Fourth, «The invisible hand of the market was to be the solution primarily through charters and privatizing schools... A growing
body of literature shows that charter schools do not
perform better than traditional
public schools and they segregate schools
by race and
by socio - economic status.»
2013 Art
Public: Only One Like You, curated
by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY
Body is Present, Berrie Center for
Performing and Visual Arts, Ramapo College, NJ Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH All Good Things, SOMA Arts, San Francisco, CA Remainder, curated
by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma The Lobby Project, City Center, New York, NY Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador If Color, then also Dimension; If Flatness, then Texture, etc., LMCC at Governor's Island, New York, NY Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA In Praise of Chance and Failure, Family Business, New York, NY There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ Only as Signal Show, Southern Exposure, San Francisco, CA No Sun Without Shadow, Lu Magnus, New York, NY Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, Brooklyn, NY
For example, in the 1936 New York State Court of Appeals, Cooper Union argued that it was «not acting for selfish reasons,» instead acting «for the benefit of the
public...
performing the functions of the State
by furnishing technical education and laboratory and library facilities, [which] places it in a position like that of a governmental
body.»