Sentences with phrase «permanent galleries by»

The MFA, Boston, linked A Modern Master with their recently reinstalled permanent galleries by placing special labels near works by Chase's students.

As a DIA curator, I researched our extraordinary painting collection, enhanced our permanent galleries by displaying our artwork in new ways, curated temporary exhibitions, visited private and public art collections with our patrons, and identified new works for acquisition among many other things — the work curators perform is one of the most interesting in the museum profession because of the multiplicity of duties that it entails.

Not exact matches

The hotel boasts an art gallery featuring a collection of rotating and permanent pieces of contemporary art, including «The Prince» by Chicago artist Wesley Kimler.

Speaking during the historical photo gallery display, the Minister of Interior, Lt. General Abdulrahman Dambazau (rtd), who was represented by the Permanent Secretary in the Ministry, Dr. Bello Umar, lauded the NAF for initiating the historic photo gallery.

In spring of 2016, these young sea lions will find a permanent home in Georgia Aquarium's new sea lion gallery presented by SunTrust, where they will help to inspire and educate the public about issues facing animals in the wild.

This past winter, Hendricks's triple - portrait masterpiece, all too rarely on view, presided over one of the most bracing permanent collection installations Washington has ever seen, one that filled two galleries behind Jackson Pollock's Mural (1943), a refugee wall - surfing through eleven museums around the world since it was left homeless in 2008 by extreme flooding at the University of Iowa Museum of Art.

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackson

After a few years of this activity we both realized we couldn't continue operating without a permanent location open not only by appointment, and decided to start a gallery together.

Up until this time, the gallery had only been able to display its permanent collection supplemented by loans from artists and private collectors.

Now he is represented by the Friedrich Petzel Gallery in Chelsea, and has well - known collectors avidly buying his art, examples of which are already in the permanent collections of the Museum of Modern Art in New York, the San Francisco Museum of Modern Art and the Museum of Contemporary Art in Los Angeles, to name a few.

«Impulse, Reason, Sense, Conflict; Abstract Art from the Ella Fontanals - Cisneros Collection,» Cisneros Fontanals Art Foundation, Miami, FL, December 3, 2014 — March 29, 2015; catalogue «The Other Side - Mirrors and Reflections in Contemporary Art,» Belvedere, Vienna, Austria, June 18 — October 12, 2014; travels to Museum of Modern Art Carinthia, Klagenfurt, Austria, November 27, 2014 — March 1, 2015 «CalArts Art Benefit & Auction,» Paula Cooper Gallery and Metro Pictures, New York, NY, April 5 — 19, 2014 2013 «Damage Control: Art and Destruction Since 1950,» curated by Kerry Brougher and Russell Ferguson, Hirshhorn Museum and Sculpture Garden, Washington, D.C., October 24, 2013 — May 26, 2014; traveled to Mudam, Luxemburg City, Luxembourg, July 12 — October 12, 2014; Kunsthaus Graz, Graz, Austria, November 14, 2014 — February 22, 2015 «Room to Live: Recent Acquisitions and Works from the Collection,» Museum of Contemporary Art, Los Angeles, CA, October 5, 2013 — January 12, 2014 «Nasher XChange,» various sites throughout Dallas, TX, presented by the Nasher Sculpture Center, Dallas, TX, October 19, 2013 — February 16, 2014 «For the Time Being: Hidden Behind Plaster,» Staatliche Kunsthalle Baden - Baden, Baden - Baden, Germany, July 20 — October 27, 2013; catalogue «Endless Bummer II: Still Bummin»,» curated by Jan Tumlir, Malborough Gallery Chelsea, New York, NY, May 11 — June 29, 2013 «Speak, Memory,» Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY, May 1 — June 8, 2013 «Made in Space,» curated by Peter Harkawik and Laura Owens, Night Gallery, Los Angeles, CA, March 16 — April 15; traveled to Gavin Brown's Enterprise, New York, NY, July 11 — August 10, 2013 «Selections from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, March 3, 2013 — January 27, 2014.

The artist, represented by Pace Gallery since 1966, has also been developing a major new work for the Chinati Foundation's permanent collection, which will be unveiled later this year.

The work is called «Jack Lemmon,» and it was made last year by Rachel Harrison, a brilliant artist in her mid-40s who lives and works in Brooklyn, N.Y.. It's on display in the permanent collection galleries at the Institute of Contemporary Art, on long - term loan from the benefactor Barbara Lee.

Biomorphic Forms in Sculpture,» Kunsthaus Graz, September 27, 2008 — January 11, 2009 «AURUM Gold in Contemporary Art,» curated by Dolores Denaro, CentrePasquArt, Biel, Switzerland, September 13 — November 30, 2008 «Red Wind,» Blum & Poe, Los Angeles, CA, June 28 — August 23, 2008 «Collecting Collections: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, February 9 — May 19 2007 «Celebrating the Lucelia Artist Award, 2001 - 2006,» Smithsonian American Art Museum, Washington, D.C., September 21, 2007 — June 22, 2008 «Makers and Modelers: Works in Ceramic,» Gladstone Gallery, New York, NY, September 8 — October 13, 2007 «Blood Meridan,» curated by David Hunt, Galerie Michael Janssen, Berlin, Germany, April 27 — May 26, 2007 «From Close to Home: Recent Acquisitions of Los Angeles Art,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, April 1 — July 2 «eight sculptors from los angeles,» sabine knust, Münich, Germany, March 22 — April 17, 2007 «Multiple Vantage Points: Southern California Women Artists, 1980 - 2006,» curated by Dextra Frankel, Los Angeles Municipal Gallery at Barnsdall, Los Angeles, CA, February 25 — April 15, 2007 «Fast Forward: Contemporary Collections for the Dallas Museum of Art,» Dallas Museum of Art, Dallas, Texas, February 11 — May 20, 2007; cat.

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

2008 Learning by Doing, curated by Alison de Lima Greene, Museum of Fine Arts Houston, TX (catalogue) Works from the Permanent Collection, Milwaukee Art Museum, WI En Sus Marcas, curated by Rebeca Noriega, Universidad del Sagrado Corazón, PR (catalogue) NY Motion 1.0, curated by Elvis Fuentes and Paco Cano, Instituto Cervantes, New York, NY (catalogue) Alogon, Alogon Gallery, curated by Gaylen Gerber, Chicago, IL Ice Cream Show, Loyal Gallery, Stockholm, Sweden Selected Works, Southfirst Gallery, Brooklyn, NY It's Not What You Know, It's Who You Know, (Neutral Capital Collection) Samson Projects, Boston, MA

1989 Abstract Expressionism: Paintings, Drawings and Watercolors, Manny Silverman Gallery, Los Angeles (December 2, 1989 — January 13, 1990) The Gestural Impulse, 1945 — 60: Paintings from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art / Downtown at Federal Reserve Plaza, New York (September 29 — December 1) Barnard Collects: The Educated Eye, Salander - O'Reilly Galleries, New York (September 28 — October 31) A Decade of American Drawings: 1980 — 1989, Daniel Weinberg Gallery, Los Angeles (July 15 — August 26) Art in Place: 15 Years of Acquisitions, Whitney Museum of American Art, New York (July 7 — October 15) Works on Paper, Lennon, Weinberg, Inc., New York (June 13 — August 11) Lines of Vision: Drawings by Contemporary Women, Hillwood Art Gallery, Long Island University, Brookville, New York (May 24 — June 28).

Netze und andere Gebilde,» Kunsthalle Basel, Basel, Switzerland, catalogue «1999 Drawings,» Alexander & Bonin Gallery, New York, NY «00,» Barbara Gladstone Gallery, New York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So Appealing?

Nayar's photography has been acquired by The Guggenheim for their permanent collection as well as by the Cincinnati Art Museum, Ohio; Queensland Art Gallery, Australia, and deCordova Sculpture Park and Museum, Lincoln, Massachusetts.

The museum's six adjustable ground - floor galleries feature a combination of long - term and rotating special exhibitions, including commissions and highlights from the permanent collection, as well as presentations that spotlight under - recognized bodies of work by pioneering artists.

11a — 3p: Art - making, Peking Opera Face, relating to Wŏmen (我们): Contemporary Chinese Art (Saligman Family Atrium) 11a — 3p: Button - making (Saligman Family Atrium) 11a — 3p: Scavenger hunt (Permanent Collection Gallery) 11a — 3p: Scavenger hunt: Georges Braque and the Cubist Still Life, 1928 - 1945 (Ebsworth Gallery) 11a — 3p: Calligraphy (Saligman Family Atrium) 11a — 3p: Art - making with still - life artist Bill Neukomm (Saligman Family Atrium) 11:30 a — 12p: Live music by Washington University's Asian acapella group Sensasians (Saligman Family Atrium) 12 — 12:30 p: Storytelling: Lon Po Po: A Red - Riding Hood Story from China by Ed Young (Teaching Gallery) 1 — 2p: Gallery talk with Karen K. Butler, assistant curator, on Georges Braque and the Cubist Still Life, 1928 — 1945 and John Klein, associate professor of art history, on Face and Figure in European Art, 1928 — 1945.

Last week I wandered through the Virginia Museum of Fine Arts's American art galleries with two art - world debates in the back of my mind — one a local one about the dearth of work by Houston artists in Houston museums» permanent - collection galleries, the other about the startling lack of diversity at this year's Whitney Biennial.

American Art of the 80's, curated by Gabriella Belli and Jerry Saltz, Palazzo delle Albere, Trento, Italy A Passion for Art: Watercolours and Works on Paper, Tony Shafrazi Gallery, New York, NY Closet No. 9, Queens Museum of Art, Flushing, NY Just What Is It That Makes Today's Home So Different, So Appealing, The Hyde Collection, Glen Falls, NY The 1980's; A Selected View From the Permanent Collection, Whitney Museum of Fine Art, New York, NY Metropolitan Home Showhouse 2, New York, NY To Benefit Fashion Moda, Brooke Museum of Art, New York, NY Children in Crisis, A Benefit Exhibition, Lorence Monk Gallery, New York, NY

Extended Family Long Term Installation from Permanent Collection, Brooklyn Museum, NY, August 4, 2009 — September 5, 2010 The Edible Woman, Kravets / Wehby Gallery, New York, NY, October 22 - November 25, 2009 The Glamour Project., curated by Suzanne Donaldson in conjunction with Glamour Magazine, Lehmann Maupin, New York, NY, February 24 - March 21, 2009 Winter Escape, Kravets / Wehby Gallery, New York, NY, January 22 - February 21, 2009

Accepted by HM Government in lieu of Inheritance Tax and allocated to the National Gallery pending a decision on permanent allocation, 2007.

Major institutions with work by Tawney in their permanent collections include the Allentown Art Museum (Allentown, PA); Art Institute of Chicago (Chicago, IL); Brooklyn Museum (Brooklyn, NY); Cleveland Museum of Art (Cleveland, OH); Cooper Hewitt, Smithsonian Design Museum (New York, NY); Metropolitan Museum of Art (New York, NY); Minneapolis Museum of Art (Minneapolis, MN); Museum of Arts and Design (New York, NY); Museum of Modern Art (New York, NY); Pennsylvania Academy of the Fine Arts (Philadelphia, PA); Philadelphia Museum of Art (Philadelphia, PA); and the Smithsonian American Art Museum, Renwick Gallery (Washington, DC).

2017 Third Space: Shifting Conversations about Contemporary Art, Birmingham Museum of Art, Birmingham, AL We Wanted a Revolution: Black Radical Women, 1965 — 85, Brooklyn Museum, Brooklyn, NY; California African American Museum, Los Angeles, CA; Albright - Knox Art Gallery, Buffalo, NY; Institute of Contemporary Art, Boston, MA Magnetic Fields: Conversations in Abstraction by Black Women Artists 1960 - Present, Kemper Museum of Contemporary Art, Kansas City, MO; National Museum of Women in the Arts, Washington, DC; Museum of Fine Arts, St. Petersburg, St. Petersburg, FL Approaching Abstraction: African American Art from the Permanent Collection, La Salle University Art Museum, Philadelphia, PA 20/20: The Studio Museum in Harlem and Carnegie Museum of Art, Carnegie Museum of Art, Carnegie Institute, Pittsburgh, PA Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York, NY The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY MIDTOWN, Salon 94 at Lever House, New York, NY

Yossi Milo Gallery is pleased to announce an exhibition of color photographs by Pieter Hugo, entitled Permanent Error.

Conceptual Art Explore the fundamentals of the Modern's permanent collection through these chronological gallery talks led by scholars in art and art history.

2008 Troglodytes see better in the dark, David Castillo Annex Under the Influence, Girl's Club, curated by Michelle Weinberg, Ft. Lauderdale, FL Selections from the Permanent Collection, Miami Art Museum Refraction, loop gallery, Berlin, Germany Glogauer Residency, Berlin, Germany Cut, Vincent Price Museum of Art, Los Angeles, CA

2004 Between the Lines, James Cohan Gallery, New York, NY Andererseits: Die Phantastik, Landesgalerie am Oberöterreichisches Lanedesmuseum, Linz, Austria It's a Wonderful Life: Psychodrama in Contemporary Painting, Spaces Gallery, Cleveland, OH Genesis: Gifts and Promised Gifts to the Permanent Collection, Intuit — The Center for Intuitive Outsider Art, Chicago, IL À corps perdu, abcd, une collection d'art brut, Pavillon des Arts, Paris, France Smart Collecting, Acquisitions (1994 - 2004), Celebrating the Thirtieth Anniversary of David and Alfred Smart Museum of Art, University of Chicago, Chicago, IL Die Zehn Gebote, Deutsches Hygiene Museum, Dresden, Germany Dopes, Dupes, and Demagogues: Viewed by Outsiders, Luise Ross Gallery, New York, NY

2009 TIME + TEMP: Surveying the Shifting Climate of Painting in South Florida, Art and Culture Center of Hollywood, curated by Jane Hart, Hollywood, FL Inaugural Exhibition, Florida Museum for Women Artists, Deland, FL Dog Days of Summer, Bernice Steinbaum Gallery, Miami, FL Summer Show, Boca Raton Museum Of Art, FL Through the Lens: Contemporary Photography from The Permanent Collection, Jacksonville Museum of Contemporary Art, FL

In conjunction with Recent Acquisitions 2014 — 2017 in the focus gallery, the permanent collection galleries currently feature more than 50 recent acquisitions, each identified by a «Recent Acquisition» logo on its label.

Led by museum Director Agustín Arteaga and Curator Katherine Brodbeck, donors will select works directly from participating galleries to be purchased for the museum's permanent collection.

Inside you'll find an extensive but focused permanent collection of 20th - century art bought by the forward - thinking curators of Wakefield Art Gallery, which was set up in 1923, and is now supplemented with some exciting loans.

Other leading contemporary artists to have built upon the historic and the classical to create something wholly new include Jeff Koons at Almine Rech Gallery, and, more recently, Mat Collishaw at Robiland + Voenna, with four mirror works that engage with paintings by Caravaggio in the Galleria Borghesa's permanent collection in Rome.

Hauser & Wirth opened its first London gallery on Piccadilly in 2003 with an installation by Los Angeles - based artist Paul McCarthy and, in 2010, the gallery opened a second permanent space on London's Savile Row.

The USC Upstate permanent collection of art that includes works by Andy Warhol, Jerry Uelsmann and Beatrice Riese, will be on view in the Main Street gallery and available for scholarly research and tour groups.

Work by Matthew Brandt is in the permanent collections of Metropolitan Museum of Art, New York; National Gallery of Art, Washington, DC; J. Paul Getty Museum, Los Angeles; Brooklyn Museum, New York; and the Los Angeles County Museum of Art, among others.

Many pieces from in this exhibition have been also purchased by Art Gallery of Victoria for their permanent collection.

Vanessa German's «power figures,» which invoke the power to protect children endangered by circumstance and location, made a triumphant return to the gallery, alongside permanent collection favorites like Kerry James Marshall's Our Town (1995).

On Spring Break this week, I've been invited down to DC for a day or two where, besides staying in a swanky Jetson - style hotel, I'm looking forward to visiting a few galleries at Logan Circle and stopping by the National Gallery of Art to see the permanent Mel Bochner installation and the Philip Guston show.

In late February, the gallery will find a new permanent home in the highly anticipated Terranova building designed by the award - winning architect Allan Shulman.

Major institutions with work by Graves in their permanent collections include the Albright - Knox Art Gallery (Buffalo, NY); Art Gallery of Ontario, Museé des Beaux - Arts de l'Ontario (Toronto, Canada); Art Institute of Chicago (Chicago, IL); Baltimore Museum of Art (Baltimore, MD); Brooklyn Museum (Brooklyn, NY); Carnegie Museum of Art (Pittsburgh, PA); Cleveland Museum of Art (Cleveland, OH); Dallas Museum of Art (Dallas, TX); Detroit Institute of Arts (Detroit, MI); High Museum of Art (Atlanta, GA); Hirshhorn Museum and Sculpture Garden, Smithsonian Institution (Washington, DC); The Metropolitan Museum of Art (New York, NY); Museum of Contemporary Art (Los Angeles, CA); Museum of Fine Arts (Boston, MA); Museum of Modern Art (New York, NY); The Nelson - Atkins Museum of Art (Kansas City, MO); Philadelphia Museum of Art (Philadelphia, PA); The Phillips Collection (Washington, DC); San Francisco Museum of Modern Art (San Francisco, CA); Seattle Art Museum (Seattle, WA); Smithsonian American Art Museum (Washington, DC); Tacoma Art Museum (Tacoma, WA); Walker Art Center (Minneapolis, MN); Whitney Museum of American Art (New York, NY); and the Yale University Art Gallery (New Haven, CT).

1984 Dreams and Nightmares, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Crime and Punishment: Reflections of Violence in Contemporary Art, Triton Museum of Art, Santa Clara, CA American Women Artists: Part II: The Recent Generation, Sidney Janis Gallery, New York, NY About Face, Art Museum of South Texas, Corpus Christi, TX Pratt Invitational Alumni: A Multimedia Presentation of Outstanding Pratt Alumni, Pratt Institute and 469 Broome Street Gallery, New York, NY ID, Bette Stoler Gallery, New York, NY Modern Masks, Whitney Museum of American Art at Philip Morris, New York, NY Sculpture Exhibition, Gallery Moos Ltd., Toronto, Ontario, Canada Drawing: Works on Paper From the Past Five Years by Fifty Artists, Barbara Toll Fine Arts, New York, NY Sculptors» Drawings 1910 - 1980, Selections from the Permanent Collection, Whitney Museum of American Art, New York, NY

Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collections

To showcase these new acquisitions, the Museum will increase the physical footprint of the folk and self - taught art galleries by 30 percent as part of a permanent collection reinstallation planned for 2018.

Buren's 1994 installation The Arches, permanent work in situ, is on view at the Southampton City Art Gallery, and in May 2017, he launched another permanent installation in the UK — Diamonds and Circles, works in situ — at Tottenham Court Road station in London, commissioned by Art on the Underground.

Collections and Gallery Installations Permanent Collection on Tour: Fabergé VMFA's Fabergé Gallery is closed while the acclaimed collection is on tour, however, the Imperial Rock Crystal Easter Egg and some additional objects by Fabergé have been installed in the Vaulted Hall adjacent to the Marble Hall.

Permanent Collection on Tour Fabergé VMFA's Fabergé Gallery is closed while the acclaimed collection is on tour, however the Imperial Rock Crystal Easter Egg and some additional objects by Faberge will be installed in the Vaulted Hall adjacent to the Marble Hall in time for Easter.