Some of the
performers acquit themselves admirably, and Streep
in particular manages to seem like she's having a great time while throwing herself into her
role with focus and determination — so much so that she doesn't seem to notice when Seyfried steals the movie.
Similarly, the lead
performers who inhabit the characters
in their somewhat hermetically sealed environs generally deliver competent performances: In particular Cooke, looking somewhat like a hybrid of Christina Ricci and Chloe Grace Moretz concocted in a Tim Burton lab experiment, fares well shifting gears effectively between the vulnerable, victimized Jane and the menacing, malevolent Evey; Richards gives her otherwise = underdeveloped role real pop, as smartly sex - kittenish as they come; and Harris utterly dominates the proceedings with his intuitive ability to shift Coupland from sympathetic to suspicion on a dim
in their somewhat hermetically sealed environs generally deliver competent performances:
In particular Cooke, looking somewhat like a hybrid of Christina Ricci and Chloe Grace Moretz concocted in a Tim Burton lab experiment, fares well shifting gears effectively between the vulnerable, victimized Jane and the menacing, malevolent Evey; Richards gives her otherwise = underdeveloped role real pop, as smartly sex - kittenish as they come; and Harris utterly dominates the proceedings with his intuitive ability to shift Coupland from sympathetic to suspicion on a dim
In particular Cooke, looking somewhat like a hybrid of Christina Ricci and Chloe Grace Moretz concocted
in a Tim Burton lab experiment, fares well shifting gears effectively between the vulnerable, victimized Jane and the menacing, malevolent Evey; Richards gives her otherwise = underdeveloped role real pop, as smartly sex - kittenish as they come; and Harris utterly dominates the proceedings with his intuitive ability to shift Coupland from sympathetic to suspicion on a dim
in a Tim Burton lab experiment, fares well shifting gears effectively between the vulnerable, victimized Jane and the menacing, malevolent Evey; Richards gives her otherwise = underdeveloped
role real pop, as smartly sex - kittenish as they come; and Harris utterly dominates the proceedings with his intuitive ability to shift Coupland from sympathetic to suspicion on a dime.