Now, all that being said, I do kind of disagree with a church asking their congregation to get
permanent body art for Lent, which is meant for giving up something for a relatively short period of time... this is something that they'll always have with them, even though their beliefs may change.
Not exact matches
The
Permanent Collection acquires a major
body of work by the photographer and
art director, Alexander Liberman.
1997 Heart,
Body, Mind, Soul: American
Art in the 1990s, Selections from the
Permanent Collection, Whitney Museum of American
Art, New York, NY
Drawing chiefly from the
permanent collection at the Speed
Art Museum, Breaking the Mold explores depictions of gender identity through the
body, dress, objects, and history.
2014 Study from the Human
Body, Stephen Friedman Gallery, London, England INSERT 2014: a cultural exploration of Delhi as a landscape for creativity and transformation, Indira Gandhi National Centre for the
Arts, India Ruffneck Constructivists, ICA, Philadelphia, Pennsylvania, USA The Drawing Room, Magasin 3, Stockholm, Sweden Surfacing, Goodman Gallery, Cape Town, South Africa Slow Future, Centrum Sztuki Współczesnej Zamek, Poland Michelangelo e il Novecento, Galleria Civica di Modena, Italy The Disappearance of Fireflies, Prison Sainte Anne, Avignon, France And the Trees Set Forth to Seek for a King, Museum of the Seam, Jerusalem, Israel Pace Gems: Selections from the Linda Pace Foundation
Permanent Collection, San Antonio, Texas, USA As I Run and Run, Happiness Comes Closer, Hotel Beauburn, Paris, France Paradigm Store, Howick Place, London, England What Marcel Duchamp Taught Me, The Fine
Art Society Contemporary, London, England Odd Volumes, Book
Art from the Allan Chasanoff Collection, Yale University
Art Gallery, New Haven, USA Der Leone Have Sept Cabeças, CRAC, Switzerland One Shot!
The Nude Man in
Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of
Art, Katonah, NY 30 Americans, Milwaukee
Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of
Art, Austin, TX 2012 Looped, Utah Museum of Contemporary
Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management
Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American
Art, Memphis Brooks Museum of
Art, Memphis, TN 30 Americans, Chrysler Museum of
Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group
Art Exhibition, Watts Towers
Arts Center and Charles Mingus Youth
Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary
Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the
Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of
Art at Duke University, Durham, NC Human Nature: Contemporary
Art from the Collection, Broad Contemporary
Art Museum (BCAM) at Los Angeles County Museum of
Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in
Art, Ringling Museum of
Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of
Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG
Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of
Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University
Art Gallery, Sonoma, CA Patter ID, Akron
Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine
Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk
Art to Facebook, Plains
Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity:
Art and the Contemporary African American Experience, Kentucky Museum of
Art and Craft, Louisville, KY The Gleaners: Contemporary
Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American
Art, Cleveland
Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the
Body in American
Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary
Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary
Art, Cleveland, Cleveland, OH Down, Museum of Contemporary
Art, Detroit, Detroit, MI
Breuning's artworks, in whichever of the plethora of media it emerges in, deals with the «big questions in life» through a language that merges mass - culture and
art manifesting a
body of ephemeral works made
permanent via artistic documentation constituting of humorous
art without ridiculing
art.
2008 Selective Knowledge, Institute for Contemporary
Art and Thought, Athens, Greece Zones of Conflict, Pratt Gallery, New York, NY Ours: Democracy in the Age of Branding, Sheila C. Johnson Design Center, organized by Parsons School of Design and the Vera List Center for Art and Politics, New York, NY Crossroads: Interfaces between rock and contemporary art, Domus Artium Museum / Center of Contemporary Art of Salamanca, Spain 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA Index: Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, Aspen Art Muse
Art and Thought, Athens, Greece Zones of Conflict, Pratt Gallery, New York, NY Ours: Democracy in the Age of Branding, Sheila C. Johnson Design Center, organized by Parsons School of Design and the Vera List Center for
Art and Politics, New York, NY Crossroads: Interfaces between rock and contemporary art, Domus Artium Museum / Center of Contemporary Art of Salamanca, Spain 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA Index: Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, Aspen Art Muse
Art and Politics, New York, NY Crossroads: Interfaces between rock and contemporary
art, Domus Artium Museum / Center of Contemporary Art of Salamanca, Spain 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA Index: Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, Aspen Art Muse
art, Domus Artium Museum / Center of Contemporary
Art of Salamanca, Spain 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA Index: Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, Aspen Art Muse
Art of Salamanca, Spain 2008 California Biennial, Orange County Museum of
Art, Newport Beach, CA Index: Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, Aspen Art Muse
Art, Newport Beach, CA Index: Conceptualism in California from the
Permanent Collection, Museum of Contemporary
Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, Aspen Art Muse
Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen
Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective
body, Museum of Modern and Contemporary
Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, Aspen Art Muse
Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary
Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, Aspen
Art Muse
Art Museum.
[3] She organized many notable exhibitions, including the controversial 1993 Biennial, [4] directed by Elisabeth Sussman; Black Male: Representations of Masculinity in Contemporary
Art (1994 — 95); Bob Thompson: A Retrospective (1998); Heart, Mind,
Body, Soul: New Work from the Collection (1998); and Hindsight: Recent Work from the
Permanent Collection (1999).
2015 Between History and the
Body, The 8th floor, New York, NY A Curious Blindness, The Miriam and Ira D. Wallach
Art Gallery, Columbia University, New York, NY Concealed: Selections from The
Permanent Collection, The Studio Museum in Harlem, New York, NY
«Miami
Arts Project,» Miami, FL, January — March, 1998; brochure «I'm Still In Love With You: Visual Artists and Writers Respond to the 1972 Album by Al Green,» Women's 20th Century Club, Eagle Rock, CA, February 14 — March 14, 1998 «Postcards from Black America,» Breda, De Beyerd Museum, Breda, The Netherlands, 1998; catalogue «Núcleo Historico, XXIV Bienal de São Paulo,» curated by Paulo Herkenhoff, São Paulo, Brazil, 1998 «100 Years of Sculpture: From Pedestal to Social,» Walker
Art Center, Minneapolis, MN, 1998 «Exterminating Angel,» Galerie Ghislaine Hussenot, Paris, France, 1998 «Heart, Mind,
Body, Soul,» Whitney Museum of American
Art, New York, NY, 1998 «Cut on the Bias: Social Projects of the 90's,» from the
Permanent Collection: The Fabric Workshop and Museum, Philadelphia, PA, 1998 «Histories (Re) Membered: Selections from the
Permanent Collection of the Bronx Museum,» Paine Webber
Art Gallery, New York, NY, 1998 «100 Years of Sculpture: From pedestal to Social,» Walker
Art Center, Minneapolis, MN, 1998 «Exterminating Angel,» Galerie Ghislane Hussenot, Paris Miami
Art Project, Miami, FL, 1998 «Hindsight: Selections from the
Permanent Collection,» Whitney Museum of American
Art, New York, NY, 1998 «A Portrait of Our Times: An Introduction to the Logan Collection,» San Francisco Museum of Modern
Art, San Francisco, CA, 1998
Its significance within Sherman's
body of work is demonstrated by its inclusion in the
permanent collection of many prestigious museums, including New York's Museum of Modern
Art, the Akron
Art Museum in Ohio and the Museum Boijmans van Beuningen in Rotterdam.
A solo exhibition showcasing important selections from her sketchbooks, intimately scaled studies, a series of new boxes, and a new
body of large - scale work inspired by Japanese masterpieces housed in the San Diego
Art Museum's own
permanent collection...
Mr. Penn's work is also amply represented in the
permanent collection of the San Francisco Museum of Modern
Art, which hosted the traveling exhibition «Earthly
Bodies: Irving Penn's Nudes,» in 2003.
Select group exhibitions featuring the work of Rollins and K.O.S. include Black and Blue, Pulitzer Foundation, St. Louis, MO (2017); Fast Forward: Painting from the 1980s, Whitney Museum of American
Art, New York (2017); Nightfall, Musée d'
Art et d'Histoire, Geneva, Switzerland (2016 - 2017); Beyond the Veil: Works from the
Permanent Collection, Bronx Museum, New York (2016); An Inclusive World, Queens Museum, New York (2015); Drawing Biennial 2015, Drawing Room, London (2015);
Body Language, The Studio Museum in Harlem, New York (2013); This Will Have Been:
Art, Love & Politics in the 1980s, Museum of Contemporary
Art Chicago, IL (2012); Wide Open School, Hayward Gallery, London (2012); and the Whitney Biennial, New York (2006).
«Me and Benjamin,» Galerie Xippas, Paris, France, November 14, 2014 — January 10, 2015 «Concrete Infinity,» Museum of Contemporary
Art, Los Angeles, Los Angeles, CA, September 20, 2014 — February 15, 2015 «Exposure: An Exhibition of Contemporary Photography,» Robert and Elaine Stein Galleries, Wright State University, Dayton, Ohio, September 2 — October 12, 2014 «After Our
Bodies Meet: From Resistance to Potentiality,» The Leslie + Lohman Museum of Gay and Lesbian
Art, June 5 — August 3, 2014, New York, NY «The Douglas Nielsen Collection,» Center for Creative Photography, Tucson, AZ, August 9, 2014 «Game Changer,» Boulder Museum of Contemporary
Art, Boulder, CO, July 17 — Septermber 14, 2014 «Fan the Flames,»
Art Gallery of Ontario, Toronto, Ontario, June 18 — September 14, 2014 «The Heart of Los Angeles,» Union Station, Los Angeles, CA, April 30, 2014 - 2015 «Pace Gems: Selections from the Linda Pace Foundation
Permanent Collection,» Linda Pace Foundation, San Antonio, TX, April 18 — September 13, 2014 «Not For All My Little Words,» Marc Straus, New York, NY, March 30 — April 27, 2014
Coalescing recent manifestations of two distinct, yet interrelated
bodies of work — «Planar Configurations» and «Planar Pavilions» — this two - part exhibition embodies Zittel's evolving symbiosis between
art object and active living environment, and inaugurates the artist's newest
permanent public installation in Joshua Tree, California.