Indeed during
the period of modernity, being a Christian meant, to a large extent, believing in Christianity, and Christian faith meant, to a large extent, believing.
This understanding of faith, though it's very old, has become dominant in
the period of modernity.
«Sounds of Silence,» for example, is a song that attacks a feature of modernity, conformist inauthentic speech / reticence, that to some extent spans the entire
period of modernity but which seems particularly strong during one stage of it, that of intermediate modernity.
By this I simply mean that we live during
the period of modernity — that period of Western cultural history that began with the Enlightenment of the seventeenth and eighteenth centuries and continues into the present.
But both fundamentalists and liberals during
the period of modernity have agreed: facts are what matter.
To say the obvious (but it has so often been lost during
the period of modernity) metaphors can be profoundly true, even if they aren't literally or factually true.
Not exact matches
Several
of the book's features are shared with other British theology: a basic concern for intelligent orthodoxy informed by worship; the Trinity as the encompassing doctrine, strongly connected to both church and society; a well - articulated response to
modernity; a wide range
of «mediations,» through various discourses and aspects
of contemporary life (philosophy, history, friendship, sex, politics, aesthetics, the visual arts and music); a special affinity for the patristic
period; and a preference for the essay genre.
Return for a moment to
modernity — that great sea - change
of human consciousness
of the past several centuries (characterized by pluralism and uncertainty) that is leading us to a new Axial
period.
It was coupled with a critique
of modernity, which I define as the overarching ideology
of the modern
period characterized by the three key terms describing larger patterns familiar to modern psychotherapy — autonomous individualism, naturalistic reductionism, and narcissistic hedonism.
This new apologetic task is not unlike other apologetic tasks undertaken by Christianity in other
periods, especially at the time the biblical tradition encountered the Greco - Roman world in the first centuries
of the Christian era, from Paul to Augustine, and at the time
of the transition from the Middle Ages to the dawn
of modernity, including the great reformations
of Europe and the Americas.
But
modernity, like other
periods of history, is ambiguous.
The «new economy» spurred on by the new technology is still in a
period of transition just as our society is groaning though a movement away from
modernity and modern rationality into postmodernity and a postmodern rationality signified by its offspring technology that will continue to give it shape.
The first three decades
of the twentieth century, a time characterized by the arrival
of the culture
of modernity, was a
period of great change not only for women but also in the realms
of economics, politics, the arts, science, and social and religious thought.
Feminine beauty is one
of the eternal themes discussed at all times; each era has its own canons
of female beauty, which are dictated by
modernity: in one
period of years, it is fashionable one, tomorrow there are new standards, sometimes totally opposite to the previous, and a few decades again come into vogue long - forgotten images.
Modernity as a topic in the humanities and social sciences is both a historical
period (the modern era), as well as the ensemble
of particular socio Omaha Love is a modern matchmaking service that was founded in 2009 by Courtney Quinlan.
The Roads to
Modernity is a thoughtful and wide - ranging discussion
of an important
period in the history
of ideas.
This
period, «c. 1930», was a time
of crisis in
modernity and, for the artistic avant - gardes in Europe, the contemporary condition also became problematic.
In her 1994 book The Body in Pieces: The Fragment as a Metaphor
of Modernity, the late art historian Linda Nochlin analogized representations
of the disintegrated figure to tumultuous moments in the modern
period's political and metaphysical flux.
Through a variety
of historical objects from MIA's collection, in juxtaposition with photographs and contemporary artworks inspired by the Qajar
period, we explore the meaning
of the image
of women at the onset
of modernity.
As they sought to express a cultural identity that could bridge ancient traditions and
modernity, they were also experiencing
periods of conflict and rapid social change.
Within the work
of contemporary Brazilian artists, one can find the history
of the country, spanning from 20th century
modernity back to the colonial
period.
During this
period, etching was reinvented as an original art form that — like writing — was uniquely fitted to expressions
of an artist's individual personality and the experience
of modernity.
Contemporary African photography has emerged during a
period of significant historical and social change, including the post-World War II de-colonization movements, the quest for independent national identity, and the effects
of globalization and
modernity.
As a consequence, during the interwar
period, the balance and force
of classical forms engendered a fusion
of modernity and antiquity, turning away from the two - dimensional abstract spaces and fragmentation
of Cubism, Futurism, Expressionism, and other avant - garde movements
of the early 20th century.
«One way
of understanding the relation
of the terms «modern,» «
modernity,» and «modernism» is that aesthetic modernism is a form
of art characteristic
of high or actualized late
modernity, that is,
of that
period in which social, economic, and cultural life in the widest sense [was] revolutionized by
modernity... [this means] that modernist art is scarcely thinkable outside the context
of the modernized society
of the late nineteenth and twentieth centuries.
Together, they reveal the artist's quest to redefine the notion
of a monument in a
period marked by both intense historicism and the ever - accelerating rhythms
of modernity.