Sentences with phrase «performing arts commissions»

Not exact matches

At 10 a.m., the NYC Taxi and Limousine Commission hosts its 4th annual Vision Zero Safety Honor Roll event for the safest drivers, bases and fleets, Tribeca Performing Arts Center, 199 Chambers St., Manhattan.

Because the Los Angeles County Arts Commission approved the Unusual Suspects's curriculum and it meets the state's education standards for the visual and performing arts, participants in the juvenile centers can receive community - service credit to reduce their probation tArts Commission approved the Unusual Suspects's curriculum and it meets the state's education standards for the visual and performing arts, participants in the juvenile centers can receive community - service credit to reduce their probation tarts, participants in the juvenile centers can receive community - service credit to reduce their probation time.

February 6 — 12 Dawn Surf Jellybowl Film (16 mm film negative sanded with surfboard shaping tools, sex wax melted on, squirted, dripped, splashed, sprayed and rubbed with donuts, zinc oxide, cuervo, sunscreen, hydrogen peroxide, tecate, sand, tar, scraped with a shark's tooth, edits made by the surf and a seal while film floated in waves - surfing performed by Andy Perry, Makela Moore, Alanna Moore, Zach Moore, Johnny McCann — shot by Peter West — film negative sanded by Mariah Csepanyi, Andy Perry and Jwest) 2011, 8 minutes 15 seconds 16 mm film negative transferred to high - definition video, no sound Commissioned by the Contemporary Arts Forum, Santa Barbara, California and Thanks to Andy Perry

February 20 — 26 Smoke, Darts and Mirrors Film (35 mm film leader painted with candle smoke, taped to a dart board and hit with darts dipped in habanero sauce, taped with mirrored and opalescent mylar — throwing darts performed by Mateo Tannatt, Lesley Moon, Jen Collins, Patrick Cates, Mariah Csepanyi, Blake Bailey, Karen Liebowitz and Jwest) 2010, 39 seconds 35 mm film leader transferred to digital video, no sound Generously supported and Commissioned by the Contemporary Art Museum, Houston

She has performed and exhibited internationally, and recently received commissions through residencies at ISSUE Project Room, EMPAC (Experimental Media and Performing Arts Center, RPI), and The Clocktower Gallery.

The Apollo Theater today announced its 2015 — 2016 season, encompassing world premieres, commissions, and collaborations with world - class performing arts institutions and international artists working across a range of disciplines and genres — from dance and theater to jazz, soul, and opera.

She's been commissioned by the Dallas Museum of Art, set work on students at Booker T. Washington High School for the Performing and Visual Arts, and her work has been part of TITAS's Command Performance many times, including the TITAS - commissioned Among the Stars in 2010.

Since the 1960s, Performing Arts at the Walker has commissioned 265 performance works.

At its opening in 1999, Mass MoCA, which has no permanent collection, was a showcase for large - scale art exhibitions, often commissioned or created on site, and a contemporary performing arts program.

Tokyo, Japan; Barcelona Head, Spain Ajuntament de Barcelona, Barcelona, Spain; and Mermaid, commissioned by Art in Public Places Committee, Inc., at the Miami Beach Theater for the Performing Arts, Miami, FL..

Dynamic performing arts programming, whether commissioned or specially organized, presents music and dance at Wave Hill where artists take advantage of our unique site.

Some projects involve working in the Wexner Center's Film / Video Studio Program, others relate to specific exhibitions, still others are connected to commissions and co-commissions in the performing arts.

For her multimedia and new media projects she has received grants and commissions: New Radio and Performing Arts, Harvestworks, Art In General, Lower Manhattan Cultural Council, New York State Council on the Arts, Jerome Foundation, Alternative Museum, and Experimental TV Center Finishing Funds and Foundation for Contemporary Arts.

These recreations and historical art works are brought into dialogue with new commissions and recent works by contemporary visual and performing artists, among them Abraham Cruzvillegas, Melvin Edwards, Janice Kerbel, Irina Korina, Barbara Kruger, Christian Nyampeta, Florian Pumhösl, Wolfgang Tillmans and Mikhail Tolmachev...

«Aaron Curry: Grove» presents three aluminum sculptures originally commissioned for the solo exhibition Melt to Earth, which was installed in the plaza of Lincoln Center for the Performing Arts, New York in 2013.

Her work has been exhibited or performed at Dhaka Art Summit (solo, 2018; group 2016); Manchester Art Gallery (solo, 2017); LAMOA at Occidental College, Los Angeles (solo, 2017); Commonwealth and Council, Los Angeles (solo, 2017); Los Angeles Municipal Art Gallery (2017); Project 88, Mumbai (solos 2016, 2013, 2010, 2009, 2007); 20th Sydney Biennale (commission, 2016); Hayward Gallery Project Space, London (solo, 2015); Kochi - Muziris Biennale (2014); Armory Center for the Arts, Pasadena, California (2013); Whitechapel Gallery, London (2013); John Hansard Gallery, Southampton, UK (3 - person, 2012); Asia Pacific Triennial, QAGOMA, Brisbane (2012); Shanghai Biennale (2012); Wanås Foundation and Kristianstads Konsthall, Sweden (2012; the 10th Venice Architecture Biennale (2006); among others.

Both the performing and visual arts programmes have commissioned new work and created opportunities for local artists to present their work within an international context.

Commissioned by the Foundation for Women's Art and performed as part of the Uncanny Tales exhibition that featured the artists Paula Rego, Ana Maria Pacheco, Marcelle Hanselaar and Oona Grimes.

Her work has been commissioned by numerous organisations including ArtsAdmin; Tate Modern, Maison de la Culture, Amiens; The National Gallery and The British Ceramics Biennial, and she has exhibited / performed with institutions including David Roberts Art Foundation (London) Oriel Sycharth (Wales), Palazzo Grassi (Italy) and Inhotim (Brazil).

The Armory's artistic programming continues in 2016 with engagements across opera, music, visual and performance art, including the North American stage premiere of Louis Andriessen's De Materie; a new site - specific installation by Martin Creed which will mark his largest in the U.S. to date; a commission and world premiere by multidisciplinary artist Taryn Simon; Circle Map, two evenings of Kaija Saariaho's immersive music performed by the New York Philharmonic; and recital series performances by rising and celebrated talent from across the globe.

Recent performances include The Supreme Gentleman, about Isla Vista killer Elliot Roger, performed for the Yes All Women art auction in Los Angeles; and the interactive online performance Cloud 9, commissioned by New Hive, about female artists and money.

Curated by Melissa Messina and on view Feb. 1 through June 8, the exhibition also features a commissioned work realized with students from the Esther F. Garrison School of Visual and Performing Arts in Savannah, Georgia, based on Duke Ellington's ballet score for The River.

The Tennessee Arts Commission Gallery will exhibit, from November 18, 2016 until January 13, 2017, Charmaine Lanham's collection of photographs that celebrate legendary bluegrass and country musicians who performed in Tennessee By Krisha Adams, Director of Visual Arts, Craft, Media and Design — Nashville - based photojournalist, Charmaine

Printed by Brand X on Somerset Textured Rag paper and published by the Lincoln Center for the Performing Arts in New York City, Vera List Program Measurements Sheet: 34 1/2 inches x 44 1/2 inches Frame: 38 inches x 48 inches A rare piece with very special historical significance, as it was commissioned by Lincoln Center, and owned by the first first director of the Lincoln Center print program.

By Anne B. Pope, Executive Director — The Tennessee General Assembly created the Tennessee Arts Commission in 1967 with the special mandate to stimulate and encourage the presentation of the visual, literary, music and performing arts and to encourage public interest in the cultural heriArts Commission in 1967 with the special mandate to stimulate and encourage the presentation of the visual, literary, music and performing arts and to encourage public interest in the cultural heriarts and to encourage public interest in the cultural heritage

In 2011, she was commissioned by Omaha Performing Arts to create a large portrait of Richard and Mary Holland, which hangs at the Holland Performing Arts Center in Omaha, Nebraska.

In conjunction with the 2012 Bob Rauschenberg Gallery exhibition «Things Not Seen Before: A Tribute to John Cage» (which then travelled in expanded form to the National Gallery of Art / Tbilisi, Georgia — former Soviet Union), Schult was commissioned to paint a portrait of the late composer John Cage and to select records for our «John Cage's 33-1/3 — Performed by Audience» installation.

She has created set design showcased at the John F. Kennedy center for the Performing Arts and received a Small Projects Grant from the D.C. Commission on the Arts and Humanities for her collaboration with the Deborah Riley Dance Projects.

Winner of a 2007 Pew Fellowship in the Arts and a 1990 Fellowship from the Pennsylvania Council on the Arts, he has been awarded numerous public commissions and his work is on display at distinguished institutions including The Kimmel Center for the Performing Arts, Philadelphia and the Milton Hershey School, Hershey, PA..

Public Art Projects and Commissions 2017 Breathing Tank, Hambidge Creative Hive, Colony Square, Atlanta, GA 2015 Finalist for Southeast Atlanta Branch Library Public Art Commission, Fulton County Art Program, Atlanta GA 2014 Finalist for Alpharetta Branch library Public Art Commission, Fulton County Art Program, Atlanta GA 2009 Intelligent Designs, collaboration with Nick Demos, performed April 7, Florence Kopleff Recital Hall, Georgia State University, Atlanta, GA Intelligent Designs, 18th International Review of Composers on November 16, The Hall of the National Bank of Serbia, Belgrade, SERBIA 2008 The Bottle Project, A (New) Genre Landscape, Sunken Garden Park, Atlanta GA Cincinnati Zoo, Rain Forest Pavilion, Cincinnati OH 2007 Forever, One Glen Lake Parkway, Wells Capital Holding, Sandy Springs GA 2006 Gilded Hand, Municipal Court of Atlanta, Atlanta GA 2001 Brute Neighbors, Atlanta Hartsfield International Airport, Atlanta, GA

The LA County Arts Commission Musicians Roster is a vetted list of Los Angeles County musicians who are available to perform as part of our Free Concerts in Public Sites program.

DiverseWorks is a non-profit art center in Houston, Texas dedicated to commissioning and presenting new visual, performing, and literary art.

The Tennessee Arts Commission was created in 1967 by the Tennessee General Assembly with the special mandate to stimulate and encourage the presentation of the visual, literary, music and performing arts and to encourage public interest in the cultural heritage of TennesArts Commission was created in 1967 by the Tennessee General Assembly with the special mandate to stimulate and encourage the presentation of the visual, literary, music and performing arts and to encourage public interest in the cultural heritage of Tennesarts and to encourage public interest in the cultural heritage of Tennessee.

The center was founded to encompass all aspects of visual and performing arts with a focus on new commissions and artist residencies.

No Commission NY: Art Performs, the art fair Swizz Beatz debuted at Art Basel Miami in December, will be presented in The Bronx, his hometown borough (Aug. 11 - 1Art Performs, the art fair Swizz Beatz debuted at Art Basel Miami in December, will be presented in The Bronx, his hometown borough (Aug. 11 - 1art fair Swizz Beatz debuted at Art Basel Miami in December, will be presented in The Bronx, his hometown borough (Aug. 11 - 1Art Basel Miami in December, will be presented in The Bronx, his hometown borough (Aug. 11 - 14).

DS+R is currently engaged in two significant cultural projects in New York: the renovation and expansion of the Museum of Modern Art, phase one of which was completed in June 2017; and New York's first multi-arts center, known as the Shed, designed to commission, produce, and present all types of performing arts, visual arts, and popular culture, scheduled to open in spring 2019.

Shen Wei Dance Arts recently performed armory - commissioned works.

Set to open its doors next spring, the 200,000 sq ft structure, designed by Diller Scofidio + Renfro in collaboration with Rockwell Group, will host, commission and produce the visual and performing arts, conceived of as a multi-disciplinary arts center located on the High Line, on the west side of Manhattan.

As curator of time - based visual art at EMPAC (Experimental Media and Performing Arts Center) at Rensselaer Polytechnic Institute, recent and forthcoming artists» commissions include Andros Zins - Browne & Karthik Pandian; Charles Atlas; Silas Riener + Rashaun Mitchell; Isabelle Pauwels; Lucy Raven; Rosa Barba and Tarek Atoui among others.

Additionally, he created a major commission called «Pipe Dream» for Symphony Park at the Smith Center for Performing Arts in Las Vegas, Nevada.

Further recent exhibitions include Mene Mene Tekel Parsin, Wysing Arts Centre, Cambridge; brother to brother for Jerwood Solo Presentations, Jerwood Space, London (both 2017); it wasn't a crash, in the usual sense, Arcadia Missa, London; Pale News (in collaboration with Milo van der Maaden) commissioned by the Chisenhale Gallery and performed in Victoria Park, London (both 2016); 5 percent, Copenhagen Art Week, Denmark; Devotions, MOT International Project Space, London (both 2015); Bloomberg New Contemporaries, World Museum, Liverpool and ICA, London (2014 — 15); and The Red Mansion Prize, Dyson Gallery, RCA, London (2014).

Made possible by a curatorial fellowship grant from the Andy Warhol Foundation for the Visual Arts, the convening was hosted by the Walker's Artistic Director Fionn Meade and Director and Senior Curator of Performing Arts Philip Bither, who invited a group of curators, programmers, artists, and producers to address the following: new models of performance curating that have arisen within and outside of the museum setting; evolving standards for collecting and archiving performance and live arts; challenges faced and learning opportunities in producing, commissioning, and acquiring performance - based art and its differing approaches to audience; and shared efforts toward artist advocacy and agency in the context of curating performance across stage, gallery, and emerging platfoArts, the convening was hosted by the Walker's Artistic Director Fionn Meade and Director and Senior Curator of Performing Arts Philip Bither, who invited a group of curators, programmers, artists, and producers to address the following: new models of performance curating that have arisen within and outside of the museum setting; evolving standards for collecting and archiving performance and live arts; challenges faced and learning opportunities in producing, commissioning, and acquiring performance - based art and its differing approaches to audience; and shared efforts toward artist advocacy and agency in the context of curating performance across stage, gallery, and emerging platfoArts Philip Bither, who invited a group of curators, programmers, artists, and producers to address the following: new models of performance curating that have arisen within and outside of the museum setting; evolving standards for collecting and archiving performance and live arts; challenges faced and learning opportunities in producing, commissioning, and acquiring performance - based art and its differing approaches to audience; and shared efforts toward artist advocacy and agency in the context of curating performance across stage, gallery, and emerging platfoarts; challenges faced and learning opportunities in producing, commissioning, and acquiring performance - based art and its differing approaches to audience; and shared efforts toward artist advocacy and agency in the context of curating performance across stage, gallery, and emerging platforms.

/ awards 2015 - 18 Australian Postgraduate Award 2014 Highly Commended award for city constructed from sleeping brain activity data, Fremantle Arts Centre Print Award, Perth 2014 Visual Arts New Work Grant, Australia Council (as Té with Andrew Brooks) 2013 Best Design for Wintering by Aimee Smith, Western Australian Dance Awards (video design, in collaboration with Ben Taaffe and Craig McElhinney) 2013 Young People and the Arts Fellowship, WA Department of Culture and the Arts 2013 Australia Council Artstart Grant 2013 WA Screen Awards, Outstanding Achievement Award: Best Interactive Narrative for Sound Chamber (with Yvette Coyne and Malcolm Riddoch) 2012 JUMP Mentorship Grant, to study with audio - visual artist Robin Fox 2010 Decibel Commission, to compose the audio - visual work Split Mirror Planes, performed at Decibel's Camera Obscura Concert

/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth

A newly commissioned survey has found that London is the most Googled city in the world for its art galleries, performing arts and innovative art and design.

Commissioned by and performed at Dia: Beacon in October, 2005, this project is the result of Jonas's research into German art historian Aby Warburg's essay about a fin de siècle trip to the American Southwest.

Combining experimental dance - theatre, improvisation, and aerial imagery, she has created and performed works with major support from private foundations, public institutions, and artistic residencies, including The Center For Cultural Innovation, Djerassi Resident Artiist Program, The LA County Arts Commission, and The LA Department of Cultural Affairs.

The concurrent Art Perform program at the Art Positions site, curated by Jens Hoffmann (Director Wattis Institute for Contemporary Arts San Francisco), presents daily performances by four artists invited to conceive and present specially commissioned pieces: Christian Jankowski (Germany), Yoshua Okon (Mexico / United States), Adriana Lara (Mexico), and Jordan Wolfson (United States).

The Walker commissioned new works and sponsored choreographic residencies in Minneapolis, and the choreographer was a primary focus of the 1999 exhibition Art Performs Life: Cunningham / Monk / Jones.

For his Park Night, and opening event for Serpentine Gallery's three - day Memory Marathon, Tarek Atoui performed the Sharjah Art Foundation commission La Suite, a five - hour work inspired by classical Arab music, presented by the Serpentine Gallery and made possible by the generous support of Badr Jafar.