Sentences with phrase «permanent collection after»
As a two - year Artist - in - Residence at the Exploratorium in San Francisco, she designed a piece that became part of the permanent collection after the work travelled throughout Europe.
https://cranbrookart.edu/ Not exact matches
After seven sold - out, limited - edition collections, this marks the first permanent cosmetics range for Pat McGrath Labs.
After ascending the Guggenheim's ramp to follow the trajectory of Martin's oeuvre, it's worth popping into the permanent collection to consider Mondrian's Composition 8 (1914).
They must know that Picasso sculpture was due to take space from the permanent collection only a week after the opening.
This question needled me after a recent, fantastically rewarding visit to the Parrish Art Museum in Water Mill, NY to see «Five and Forward,» the latest installation of works from the museum's permanent collection.
The permanent collection exhibition traces the development of Naïve Art from its beginning in the time around 1900 to long after 1945.
This outsourcing of MoMA's collection comes at a pivotal moment for the storied institution, as it prepares to rehang its permanent collection in 2019 after its long - time expansion is realized.
After the Whitney's scheduled move to the meatpacking district of Manhattan in 2015, it will have far more space to show its permanent collection.
In 1942, after touring the nation, White's WPA images returned to Portland and became the first photographs to be accessioned into the Museum's permanent collection.
Eagerly sought - after, examples of Linnenbrink «s work are now housed in the permanent collections of prestigious institutions, including San Francisco «s Museum of Modern Art, the Herzliya Museum of Art, in Israel, Ucla Hammer, in L.A and Kassel «s Museum Neue Galerie.
After hours, we offer the exclusive opportunity to visit our permanent collection and temporary exhibitions without the crowds.
2015 Mobile M +: Live Art, M +, Hong Kong, China The Malady of Death: Écrire and Lire, commissioned by M + for Mobile M +: Live Art, Hong Kong, China The Eighth Asia Pacific Triennial of Contemporary Art (APT8), Queensland Art Gallery, Brisbane, Australia Office Space, Yerba Buena Center for the Arts, San Francisco, USA Paradox of Place: Contemporary Korean Art, Seattle Asian Art Museum, Seattle, USA Remember Lidice, Edition Block, Berlin La vie moderne, 13th Biennale de Lyon, Lyon, France J'adore, Kunsthalle Lingen, Lingen, Germany Future Light, MAK — Austrian Museum for Applied Arts / Contemporary Art, Vienna, Austria Passing Leap, Hauser & Wirth, New York Scenes for a New Heritage: Contemporary Art from the collection, MoMA, New York, USA As We Never Imagined: 50 Years of Art Making, STPI gallery, Singapore After Babel, Moderna Museet, Stockholm, Sweden Absolute Collection Guideline, Sifang Art Museum, Nanjing, China Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York, USA Works on Paper, Greene Naftali, New York, USA Fiber: Sculpture 1960 - present, Des Moines Art Center, Iowa, USA Temporary Permanent, Galerie Wien Lukatsch, Berlin, Germany Feminismen, Nordsternturm Videoart Center, Gelsenkirchen, Germany Suppleness and Rigidity — The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg, Germany The past, the present, the possible, Sharjah Biennale 12, Sharjah, UAE Scenes for a New Heritage: Contemporary Art from the Collection, MoMA, New York, USA Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium 360 °: Die Rückkehr der Sammlung, Stiftung Kunstmuseum Stuttgart, Stuttgart, Germany
As a painter of the Op Art movement, his first solo exhibition, «Optical Paintings,» opened on October 5, 1964 at the Terrain Gallery in New York, after which he exhibited a painting at the Museum of Modern Art's Responsive Eye show, which remains in MOMA's permanent collection.
After the inaugural exhibitions — some of which run through the fall, others into 2017 — curators will be free to integrate Fisher Collection works with pieces from the permanent collection in a range of exhibitions, and Campaign for Art donations — some of which are gifts, others pledges or bequests — will be part of the permanent collection depending on arrangements made with their benefactors.
During his initial 12 - year tenure as Curator of Photography at the LACMA (1992 - 2004), Mr. Wride curated over twenty - five permanent collection focus exhibitions as well as numerous larger exhibitions including: «Retail Fictions: the Commercial Photography of Ralph Bartholomew» (1997); «Shifting Tides: Cuban Photography after the Revolution» (2001); «Donald Blumberg» (2002); and «Trajectories: The Photographic Work of Robbert Flick» (2004).
Almost a year after its opening, the Pulitzer Arts Foundation added a third work to its permanent collection: Scott Burton's Rock Settee.
In 2016, the Museum of Modern Art made headlines after acquiring the original set of 176 emoji for its permanent collection: tiny drawings of faces, objects, and places, each illustrated on a 12x12 pixel grid, grouped and arranged neatly in order.
Museum of Western and Oriental Art, Kiev Also known as the Bogdan and Varvara Khanenko Museum of Art, and formerly ranked the third most important museum in the Soviet Union after the Hermitage in St Petersburg and the Pushkin Museum of Fine Arts in Moscow, the museum's permanent collection (begun 1919) includes Egyptian and Classical antiquities, Byzantine art and icons, Italian Maiolica pottery, Meissen porcelain, Persian Ceramics and Bronze sculpture, Chinese paintings and Chinese pottery, as well as European paintings, sculptures, and etchings.
After 1965 includes a selection of works drawn from the permanent collection of the Neuberger Museum of Art and select loans from private collections.
That's what we're getting with this reimagining of the permanent collection, which also includes new galleries for Spanish Colonial and Native American art as well as rooms for rotating presentations of video, works on paper and international contemporary art — a museum that now puts its best feet forward and offers one «only at the Blanton» moment after another.
Named after a local politician, Sir Isaac Hayward, and opened in 1968, the five galleries contained within this Brutalist structure never quite became a permanent home for the Arts Council's expanding collection.
The museum's permanent collection of 60,000 works is the largest holding of modern and contemporary art in the world, after the Museum of Modern Art (MoMA) in New York.
After years of lending pieces to museums across the globe, Nasher built a permanent home for the collection in Dallas.
The Zeitz collection, however — unlike those of most Western institutions such as the Guggenheim Museum or the Tate galleries, which are named after principal patrons — is not a permanent part of the museum.
After he returned to New York in 1958 and making a major connection with Frank Stella, one of his first major works was Orange Crush, a highlight of the Albright Knox permanent collection.
Five works on paper in the Museum's permanent collection have recently returned after receiving conservation treatment.