Sentences with phrase «performances in spaces like»

With exhibitions and performances in spaces like the Stedelijk Museum, the Kitchen, and the Queens Museum of Art, Jonas has demonstrated a long - standing commitment to exploring a very personal relationship to the language of art history.

Not exact matches

In some ways, he is a forgotten man with something to prove and with the likes of both Rooney and Kagawa being exceptionally gifted when allowed the space in their opponents half, Cattermole could be pivotal should he play in the fixture and will win the adulation of the fans if a big result can be earned thanks to a sturdy performancIn some ways, he is a forgotten man with something to prove and with the likes of both Rooney and Kagawa being exceptionally gifted when allowed the space in their opponents half, Cattermole could be pivotal should he play in the fixture and will win the adulation of the fans if a big result can be earned thanks to a sturdy performancin their opponents half, Cattermole could be pivotal should he play in the fixture and will win the adulation of the fans if a big result can be earned thanks to a sturdy performancin the fixture and will win the adulation of the fans if a big result can be earned thanks to a sturdy performance.

Tickets are usually affordable, and it feels like you're watching a performance in a space ship.

But a Queens Library spokeswoman said Tuesday that the rest of the library's proposed amenities will still be included in the finished project, like an amphitheater performance space, a garden and a rooftop terrace as well as separate areas for kids, teens and adults.

If you keep the upper limit to 500 mg daily taken in separate doses evenly spaced out, or taken at strategic times, like when getting 200 grams before training to prepare yourself prepared mentally and physically for the upcoming exertion, you will find that caffeine is the best performance - enhancing stimulant you ever find.

Since his last performance in space was Steven Soderbergh's underrated Solaris, I'm looking forward to liking him again.

Dennison's conflicted burgeoning mutant is an excellent new addition, and although it at first seems like a reprise of his (awesome) character in «Hunt for the Wilderpeople», his arc provides plenty of space for a performance of pathos and pain.

* In the Fade: Diane Kruger's total immersion in the pain and rage of a woman dreadfully wronged... * Second by second, the most astounding performance of the year: Cameron Britton as Ed Kemper in Mindhunter... * Get Out: TV - like image of Mrs. Armitage (Catherine Keener) receding in darkness as Chris (Daniel Kaluuya) «sinks into the floor»... * Bronze box in ebon cosmos above ocean of stars — Twin Peaks: The Return... * The Other Side of Hope: gray face pushing up out of coal bin... * Almost subliminal glimpse of Maureen (Kristen Stewart) disappearing into a boutique doorway; how longshots of public spaces somehow enhance profound interiority, Personal Shopper... * But of course: Julianne Moore a great silent - movie face, Wonderstruck.In the Fade: Diane Kruger's total immersion in the pain and rage of a woman dreadfully wronged... * Second by second, the most astounding performance of the year: Cameron Britton as Ed Kemper in Mindhunter... * Get Out: TV - like image of Mrs. Armitage (Catherine Keener) receding in darkness as Chris (Daniel Kaluuya) «sinks into the floor»... * Bronze box in ebon cosmos above ocean of stars — Twin Peaks: The Return... * The Other Side of Hope: gray face pushing up out of coal bin... * Almost subliminal glimpse of Maureen (Kristen Stewart) disappearing into a boutique doorway; how longshots of public spaces somehow enhance profound interiority, Personal Shopper... * But of course: Julianne Moore a great silent - movie face, Wonderstruck.in the pain and rage of a woman dreadfully wronged... * Second by second, the most astounding performance of the year: Cameron Britton as Ed Kemper in Mindhunter... * Get Out: TV - like image of Mrs. Armitage (Catherine Keener) receding in darkness as Chris (Daniel Kaluuya) «sinks into the floor»... * Bronze box in ebon cosmos above ocean of stars — Twin Peaks: The Return... * The Other Side of Hope: gray face pushing up out of coal bin... * Almost subliminal glimpse of Maureen (Kristen Stewart) disappearing into a boutique doorway; how longshots of public spaces somehow enhance profound interiority, Personal Shopper... * But of course: Julianne Moore a great silent - movie face, Wonderstruck.in Mindhunter... * Get Out: TV - like image of Mrs. Armitage (Catherine Keener) receding in darkness as Chris (Daniel Kaluuya) «sinks into the floor»... * Bronze box in ebon cosmos above ocean of stars — Twin Peaks: The Return... * The Other Side of Hope: gray face pushing up out of coal bin... * Almost subliminal glimpse of Maureen (Kristen Stewart) disappearing into a boutique doorway; how longshots of public spaces somehow enhance profound interiority, Personal Shopper... * But of course: Julianne Moore a great silent - movie face, Wonderstruck.in darkness as Chris (Daniel Kaluuya) «sinks into the floor»... * Bronze box in ebon cosmos above ocean of stars — Twin Peaks: The Return... * The Other Side of Hope: gray face pushing up out of coal bin... * Almost subliminal glimpse of Maureen (Kristen Stewart) disappearing into a boutique doorway; how longshots of public spaces somehow enhance profound interiority, Personal Shopper... * But of course: Julianne Moore a great silent - movie face, Wonderstruck.in ebon cosmos above ocean of stars — Twin Peaks: The Return... * The Other Side of Hope: gray face pushing up out of coal bin... * Almost subliminal glimpse of Maureen (Kristen Stewart) disappearing into a boutique doorway; how longshots of public spaces somehow enhance profound interiority, Personal Shopper... * But of course: Julianne Moore a great silent - movie face, Wonderstruck...

Also included are two unedited scenes of Andy Serkis» performance as the nefarious Supreme Leader Snoke, as well as in - depth looks at how Johnson interpreted the mythology of the Force and how he brought key scenes — like the opening space battle or the clash on Crait — to life.

Had its trippy - dippy, anachronistic cross-cutting and madly - inappropriate scoring appeared in 1968 (the year of Rosemary's Baby, Night of the Living Dead, If..., 2001: A Space Odyssey, and the film to which it perhaps owes its greatest allegiance, Once Upon a Time in the West), Performance would've found traction and good company as a foundational film for the American New Wave instead of as a picture that, for all its foment and formal revolution, seemed hysterical against a maturing, more sedate (d) mainstream avant - garde parade of stuff like El Topo, Zabriskie Point, MASH, and Five Easy Pieces.

It is great that these two were nominated (I will forever be on record that, despite my general hatred for The Danish Girl and Eddie Redmayne's performance, Alicia Vikander is excellent in that movie), and it's great that they have a decent chance to win (I'm going to keep clinging onto my belief that Mara is the frontrunner until that dream gets crushed into a fine paste) as well as freeing up space for the likes of Charlotte Rampling in the Best Actress category, but it's equally frustrating that other performances, namely Kristen Stewart's career defining turn in Clouds of Sils Maria, are left on the outside looking in.

In Ocean's 11 and its sequels, Steven Soderbergh made the business of robbery seem like a multifaceted lark: part boys» club, part performance space, part showcase for the pleasures of improbably smooth professionalism.

The consensus appears to be that these higher levels of performance have less to do with policy than with everything else: the «ecosystem» of reform in a given place (usually a city) and its network of «human - capital providers,» expert charter - management organizations, leadership - development programs, school - incubator efforts, local funders and civic leaders, etc. — in other words, what conservatives like to call «civil society»: the space between the government and the individual (in this case, between government and individual schools).

To this mix of thoroughbred coupes, we also added a ringer, the Porsche Boxster S. With a folding roof, a mid-mounted engine, and space for just two people, the Boxster is nothing like the other cars, yet it lands in the same space when it comes to price and performance.

In terms of space, practicality and a grown - up feel the Proceed is definitely closer to cars like the Golf and Focus, but for performance it's a closer match to the cars in the class beloIn terms of space, practicality and a grown - up feel the Proceed is definitely closer to cars like the Golf and Focus, but for performance it's a closer match to the cars in the class beloin the class below.

But when you compare the things that matter: engine, performance, brakes, wheelbase, interior space, then it's on par and — in most cases — betters the likes of the Audi A5 / S5, Audi A7 Sportback, BMW 4 Series and 6 Series Gran Coupe, Infiniti Q50, Lexus GS and — Kia has some balls for throwing this into the mix — the Porsche Panamera.

SUV enthusiasts will also be interested to know that the Land Rover Discovery Sport beats out popular competing models like the Mercedes - Benz GLC in terms of off - road performance and cargo space.

In India's performance SUV segment, the Jaguar F - Pace will share space with the likes of the Range Rover Evoque, the BMW X5 and the Mercedes - Benz GLE.

Under «performance», amid all the fuel consumption and emission numbers, the space where an official 0 - 100 figure should be sits like a black hole swallowing the elephant in the middle of the living room.

The phone's metal, glass and rubber aesthetic allows the Motion to compete favourably with other mid-range devices from Asus, Huawei, Alcatel or Motorola, but there's no way that the device can compete in the same space as phones like the Samsung Galaxy S7 or the iPhone 6S or the iPhone 7 — devices that are admittedly costlier than the Motion and older than the current generation of flagships, but that are nonetheless the devices that most people will settle on for brand reasons, performance reasons or both.

In addition to providing a performance space for acts like Future Islands, Jeff the Brotherhood, and Dan Deacon, among others, DBA stashed a rotating series of hand - built arcade cabinets by the bar.

Between this and MoMA's continued partnership with Volkswagen, there seems to be a real influx of automakers in the art space, where things like seeing a noise performance in the upscale car convention - like «VW Dome» seems par for the course.

The cross-pollination of artistic venues during this time exemplifies how communities overlap, thrive, and otherwise extend themselves in multitudes of directions — be it through artists» books, periodicals, and publications, in performance spaces, within gallery - like venues, or in public spaces as small as alleyways and as expansive as Times Square.

I've done public performances and guerrilla poetry readings, which address passersby on the street, so I like engaging with people in situations outside of the physical spaces of the art world.

Brigitte Bardot reclines in a floating vessel as she delivers the first television performance of Un jour comme un autre, while a T.S. Eliot quotation overlooks the space like a Rhine maiden.

In the space of less than five years, in the short - lived but highly fertile gallery scene that sprung up in the East Village and at the legendary Green Gallery on 57th Street, he helped birth not only Pop Art but performance art as well, in maniacal productions with sculpture as props, staged with his first wife, Patty, now Patty Mucha, and compatriots who would later go on to fame as well, like Lucas Samaras and Carolee SchneemanIn the space of less than five years, in the short - lived but highly fertile gallery scene that sprung up in the East Village and at the legendary Green Gallery on 57th Street, he helped birth not only Pop Art but performance art as well, in maniacal productions with sculpture as props, staged with his first wife, Patty, now Patty Mucha, and compatriots who would later go on to fame as well, like Lucas Samaras and Carolee Schneemanin the short - lived but highly fertile gallery scene that sprung up in the East Village and at the legendary Green Gallery on 57th Street, he helped birth not only Pop Art but performance art as well, in maniacal productions with sculpture as props, staged with his first wife, Patty, now Patty Mucha, and compatriots who would later go on to fame as well, like Lucas Samaras and Carolee Schneemanin the East Village and at the legendary Green Gallery on 57th Street, he helped birth not only Pop Art but performance art as well, in maniacal productions with sculpture as props, staged with his first wife, Patty, now Patty Mucha, and compatriots who would later go on to fame as well, like Lucas Samaras and Carolee Schneemanin maniacal productions with sculpture as props, staged with his first wife, Patty, now Patty Mucha, and compatriots who would later go on to fame as well, like Lucas Samaras and Carolee Schneemann.

This performance - like ritual is carried out in the privacy of my studio or a designated public space devoid of human activity.

In her new, yet to be titled work she recreates a performance by opera legend Maria Callas, singing the tragic song Suicidio taken from Ponchielli's 1876 opera La Gioconda, using a theatrical illusion that creates a hologram - like image floating in spacIn her new, yet to be titled work she recreates a performance by opera legend Maria Callas, singing the tragic song Suicidio taken from Ponchielli's 1876 opera La Gioconda, using a theatrical illusion that creates a hologram - like image floating in spacin space.

Seeing Round Corners (Turner Contemporary, Margate UK, 2016); Objects Do Things, (Centre of Contemporary Art, Poland 2016); Stories in the Dark (Whitstable Biennale, UK, 2016); Doug Fishbone's Leisure Land Golf, (Venice Biennale 2015); Reads Like a Book The Book Lovers (Cricoteka, Poland, 2015); Mirrorcity (Hayward Gallery, London, 2014); The Red Queen (MONA, Tasmania, Australia 2013); Toulouse International Art Festival (Hȏtel - Dieu, Toulouse, France, 2013); Entangled2 Theatre II (Matt's Gallery London 2013); Monocular4 (Quad, Derby, UK 2013); Nowhere Less Now (Artangel commission, Tin Tabernacle, Kilburn, London, 2012); Entangled2 (Turner Contemporary, Margate, UK 2012); Extramission 6 (Gallery TPW, Toronto, 2011); Einladung zur Ausstellung (Kunstverein Freiburg, Germany 2012); A Trip to the Moon, (Bonniers Konsthall, Sweden 2012); Monodrome, Athens Biennale, (Greece 2011); Lofoten International Art Festival, (Norway, 2011); Dis - covery (Salamanca Art Centre, Tasmania, 2011); The Collection (Rugby Art Gallery, 2011); Steps into the Arcane (Kunstmuseum Thurgau, Switzerland 2011); It has to be this way ² (National Gallery of Denmark, 2010 (SMK), Mead Gallery, Warwick, 2010 and BALTIC, Gateshead, 2011); Broadcast commission 3 minute wonder series, Channel 4 (27,28,29,30 Sept 2010 and October 2010); It has to be this way 1.5 (Aspex gallery Portsmouth, 2010); Persistence of Vision (FACT, Liverpool, 2010 and Nikolaj Art Centre Copenhagen 2010 - 2011); It has to be this way, (Matts Gallery, 2009); Altermodern, 4th Tate Triennial, (Tate Britain, 2009); Event Horizon, (Royal Academy of Art, 2008); Swallowing Black Maria, (Smart Project Space, Amsterdam 2007); CinemArt, (The Auditorium, Rome, 2007); Foreign Bodies, (White Box, New York, 2007); The Believers, (touring show in Norway with performances, Stavanger, Førde and Bergen, 2007).

Galleries and spaces in the area were suddenly responsible for oddball performances, offbeat happenings, and the rise of movements like Pop and Minimalism.

Errant Bodies (founded in 2010) has been dedicated to experimental work in sound, including other media, and in different practices, like installation, performance, radio art and art in public space.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

The fabric cover — available in White or Space Gray — is pleasingly textured, like an expensive air filter for a performance engine.

In recent years, the company has become known for its focus on rejuvenating struggling areas exactly like Asbury — see its planned 5,000 - seat performance space - cum - restaurant in Coney IslanIn recent years, the company has become known for its focus on rejuvenating struggling areas exactly like Asbury — see its planned 5,000 - seat performance space - cum - restaurant in Coney Islanin Coney Island.