Smart's most recent work includes embroideries made at DGTMB Art Embroidery as assemblage elements in her project The Choreography of Cutting, which re-imagines and re-frames the historical avant - gardes
performative practices centered on the body, and experimental visual art forms focused on choreography, costume and theatre design.
Not exact matches
Ranging from restrained blue marks on a raw canvas ground to barely visible foot print traces on a naked canvas, his work draws on the
performative «aura» of these marks and is fueled by a self - generated mythology
centered on his studio
practice and his infamous foot fetish.
«The performance combines elements of a theatrical vocabulary with Knowles's delicately patterned texts to create a scenography that extends the structured logic observed throughout his two and three - dimensional
practice into a
performative domain,» according to Watermill
Center.