Sentences with phrase «permanent commission at»

Recent projects include 33 - D, a double threshold at Kunsthaus Baselland; and W - 12302, an architecturally embedded permanent commission at the Baltimore Museum of Art (2012).

Recent projects include W - 12302, an architecturally embedded permanent commission at the Baltimore Museum of Art (2012).

Recent solo projects include S - 281913 (Pérez Art Museum Miami 2016), S - 337473 (Wexner Center for the Arts 2017), S - 399390 (Mudam, Luxembourg 2016), 33 - D (Kunsthaus Baselland 2014) and W - 120301, an architecturally embedded permanent commission at the Baltimore Museum of Art (2012).

Not exact matches

The two marches in Managua came after protests and looting last week that Nicaragua's Permanent Commission on Human Rights said left at least 63 people dead, 15 missing and more than 160 wounded by gunfire.

He served in various capacities in Ghana's Embassies and High Commissions in Cotonou, Cairo, Brussels, Havana, London, the Ghana Permanent Mission to the United Nations in New York and also his role as Ghana's Ambassador to Ethiopia as well as the Permanent Representative to the African Union and the United Nations» Economic Commission for Africa [ECA] with concurrent accreditation to Uganda, Tanzania, Burundi, Eritrea, Djibouti and Rwanda and we are very hopeful, the experiences gathered in all those places all these years will be brought to bear positively at the AU Commission so far as tact, advocacy and diplomacy are concerned».

According to Minutes of the Permanent Site Advisory Committee held on March 3, 2016 at the conference room of the Lands Commission, a copy of which has been intercepted by the ABC News, a representative from the Ministry of Transport said the Ministry had «signed a Memorandum of Understanding with Anator Holdings Company Limited for the implementation of the above - mentioned project.

Resident Electoral Commissioner (REC) Anambra State, Dr Nkwachukwu Orji (left) and Chairman, Independent National Electoral Commission (INEC), Prof Mahmood Yakubu watch as prospective voters collect their Permanent Voter Cards (PVCs) at Anaocha Local Government office in Anambra State before the last governorship election in November 2017.

President, ECOWAS Network of Electoral Commissions (ECONEC) and Chairman, Independent National Electoral Commission (INEC), Prof. Mahmood Yakubu (left), Treasurer and Chairman of CENI Burkina Faso, Mr. Ahmed Newton Barry, Second Vice President Interim Chairman of CNE Guinea Bissau, Mr. Jose Pedro Sambu and Permanent Secretary, Mr. Francis Gabriel Oke at the International Conference on Opportunities and Challenges in the Use of Technology in Elections, which began in Abuja on 9th April.

«The Commission is concerned that over-reliance on international offsets — given the practical difficulty of assuring that emissions reductions claimed in other countries are real, permanent, additional, and verifiable — could undermine program goals and political support, especially if substantial U.S. funds are leaving the country to support abatement efforts abroad rather than at home,» it states.

Her solo shows include projects at Kunsthaus Baselland in Basel, Mills College in Oakland and Annely Juda Fine Art in London; commissioned works by Oppenheimer are on permanent view at the Mattress Factory in Pittsburgh and at the Baltimore Museum of Art.

Marshall has been commissioned to complete numerous permanent public works at locations including the Legler Branch Library in Chicago, The Print Center in Philadelphia, and the San Francisco Museum of Modern Art's Haas Atrium.

She recently completed permanent public commissions at Jupiter Artland, Edinburgh (2014); The Whitworth, the University of Manchester, England (2016); and The Contemporary Austin, TX (2017).

2014 — PUBLIC ART COMMISSION: CHICAGO TRANSIT AUTHORITY, PERMANENT INSTALLATION FOR 35TH / WHITE SOX CTA STATION 2014 — RESIDENCY, DESIGN FABRICATION, ÍFRANS MAYER, MUNICH, GERMANY, 2014 2014 — NOMINATION 3 - ARTS AWARD 2011 — VISITING ARTIST, TEACHER INSTITUTE IN CONTEMPORARY ART, SAIC, NEA 2010 — GRANT: ARTIST PROJECT IN VISUAL ARTS, ILLINOIS ARTS COUNCIL 2009 — NEW AT THE MUSEUM OF CONTEMPORARY ART, CHICAGO 2009 — THE DRAWING CENTER VIEWING PROGRAM, CURATED ARTIST REGISTRY, NEW YORK, NY 2008 — CATWALK, NY ARTIST RESIDENCY, SCHOOL OF THE ART INSTITUTE CHICAGO 2004 — POST - MFA FELLOWSHIP, VISITING LECTURER, UNIVERSITY OF CHICAGO 1998 — HONORABLE MENTION AWARD / STATE LINE EXHIBITION / ROCKFORD MUSEUM, ILLINOIS 1996/1997 — ARTS MIDWEST / REGIONAL NEA VISUAL ARTIST FELLOWSHIP AWARD (PAINTING) 1990 — ILLINOIS ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / NORTHWESTERN UNIVERSITY EXHIBIT 1987 — ILLINOIS ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / CHICAGO CULTURAL CENTER EXHIBIT

In 2007, he became the first artist to be commissioned to install a permanent work at the Louvre, Paris, since Georges Braque some fifty years earlier.

Burtynsky was recently commissioned to create an immense permanent installation of photographs at the National Holocaust Monument of Canada.

He has completed more than a dozen temporary and permanent public art projects including the commission Hear My Train in Wanganui, New Zealand completed in 2012 and a public screening at the Oslo Central Station, Oslo Screen Festival in collaboration with Kunsthall Oslo, Oslo, Norway autumn 2013.

Later this year his first permanent public commission will be unveiled at Howick Place, Victoria, London (2014).

In 2007, he became the first artist to be commissioned to install a permanent work at the Louvre in Paris since Georges Braque some 50 years earlier.

Her new permanent commission Blind Blue Landscape opened in September 2009 at the renowned Benesse Art Site in Naoshima, Japan.

At its opening in 1999, Mass MoCA, which has no permanent collection, was a showcase for large - scale art exhibitions, often commissioned or created on site, and a contemporary performing arts program.

Thames and Hudson recently published The Andy Goldsworthy Project, a book on his work at the National Gallery of Art, Washington, D.C. and other permanent commissions.

In its first year, she curated exhibitions with Suzanne Lacy, Andrea Bowers, Edgar Arceneaux, Star Montana, and Alice Konitz and commissioned a site - specific permanent artwork by Dora De Larios that prominently greets visitors at the entrance to the museum.

Hancock's mythology has also been translated through performance, even onto the stage in an original ballet, Cult of Color: Call to Color, commissioned by Ballet Austin (2008, 2013), and through site - specific murals for the Welcome Center at the University of Houston, TX (2015), Houston Children's Hospital, TX (2011), Olympic Sculpture Park, Seattle Art Museum, Seattle, WA (2010), Dallas Cowboys Stadium in Dallas, TX (2009), and a permanent multimedia installation as part of the centennial celebrations at Hermann Park in Houston, TX (2012).

Kelley's awards and honors include Visiting Artist at the American Academy in Rome (2011 - 12); Faculty Development Grants from Skidmore College and St. Mary's College of Maryland (2007 - 09); Jerome Foundation Travel / Study Grant (2004); Finalist, Bush Foundation Artist Fellows Program (2004); Artist Residency, Anderson Ranch Arts Center, Colorado (2003); McKnight Foundation Artist Fellowship for Photographers (2001 - 02); and Jerome Foundation and Forecast Public Artworks commission, permanent installation in the Open Book building, Minneapolis (2000).

Buren's 1994 installation The Arches, permanent work in situ, is on view at the Southampton City Art Gallery, and in May 2017, he launched another permanent installation in the UK — Diamonds and Circles, works in situ — at Tottenham Court Road station in London, commissioned by Art on the Underground.

She also has a permanent integrated landscape sculpture in the center of Sydney at Cook and Phillip Park that was a commission by the city of Sydney.

In 2015, she exhibited in the Unsuspected Possibilities show at SITE Santa Fe, and in 2016 she was commissioned by the US State Department's Art in Embassies program to build a permanent sculpture at the newly expanded US Embassy in Islamabad, Pakistan.

Lee Ufan's solo exhibition at Château La Coste, the artist's first in France following his presentation at the Palace of Versailles in 2014, is in many ways an extension of «House of Air», a permanent commission unveiled at the château in 2014.

«Dilemma» is a newly commissioned work by Elmgreen & Dragset at Ekebergparken in Oslo — a public park collecting and commissioning permanent outdoor sculpture.

Although some of her most iconic large - scale works aren't in this exhibition, such as her commission for the fourth plinth in Trafalgar Square «Monument» (2001), and her haunting «Holocaust Memorial» (2000) which has a permanent location in Vienna, some smaller and equally iconic works are featured at the Tate Britain including «Untitled» (One Hundred Spaces)(1995), a composed of 100 casts of the negative space beneath a chair, arranged like sentinels guarding the imposing sweep of the Duveen Galleries, beyond the classical columns of the entrance.

Included among these commissions is Lichtweg (or Lightway) at the New International Airport, Munich (1989 - 1992), a permanent installation that spans the 1,000 meter walkway of moving sidewalks, linking terminals and orienting passengers in a pathway of light.

Recently she has started accepting commissions for permanent large - scale public art projects, the first of which is a frieze that is a permanent part of the architecture of the Rose McQuillan Art Center at the Fairchild Tropical Botanic Garden.

2015 Mobile M +: Live Art, M +, Hong Kong, China The Malady of Death: Écrire and Lire, commissioned by M + for Mobile M +: Live Art, Hong Kong, China The Eighth Asia Pacific Triennial of Contemporary Art (APT8), Queensland Art Gallery, Brisbane, Australia Office Space, Yerba Buena Center for the Arts, San Francisco, USA Paradox of Place: Contemporary Korean Art, Seattle Asian Art Museum, Seattle, USA Remember Lidice, Edition Block, Berlin La vie moderne, 13th Biennale de Lyon, Lyon, France J'adore, Kunsthalle Lingen, Lingen, Germany Future Light, MAK — Austrian Museum for Applied Arts / Contemporary Art, Vienna, Austria Passing Leap, Hauser & Wirth, New York Scenes for a New Heritage: Contemporary Art from the collection, MoMA, New York, USA As We Never Imagined: 50 Years of Art Making, STPI gallery, Singapore After Babel, Moderna Museet, Stockholm, Sweden Absolute Collection Guideline, Sifang Art Museum, Nanjing, China Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York, USA Works on Paper, Greene Naftali, New York, USA Fiber: Sculpture 1960 - present, Des Moines Art Center, Iowa, USA Temporary Permanent, Galerie Wien Lukatsch, Berlin, Germany Feminismen, Nordsternturm Videoart Center, Gelsenkirchen, Germany Suppleness and Rigidity — The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg, Germany The past, the present, the possible, Sharjah Biennale 12, Sharjah, UAE Scenes for a New Heritage: Contemporary Art from the Collection, MoMA, New York, USA Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium 360 °: Die Rückkehr der Sammlung, Stiftung Kunstmuseum Stuttgart, Stuttgart, Germany

Orrico's work is in the collection at the National Academy of Sciences and he will present a commissioned drawing at MUAC, Mexico City, in September for their permanent collection.

New permanent public commissions include SCIENTIA at the McGovern Institute for Brain Research at the Massachusetts Institute of Technology; URODA at the Andlinger Center for Energy and the Environment at Princeton University; and a forthcoming commission for the Denning House at Stanford University, California.

, Art Guide Australia, June Pena, Anne Marie, A Terrible Beauty: Politics, Sex and the Decline of Empires, Cmagazine, issue 114, Summer Pollock, Barbara, Arthur Solway: Bringing the West to the East, Artnet, 22 May Artists to look out for at Frieze Art Fair New York 2012, Huffington Post, 5 May Little, Mandy, Ship art docks for exhibition, The Mercury, 2 May Guner, Fisen, The Arts Desk, 23 April Brown, Mark, Yinka's ship goes on permanent display in Greenwich, The Guardian, 23 April Yinka Shonibare Ship in a Bottle finds new home, BBC News online, 23 April Yinka Shonibare, Nigerian Whose Artwork creates a mark at London's Trafalgar Square, www.tribune.com, 14 April Peek, Philip M., African Arts, Spring Luke, Ben, London Evening Standard, 12 March Politanoff, Evelyne, Addio del Passato, The Huffington Post, 28 February Hunt, Jem, Yinka Shonibare: Nelson's Ship in a Bottle, Art & Architecture Journal Press, 27 February Scheifele, Kris, Post-Colonial Mixologist, Art Critical, 26 February Addio del Passato, Artinfo, 25 February Massie, Alex, British sailors for British ships, The Spectator, 21 February Kellaway, Kate, The Crisis Commission, The Observer, 19 February Hazard, Ruth, COTTONL Global Thread, Whitworth Art Gallery, Manchester, Culture 24, 14 February Finerty, Katherine, Yinka Shonibare's Message in a Bottle: Hybrid Citizen Ship, Studio Museum, 13 February Wolf, Rachel, Art + Auction, February (front cover) Mason, Shana Beth, Yinka Shonibare MBE the Whitehot Interview, Whitehot Magazine, February

Find out more about the Permanent Collection at http://tnartscommission.org/permanentcollection/ Pitelka's two works are on view in the offices of the Tennessee Arts Commission.

In 1953 her painting Persian Jacket was acquired by the Museum of Modern Art in New York for its permanent collection, and Grace Hartigan was also commissioned to design the sets for Kenneth Koch's production of Red Riding Hood at the Artists» Theatre.

He has been commissioned for various permanent installations, including two mosaic murals located at the Intervale Subway Station (2/5) in the Bronx as well as several glass murals in P.S. 82 Hammond School in Queens, New York.

His prior outdoor work includes commissions by the Cass Sculpture Foundation, London and a permanent installation of monumental works at the Waldfrieden Sculpture Park, Wuppertal, Germany.

In addition to numerous exhibitions, he has completed several public art commissions including permanent installations at the Hartsfield - Jackson Atlanta and Jacksonville International Airports and a series of outdoor sculptures at a fire station.

1991 Two Permanent Glass Mosaic Murals, The EL Commissioned by the New York Metropolitan Authority — Arts for Transit Located at the Intervale Subway Station, 2 and 5 lines, Bronx, New York

In 2006 he was commissioned by the City of Chicago Public Art Program to create a permanent installation at the Sox / 35th CTA station as part of the Arts in Transit Program.

He has been commissioned for various permanent installations, including two mosaic murals located at the Intervale Subway Station (2/5) in the Bronx as well as several glass murals in P.S. 82 Hammond School in Queens, NY.

Join us for the opening of the exhibition Wilder LIC, where we have been commissioned by the Flux Factory to create a new permanent living sculpture «Plantarium - Tea Garden» at the Windmill Community Garden located across the street of the Flux Factory which Flux co-founded with neighborhood partners in 2016, this marks the opening of the very first group exhibition in this new location.

Finch's talk at the New School will focus on the artist's various public and large - scale installations like A Certain Slant of Light (2014 - 15), a site - specific installation at the Morgan Library inspired by its collection of medieval Books of Hours; Trying to Remember the Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation on New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

In addition to his many permanent commissions, he had print and drawing retrospectives at the Museum of Modern Art in New York, and the San Francisco Museum of Modern Art.

His large scale commissioned sculpture «Vainglorious Bluebird» is on permanent display at Centennial Park in Hyattsville.

In addition, he has recently installed two large commissioned paintings for permanent display in the new Beverly Taylor Sorenson Complex of Dance and Education at the University of Utah.

In 2007, Anselm Kiefer became the first artist commissioned to install a permanent work at the Louvre, Paris, since George Braque, more than 50 years earlier.