Sentences with phrase «permanent gallery for»

Image credit: Lubaina Himid Toussaint L'Ouverture 1987 Last year, our tenth anniversary was marked with the first - ever permanent gallery for the Middlesbrough Collection.

The Tanks provide a permanent gallery for live art, performances and a film and video work from the Tate collection.

Last year, our tenth anniversary was marked with the first - ever permanent gallery for the Middlesbrough Collection.

Sandgrund in Karlstad has been the permanent gallery for Lerin's work since 2012.

«An Exhibition of Paintings in Connection with a Scheme to Provide a Permanent Gallery for the Constant Display of Works by Contemporary Painters and Sculptors»

The Ashmolean Museum is eager to expand on its current commitment to contemporary art, from October 2013 the museum will begin a series of exhibitions of contemporary art in a refurbished gallery on the upper floor and a permanent gallery for contemporary art is included in plans for the next phase of the building programme.

There has been talk in the family of turning Eagle's Nest into a permanent gallery for Heron's art, something about which he was untypically diffident.

Soothe any sore muscles or nerves at one of the dozens of hammams, such as the upscale Azur Art & Spa, also a permanent gallery for local artists.

She became the Virginia Museum's first curator of Ancient American Art in 2006 and opened the museum's first permanent galleries for Pre-Columbian and Native American art in 2010.

Not exact matches

Speaking during the historical photo gallery display, the Minister of Interior, Lt. General Abdulrahman Dambazau (rtd), who was represented by the Permanent Secretary in the Ministry, Dr. Bello Umar, lauded the NAF for initiating the historic photo gallery.

IT TOOK just seconds for self - styled art anarchist Wlodzimierz Umaniec to calmly step up to the giant Mark Rothko canvas hanging in London's Tate Modern gallery and graffiti his signature and a slogan across one corner in permanent ink.

Not only will your tile remain a permanent part of the Tribute Gallery at Animal League America, but you can also receive a second tile that is either inlaid in a felt - lined keepsake box or placed in a frame that is suitable for hanging.

Since then she has more or less permanent space for her work in a local gallery and a number of sales through the gallery, a website to sell prints, and has gotten a big commission with prospects for couple more commissions.

For young painters today, Abstract Expressionism is ancient history; a few rooms in MoMA's permanent collection galleries, a handful of images from the pages of Gardner or Janson, all set before a backdrop of a now mythical Downtown Manhattan of $ 200 - dollar - a-month lofts.

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackfor the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackfor The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackFor The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackfor Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackson

Over the course of her career, Riley has created murals for major art institutions, including the Tate, the Musée d'Art Moderne de la Ville de Paris and the National Gallery, but none were permanent.

«Landscapes from the Permanent Collection» 1992 Butler Institute of Art, Youngstown, OH, «The Artist at Ringside» National Art Museum of Sport, Indianapolis, IN, «The Artist at Ringside» 1989 Edmonton Art Gallery, Edmonton, Alberta, «Art for All» 1985 Butler Institute of Art, Youngstown, OH, «The Midyear Show» Richard F. Brush Art Gallery & University Collections, St. Lawrence Univ..

«Impulse, Reason, Sense, Conflict; Abstract Art from the Ella Fontanals - Cisneros Collection,» Cisneros Fontanals Art Foundation, Miami, FL, December 3, 2014 — March 29, 2015; catalogue «The Other Side - Mirrors and Reflections in Contemporary Art,» Belvedere, Vienna, Austria, June 18 — October 12, 2014; travels to Museum of Modern Art Carinthia, Klagenfurt, Austria, November 27, 2014 — March 1, 2015 «CalArts Art Benefit & Auction,» Paula Cooper Gallery and Metro Pictures, New York, NY, April 5 — 19, 2014 2013 «Damage Control: Art and Destruction Since 1950,» curated by Kerry Brougher and Russell Ferguson, Hirshhorn Museum and Sculpture Garden, Washington, D.C., October 24, 2013 — May 26, 2014; traveled to Mudam, Luxemburg City, Luxembourg, July 12 — October 12, 2014; Kunsthaus Graz, Graz, Austria, November 14, 2014 — February 22, 2015 «Room to Live: Recent Acquisitions and Works from the Collection,» Museum of Contemporary Art, Los Angeles, CA, October 5, 2013 — January 12, 2014 «Nasher XChange,» various sites throughout Dallas, TX, presented by the Nasher Sculpture Center, Dallas, TX, October 19, 2013 — February 16, 2014 «For the Time Being: Hidden Behind Plaster,» Staatliche Kunsthalle Baden - Baden, Baden - Baden, Germany, July 20 — October 27, 2013; catalogue «Endless Bummer II: Still Bummin»,» curated by Jan Tumlir, Malborough Gallery Chelsea, New York, NY, May 11 — June 29, 2013 «Speak, Memory,» Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY, May 1 — June 8, 2013 «Made in Space,» curated by Peter Harkawik and Laura Owens, Night Gallery, Los Angeles, CA, March 16 — April 15; traveled to Gavin Brown's Enterprise, New York, NY, July 11 — August 10, 2013 «Selections from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, March 3, 2013 — January 27, 2014.

The artist, represented by Pace Gallery since 1966, has also been developing a major new work for the Chinati Foundation's permanent collection, which will be unveiled later this year.

Biomorphic Forms in Sculpture,» Kunsthaus Graz, September 27, 2008 — January 11, 2009 «AURUM Gold in Contemporary Art,» curated by Dolores Denaro, CentrePasquArt, Biel, Switzerland, September 13 — November 30, 2008 «Red Wind,» Blum & Poe, Los Angeles, CA, June 28 — August 23, 2008 «Collecting Collections: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, February 9 — May 19 2007 «Celebrating the Lucelia Artist Award, 2001 - 2006,» Smithsonian American Art Museum, Washington, D.C., September 21, 2007 — June 22, 2008 «Makers and Modelers: Works in Ceramic,» Gladstone Gallery, New York, NY, September 8 — October 13, 2007 «Blood Meridan,» curated by David Hunt, Galerie Michael Janssen, Berlin, Germany, April 27 — May 26, 2007 «From Close to Home: Recent Acquisitions of Los Angeles Art,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, April 1 — July 2 «eight sculptors from los angeles,» sabine knust, Münich, Germany, March 22 — April 17, 2007 «Multiple Vantage Points: Southern California Women Artists, 1980 - 2006,» curated by Dextra Frankel, Los Angeles Municipal Gallery at Barnsdall, Los Angeles, CA, February 25 — April 15, 2007 «Fast Forward: Contemporary Collections for the Dallas Museum of Art,» Dallas Museum of Art, Dallas, Texas, February 11 — May 20, 2007; cat.

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

2012 Dark Flow Lurking, David Castillo Gallery, Miami, FL a small world... (installation on view from the permanent collection), The Jewish Museum, New York, NY Transmission LA: AV Club, Geffen Contemporary at MoCA, Los Angeles, CA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center, College Park, MD Contemporary Mandala: New Audiences, New Forms, Emory University Visual Art Gallery, Atlanta, GA US Embassy in Tokyo Exhibition for Ambassador John V. Roos, Tokyo, Japan

Victoria Miro has announced the Venice location for their new permanent gallery space launching over the period of the 57th Venice Biennale.

Netze und andere Gebilde,» Kunsthalle Basel, Basel, Switzerland, catalogue «1999 Drawings,» Alexander & Bonin Gallery, New York, NY «00,» Barbara Gladstone Gallery, New York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So Appealing?

National Gallery Prague, The Czech Republic Three pieces for the permanent collection in the contemporary wing

Nayar's photography has been acquired by The Guggenheim for their permanent collection as well as by the Cincinnati Art Museum, Ohio; Queensland Art Gallery, Australia, and deCordova Sculpture Park and Museum, Lincoln, Massachusetts.

Mark Glazebrook, who has died from cancer aged 73, was a permanent fixture of the London art world for five decades, though permanence was hardly the most distinctive attribute of so peripatetic a character, whose diverse career encompassed teaching, writing, publishing and dealing, as well as the directorship of one of the capital's leading public galleries.

New York's Pace Gallery, which specialises in modern and contemporary art, will open a temporary base in Soho early next year while it finalises plans for a permanent space.

At the National Gallery, Sir Michael created an education department, an artist - in - residence program and the Artist's Eye series, in which noted artists were invited to select favorite paintings from the museum's permanent collection for exhibition.

Originally exhibitions were organised for existing galleries, but in 2014 House of Illustration opened its own permanent space in King's Cross.

For years, that gallery has been Charles Saatchi's in London (it's the only work on permanent exhibition there).

In addition, he will work with the executive staff and across curatorial departments to develop plans for a reinstallation of the permanent collection galleries in 2018 and to organize an ambitious schedule of special exhibitions.

2011 Parallel Perceptions, NYC Opera, New York, New York, USA Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, USA Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, USA Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, USA Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, USA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, USA For a Long Time, Roberts & Tilton, Culver City, USA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, USA

Untitled — Firth of Forth Series will go on display for the first time on 26 April at A-Z: An Alphabetical Tour of Scottish Art, a free exhibition to mark the opening of City Art Centre's newest permanent gallery space.

His work has been shown at St. George Art Gallery for more than 15 years and some of his work is on permanent exhibition.

American Art of the 80's, curated by Gabriella Belli and Jerry Saltz, Palazzo delle Albere, Trento, Italy A Passion for Art: Watercolours and Works on Paper, Tony Shafrazi Gallery, New York, NY Closet No. 9, Queens Museum of Art, Flushing, NY Just What Is It That Makes Today's Home So Different, So Appealing, The Hyde Collection, Glen Falls, NY The 1980's; A Selected View From the Permanent Collection, Whitney Museum of Fine Art, New York, NY Metropolitan Home Showhouse 2, New York, NY To Benefit Fashion Moda, Brooke Museum of Art, New York, NY Children in Crisis, A Benefit Exhibition, Lorence Monk Gallery, New York, NY

This includes exclusive use of both the Great Hall and Eleven, Walker Landing, and both the south and main lobbies, as well as access to all of the Museum's permanent collection galleries and the Temporary Exhibition Gallery for the first hour of your event.

Gallery 3 offers a satellite space for exhibitions in Meymandi Gallery or the Joyce W. Pope Gallery, and also features intimate focus exhibitions of works in the permanent collection.

Sheldon's six permanent collection galleries revisit 1968, a year of cultural experimentation, social activism, and a remarkable milestone for the museum.

The newly designed permanent collection spaces will open on March 16, marking the first reinstallation for the galleries since the museum opened in 2011.

The class is using this installation in the Academic Focus Gallery as a study space for the works selected from the Nasher's permanent collection.

Selected exhibitions include: Solo Show at Green Art Gallery, Dubai (2014), Longing Persia, Exchange and Reception of Art in Persia and Europe in the 17th Century & Contemporary Art from Tehran, Museum Rietberg, Zurich (2013); Safar / Voyage at The Museum of Anthropology at the University of British Columbia, Vancouver (2013); When Attitudes Became Form Become Attitudes at the CCA Wattis Institute for Contemporary Arts and the Museum of Contemporary Art Detroit (2012, 2013); A Permanent Record For Future Investigation, Green Art Gallery, Dubai (2012) and Interior Renovations, Tehran, 2010, Green Cardamom, London (201for Contemporary Arts and the Museum of Contemporary Art Detroit (2012, 2013); A Permanent Record For Future Investigation, Green Art Gallery, Dubai (2012) and Interior Renovations, Tehran, 2010, Green Cardamom, London (201For Future Investigation, Green Art Gallery, Dubai (2012) and Interior Renovations, Tehran, 2010, Green Cardamom, London (2011).

2004 Between the Lines, James Cohan Gallery, New York, NY Andererseits: Die Phantastik, Landesgalerie am Oberöterreichisches Lanedesmuseum, Linz, Austria It's a Wonderful Life: Psychodrama in Contemporary Painting, Spaces Gallery, Cleveland, OH Genesis: Gifts and Promised Gifts to the Permanent Collection, Intuit — The Center for Intuitive Outsider Art, Chicago, IL À corps perdu, abcd, une collection d'art brut, Pavillon des Arts, Paris, France Smart Collecting, Acquisitions (1994 - 2004), Celebrating the Thirtieth Anniversary of David and Alfred Smart Museum of Art, University of Chicago, Chicago, IL Die Zehn Gebote, Deutsches Hygiene Museum, Dresden, Germany Dopes, Dupes, and Demagogues: Viewed by Outsiders, Luise Ross Gallery, New York, NY

2009 TIME + TEMP: Surveying the Shifting Climate of Painting in South Florida, Art and Culture Center of Hollywood, curated by Jane Hart, Hollywood, FL Inaugural Exhibition, Florida Museum for Women Artists, Deland, FL Dog Days of Summer, Bernice Steinbaum Gallery, Miami, FL Summer Show, Boca Raton Museum Of Art, FL Through the Lens: Contemporary Photography from The Permanent Collection, Jacksonville Museum of Contemporary Art, FL

Altered and Irrational: Selections from the Permanent Collection, Whitney Museum of American Art, New York, NY Art, Design and Barbie: The Evolution of a Cultural Icon, Liberty Street Gallery the World Financial Center, New York, NY Recent Acquisitions, Bass Museum of Art, Miami Beach, FL Art & Architecture, Miami, COCA / Center for Contemporary Art, Miami, FL A New York Time: Selected Drawings of the Eighties, Bruce Museum, Greenwich, CT

His work is part of the permanent collection at The British Museum, London's National Gallery, the Victoria & Albert Museum and the International Center for Photography, New York.

Plus: Jeff Koons reveals plans for Paris terror attack memorial ICA Miami to open new permanent space in 2017 Glasgow School of Art receives major donation to renovate campus and Prada Foundation to open new photography gallery

The works in «Making Connections» provide for an intriguing dialogue among art and artists presented in the concise exhibition located between the Bartlett show and the permanent gallery exhibitions.

The inaugural temporary exhibition for the gallery goes to the Irish sculptor Eva Rothschild, whose show of mostly new works engages in a dialogue of form with the permanent collection of the institution's titular inspiration, English modernist sculptor Barbara Hepworth.

Led by museum Director Agustín Arteaga and Curator Katherine Brodbeck, donors will select works directly from participating galleries to be purchased for the museum's permanent collection.