In her role as Associate Curator, Dr. Whitner curated the current exhibition New View: 2014 Faculty Exhibition; and is collaborating with Dr. Eve Straussman - Pflanzer, Assistant Director of Curatorial Affairs / Senior Curator of Collections, on the reinstallation of
the permanent galleries at the Davis, scheduled to open in fall 2016.
David Hockney — National treasure who is still going from strength to strength, Tate Britain retrospective and
permanent gallery at Cartwright Hall Bradford
Not exact matches
I usually read your posts via bloglines... since you don't use a blog design with columns (which could have a
permanent link to your eBay auctions... or
gallery shows or whatever), perhaps you could include a link
at the bottom of each post?
They will then go on
permanent display in a new Human Evolution
gallery, set to open
at the museum during the end of November.
His work is in the
permanent collection of New York's Museum of Modern Art and the British Museum and has been exhibited
at the Tate, Centre Pompidou, MoMA, Whitney Museum of American Art, Berlin Kunsthalle, PS1, Whitechapel
Gallery, and London's Institute of Contemporary Arts.
Not only will your tile remain a
permanent part of the Tribute
Gallery at Animal League America, but you can also receive a second tile that is either inlaid in a felt - lined keepsake box or placed in a frame that is suitable for hanging.
Soothe any sore muscles or nerves
at one of the dozens of hammams, such as the upscale Azur Art & Spa, also a
permanent gallery for local artists.
At the Studio Museum, Choi will be working with a
permanent collection numbering 2,200 objects, more of which will be regularly on display in the future, as a result of a proposed $ 122 million David Adjaye — designed expansion that will include additional
gallery space.
This past winter, Hendricks's triple - portrait masterpiece, all too rarely on view, presided over one of the most bracing
permanent collection installations Washington has ever seen, one that filled two
galleries behind Jackson Pollock's Mural (1943), a refugee wall - surfing through eleven museums around the world since it was left homeless in 2008 by extreme flooding
at the University of Iowa Museum of Art.
2017 — LOG
at LUMP
Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman
Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren
Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART,
at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren
Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren
Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the
Permanent Collection, Mississippi Museum of Art, Jackson
Storefront Bushwick and Parallel also sold work
at their
permanent gallery spaces, and while Interstate Projects didn't sell work
at Basel, they reported sales of Justin Berry's prints
at the
gallery.
«Landscapes from the
Permanent Collection» 1992 Butler Institute of Art, Youngstown, OH, «The Artist
at Ringside» National Art Museum of Sport, Indianapolis, IN, «The Artist
at Ringside» 1989 Edmonton Art
Gallery, Edmonton, Alberta, «Art for All» 1985 Butler Institute of Art, Youngstown, OH, «The Midyear Show» Richard F. Brush Art
Gallery & University Collections, St. Lawrence Univ..
At Crystal Bridges, the portrait of Hurd will be on view in the
permanent collection
galleries.
Enjoy this virtual tour of NOMA's
galleries, and then visit online to view more dynamic content from the
permanent collection and past exhibitions
at the museum.
Traveled to Worcester Art Museum, Worcester, Massachusetts (October 3 — November 25); Grey Art
Gallery, New York University, New York (January 15 — February 23, 1985); Contemporary Arts Center, Cincinnati (March 14 — April 27, 1985); Albright - Knox Art
Gallery, Buffalo (September 14 — November 3, 1985) and Archer M. Huntington Art
Gallery, University of Texas
at Austin (January 12 — February 23, 1986) Sur Invitation, Musée des Arts Décoratifs, Paris (June 6 — September 17) Olympic Arts Festival Los Angeles 1984, Newport Harbor Art Museum, Newport Harbor, California (June 1 — September 9) Selections from the
Permanent Collection: Paintings and Sculpture, Museum of Modern Art, New York (opened May 17) Three Painters, Three Decades: Lee Krasner — Joan Mitchell — Pat Steir, Harcus
Gallery, Boston (May 5 — June 20) XXIX Salon de Montrouge, Art Contemporain, Peinture — Sculpture — Dessin, Montrouge, France (May 2 — June 3) Aspects de la Peinture Contemporaine (1945 — 1983), Musée d'art moderne de Troyes, France (April 29 — June 18) Vent «anni d'arte in Francia, 1960 — 1980, Association Française d'Action Artistique, Galleria comunale d'arte moderna di Bologna (March — April) Master Drawings: 1928 — 1984, Janie C. Lee
Gallery, Houston (March 7 — April) La Part des Femmes dans l'Art Contemporain, Galerie Municipale, Vitry - sur - Seine, France (March) American Women Artists, Part I: 20th Century Pioneers, Sidney Janis
Gallery, New York (January12 — February 4)
The work is called «Jack Lemmon,» and it was made last year by Rachel Harrison, a brilliant artist in her mid-40s who lives and works in Brooklyn, N.Y.. It's on display in the
permanent collection
galleries at the Institute of Contemporary Art, on long - term loan from the benefactor Barbara Lee.
Biomorphic Forms in Sculpture,» Kunsthaus Graz, September 27, 2008 — January 11, 2009 «AURUM Gold in Contemporary Art,» curated by Dolores Denaro, CentrePasquArt, Biel, Switzerland, September 13 — November 30, 2008 «Red Wind,» Blum & Poe, Los Angeles, CA, June 28 — August 23, 2008 «Collecting Collections: Highlights from the
Permanent Collection of the Museum of Contemporary Art, Los Angeles,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, February 9 — May 19 2007 «Celebrating the Lucelia Artist Award, 2001 - 2006,» Smithsonian American Art Museum, Washington, D.C., September 21, 2007 — June 22, 2008 «Makers and Modelers: Works in Ceramic,» Gladstone
Gallery, New York, NY, September 8 — October 13, 2007 «Blood Meridan,» curated by David Hunt, Galerie Michael Janssen, Berlin, Germany, April 27 — May 26, 2007 «From Close to Home: Recent Acquisitions of Los Angeles Art,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, April 1 — July 2 «eight sculptors from los angeles,» sabine knust, Münich, Germany, March 22 — April 17, 2007 «Multiple Vantage Points: Southern California Women Artists, 1980 - 2006,» curated by Dextra Frankel, Los Angeles Municipal
Gallery at Barnsdall, Los Angeles, CA, February 25 — April 15, 2007 «Fast Forward: Contemporary Collections for the Dallas Museum of Art,» Dallas Museum of Art, Dallas, Texas, February 11 — May 20, 2007; cat.
Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently
at Halsey
Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams
Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman
Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck
Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet
Gallery, New York (April 11 — May 16) Paint, Edward Thorp
Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin
Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A
Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York
2012 Dark Flow Lurking, David Castillo
Gallery, Miami, FL a small world... (installation on view from the
permanent collection), The Jewish Museum, New York, NY Transmission LA: AV Club, Geffen Contemporary
at MoCA, Los Angeles, CA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center, College Park, MD Contemporary Mandala: New Audiences, New Forms, Emory University Visual Art
Gallery, Atlanta, GA US Embassy in Tokyo Exhibition for Ambassador John V. Roos, Tokyo, Japan
In 1947, Hofmann found a
permanent home
at Kootz
Gallery, New York, which held exhibitions of his work almost yearly until his death.
1989 Abstract Expressionism: Paintings, Drawings and Watercolors, Manny Silverman
Gallery, Los Angeles (December 2, 1989 — January 13, 1990) The Gestural Impulse, 1945 — 60: Paintings from the
Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art / Downtown
at Federal Reserve Plaza, New York (September 29 — December 1) Barnard Collects: The Educated Eye, Salander - O'Reilly Galleries, New York (September 28 — October 31) A Decade of American Drawings: 1980 — 1989, Daniel Weinberg
Gallery, Los Angeles (July 15 — August 26) Art in Place: 15 Years of Acquisitions, Whitney Museum of American Art, New York (July 7 — October 15) Works on Paper, Lennon, Weinberg, Inc., New York (June 13 — August 11) Lines of Vision: Drawings by Contemporary Women, Hillwood Art
Gallery, Long Island University, Brookville, New York (May 24 — June 28).
Netze und andere Gebilde,» Kunsthalle Basel, Basel, Switzerland, catalogue «1999 Drawings,» Alexander & Bonin
Gallery, New York, NY «00,» Barbara Gladstone
Gallery, New York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work from the
Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin
Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the
Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art
Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the
Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary
at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis
Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran
Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So Appealing?
Roiter's work are in the
permanent collections of Centraal Museum, Utrecht, Netherlands; Gemeente Museum, Helmond, Netherlands; Goetz Collection, Munich, Germany; The Gori Collection, Pistoia, Italy; Lembachhaus Museum, Munich, Germany; Ludwig Forum, Aachen, Germany; Malmö Kunsthall, Malmö, Sweden; The Nasher Museum of Art
at Duke University, Durham, NC; Siemens Photo Collection, Munich, Germany; Teilers Museum, Haarlem, Netherlands; Tretyakov State
Gallery, Moscow, Russia, and the Zimmerli Art Museum, New Brunswick, NJ.
Some of my colleagues tell me they do two - thirds of their business
at fairs; other dealers are foregoing
permanent gallery spaces altogether.
At the National
Gallery, Sir Michael created an education department, an artist - in - residence program and the Artist's Eye series, in which noted artists were invited to select favorite paintings from the museum's
permanent collection for exhibition.
His work is in the
permanent collection
at the Smithsonian American Art Museum's Renwick
Gallery in Washington DC, the National Museum of Wildlife Art in Jackson Hole, Wyoming, and the Nasher Sculpture Center in Dallas.
In 2013, the
Gallery put down roots
at its first
permanent space on Arlington Way, Clerkenwell.
Her work is in the
permanent collection of the Tate
Gallery; and with David Mach and Arthur Watson she represented Great Britain
at the Venice Biennale, 1990, with the exhibition Tre Scultori Scozzesi (Three Scottish Sculptors).
In addition to viewing the
gallery's
permanent collection, visitors can peruse «The Shops» starting
at 4 p.m. while the music begins
at 7 p.m..
He left behind a large body of work and an extensive archive including exhibition catalogues, reviews, and correspondence that are now part of the
permanent collection of the George Segal
Gallery at Montclair State University.
2011 Parallel Perceptions, NYC Opera, New York, New York, USA Who, What, Wear: Selections from the
Permanent Collection, Studio Museum Harlem, New York, USA Capital Portraits: Treasures from Washington Private Collections, National Portrait
Gallery, Smithsonian Institution, Washington, USA Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art
at Duke University, Durham, USA Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM)
at Los Angeles County Museum of Art, (LACMA) Los Angeles, USA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, USA For a Long Time, Roberts & Tilton, Culver City, USA RE-Envisioning the Baroque, I.D.E.A.
at Colorado College, Colorado Springs, USA
Untitled — Firth of Forth Series will go on display for the first time on 26 April
at A-Z: An Alphabetical Tour of Scottish Art, a free exhibition to mark the opening of City Art Centre's newest
permanent gallery space.
Last week I wandered through the Virginia Museum of Fine Arts's American art
galleries with two art - world debates in the back of my mind — one a local one about the dearth of work by Houston artists in Houston museums»
permanent - collection
galleries, the other about the startling lack of diversity
at this year's Whitney Biennial.
His work has been shown
at St. George Art
Gallery for more than 15 years and some of his work is on
permanent exhibition.
We invite you to engage with exhibitions
at Butler
Gallery and to explore the
Gallery's
permanent collection through a rich and varied programme of education and public events.
To the consternation of some and the delight of others, the painting is now housed less than two miles away from the Corcoran
at the National
Gallery of Art — a public museum that is arguably the most prestigious in the United States — where its been brought into the
permanent collection.
2017 Third Space: Shifting Conversations about Contemporary Art, Birmingham Museum of Art, Birmingham, AL We Wanted a Revolution: Black Radical Women, 1965 — 85, Brooklyn Museum, Brooklyn, NY; California African American Museum, Los Angeles, CA; Albright - Knox Art
Gallery, Buffalo, NY; Institute of Contemporary Art, Boston, MA Magnetic Fields: Conversations in Abstraction by Black Women Artists 1960 - Present, Kemper Museum of Contemporary Art, Kansas City, MO; National Museum of Women in the Arts, Washington, DC; Museum of Fine Arts, St. Petersburg, St. Petersburg, FL Approaching Abstraction: African American Art from the
Permanent Collection, La Salle University Art Museum, Philadelphia, PA 20/20: The Studio Museum in Harlem and Carnegie Museum of Art, Carnegie Museum of Art, Carnegie Institute, Pittsburgh, PA Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York, NY The Time Is N ♀ w, Michael Rosenfeld
Gallery LLC, New York, NY MIDTOWN, Salon 94
at Lever House, New York, NY
This piece on display
at the Seaview
Gallery is in the
permanent collection of the Noyes Museum of Art.
Now, the team behind the city's forthcoming Art Museum
at Symphony Park are trying to make some
permanent gallery spaces out of old warehouses.
Selected exhibitions include: Solo Show
at Green Art
Gallery, Dubai (2014), Longing Persia, Exchange and Reception of Art in Persia and Europe in the 17th Century & Contemporary Art from Tehran, Museum Rietberg, Zurich (2013); Safar / Voyage
at The Museum of Anthropology
at the University of British Columbia, Vancouver (2013); When Attitudes Became Form Become Attitudes
at the CCA Wattis Institute for Contemporary Arts and the Museum of Contemporary Art Detroit (2012, 2013); A
Permanent Record For Future Investigation, Green Art
Gallery, Dubai (2012) and Interior Renovations, Tehran, 2010, Green Cardamom, London (2011).
At the de Young,
Gallery 12 is dedicated to rotating exhibitions of photography, primarily from the
permanent collection.
Gartrell has work in the
permanent collections of the Museum of Modern Art, New York, The Whitney Museum of American Art and the Henry Art
Gallery at the University of Washington.
Created as part of the artist's residency
at LACMA, which began in February and continues through March 2018, this dynamic new body of work draws inspiration from the museum's architecture,
gallery interiors, and vast
permanent collections.
Free admission to the
permanent collection
galleries and most special exhibitions
at both the de Young and the Legion of Honor
His work is part of the
permanent collection
at The British Museum, London's National
Gallery, the Victoria & Albert Museum and the International Center for Photography, New York.
Mari has exhibited her work internationally
at many
galleries and museums, and it is part of the
permanent collections of the Seoul Museum of Art and the Gyeongnam Art Museum.
The Hammer Museum's splendid late Rembrandt painting is on view
at the Getty Museum this fall while our
permanent collection
galleries undergo renovation.
Other leading contemporary artists to have built upon the historic and the classical to create something wholly new include Jeff Koons
at Almine Rech
Gallery, and, more recently, Mat Collishaw
at Robiland + Voenna, with four mirror works that engage with paintings by Caravaggio in the Galleria Borghesa's
permanent collection in Rome.
2008 Listen Darling The World Is Yours, Ellipse Foundation Contemporary Art Center, Lisbon, Portugal This is Not to be Looked
At: Highlights from the
Permanent Collection of the Museum of the Museum of Contemporary Art, Museum of the Museum of Contemporary Art, Los Angeles, USA UPDATE, DEWEER
Gallery, Otegem, Belgium Mai 36, Zurich, Switzerland
Tate
Gallery bought the painting in 1966 for # 3,940 and it is now on
permanent display
at Tate Modern, London.