It's all fitfully amusing, thanks
in large part to Bouchard's richly comic
performance, but the
movie is never very involving, and it overstays its welcome by a
good, long while.
Only
in this
movie in the middle, Jenkins gives his
best Oscar
performance despite his little screen time.
It has been argued that Jackson's
performances in Pulp Fiction and Jackie Brown served to sanction his writer - director's fetishizing of certain stereotypes pertaining to African - American
movie characters — and also his co-opting of subcultural postures and attitudes
well beyond his real - life experiences (if not, it goes without saying, his VHS collection).
As for the
movie's star, Shannon's notoriously idiosyncratic sensibilities serve him quite
well here - as the actor delivers as relentlessly oddball and weird a
performance as one has come to expect (although it's just as clear that this marks the apex of his career
in terms of his ability to tackle similarly over-the-top figures
in the future).
The late actor's
performance in this
movie was one of his
best, probably about 4th to Doubt, The Master, and Capote.
Although «The Walk» succeeds mainly as a slice of popcorn entertainment rather than a potential Oscar contender, it's a really
well - made
movie that works both as a celebration of Petit's once -
in - a-lifetime
performance and a tribute to the World Trade Center.
Though
in the following years, Tom's voice could be heard
in a variety of animated releases, onscreen
performances in shows like Monk and
movies such as Bad Santa proved that the increasingly active voice - over artist was still very much committed to her onscreen career as
well.
Harry, I agree that this
movie HAS to have a
better performance from Liam Neeson than was given
in TPM.
While Boseman delivers another
good performance in the role of the conflicted and newly crowned Wakandan king / superhero, this is the rare occasion where a MCU
movie antagonist outshines the protagonist.
Anthony has been nominated for 13 awards, 3 of which he won: Acapulco Black Film Festival's «Rising Star»
in 2001, Black
Movie Awards «Outstanding
Performance by an Actor
in a Supporting Role»
in 2005 for Hustle and Flow and National Board of Review, USA's «
Best Ensemble» for The Departed.
Some things
in the
movie may not have aged that
well, but it still pulses with youthful energy and impresses with the psychological complexity of its characters - and it should always be remembered for James Dean's iconic looks and
performance that spoke to a generation.
Strong cast, but Jason Patrick is the standout, giving a career
best performance and laying down one of the most unforgettable and disturbing speeches I've heard
in the
movies.
It's a really
good performance in a barely - OK
movie.
And, honestly, Washington doesn't even give the
best performance in the
MOVIE much less of the year.
Yes, it's very funny and filled with enough genuinely great
performances that it's actually debatable which supporting star turns
in the
best work (it's Laurie Metcalf, or maybe Beanie Feldstein, or possibly Tracy Letts), but what makes Gerwig's
movie such a gem is the honesty that infuses every part and every scene.
There are moments that are beneath De Niro and Arkin's talents, sure, (Arkin's
performance as a horny old man
in «Little Miss Sunshine» is far superior), but the
movie's
better because they're
in it.
The
movie's inclusion
in the
Best Picture race gives the star (and co-writer of the
movie) some extra heft, but I suspect voters won't give him enough credit for the
performance, since he's playing a version of himself.
Award - Worthy: This is Cooper's first major award nomination of any kind, if you don't count being nominated for an MTV
Movie Award for
Best Comedic
Performance in The Hangover.
It's a
good thing the trip to the casinos opens the
movie, because Cochrane's
performance is the
best thing
in «Empire Records.»