Sentences with phrase «permanent legacy in»

«Featuring 2,643 individual sections painted by Austinites and visitors over the course of three days, the mural surpassed the 2,604 goal and is a true «Austin Original,» and a colorful, permanent legacy in the city.

Moody's impact was felt in all the Protestant denominations and left a permanent legacy in the American scene.

Not exact matches

Edmonton faces a choice with the design and construction of the Valley Line LRT project — either the project can be designed to include or accommodate a future re-animation of the legacy creek bed and delta — which is a provincial priority according to the Environmental Assessment of the Valley Line — or it can render even more permanent the decisions made in the 1960s and 1970s that transportation infrastructure trumps our natural environment.

The disease forced an end to his run and took his life, yet Terry's choice resulted in his permanent worldwide legacy.

His story and its theological legacy bring into sharp relief some of the permanent obstacles in Jewish — Christian relations.

This we noted was the major concern of the prophets of Israel, and in this they gave us a permanent legacy that must never be surrendered.

The Daily Telegraph summed up an emerging view which may well prove to be the permanent legacy of this affair so far as Western opinion is concerned: «We suspect», pronounced the Telegraph in a leading article, «that Western public opinion is not displeased that Benedict has said the unsayable.

There's a chance more GOP challengers join Ward, including Reps. David SchweikertDavid SchweikertRepublican candidate favored in Arizona special House election Ryan leaves legacy of tax cuts and deficits Paul Ryan's successor must embrace the House Freedom Caucus MORE and Paul GosarPaul Anthony GosarOvernight Defense: Over 500 amendments proposed for defense bill Measures address transgender troops, Yemen war Trump taps acting VA chief as permanent secretary Arizona GOP tinkers with election rules with an eye on McCain's seat Some doubt McCarthy or Scalise will ever lead House GOP MORE, or state Treasurer Jeff DeWit, a Trump ally who served as his campaign's operating officer.

A new parliament in Scotland, an assembly in Wales, self - rule in northern Ireland, a mayoralty in London, the introduction of proportional representation for almost all UK elections bar the House of Commons — it amounted to a quiet revolution that may well endure as New Labour's most permanent legacy.

Furthermore, few permanent positions in universities and public research centres have become vacant in the last decade, the legacy of mass - hirings in the 1970s and 1980s.

As the only sedan in its class offered with permanent all - wheel - drive, the Subaru Legacy stands out.

But temporary turns into permanent as Raine escapes to his Scottish home in search of his mother Janet's legacy, McClairen's Trust.

In this post we highlight permanent life insurance and its 5 most common uses: final expenses, investment / insurance hybrid, legacy, estate equalization, business applications.

The Royal Institute for War Documentation (now the NIOD Institute for War, Holocaust and Genocide Studies) took on the task of preserving this legacy, and gave Anne Frank's manuscripts to the Anne Frank House on permanent loan in 2009.

Organized by the Museum of Contemporary Art San Diego in collaboration with the San Diego African American Museum of Fine Art, Dimensions of Black traces the legacy of UC San Diego's MFA program by drawing from the museums» permanent collections.

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackson

Up there, in the oxygen - depleted air of the pantheon, where fashion designers are discussed in terms of archives, permanent collections, vision, legacy and genius, the word «artist» springs easily to the lips.

The Morgan Library was the one institution that had been set running in permanent fashion and, thanks in no small part to its intrepid and visionary librarian, Belle da Costa Greene, it kept intact its pre-eminent holdings in manuscripts and works on paper and remained largely independent of the confusions surrounding the remainder of the legacy.

Photography from the Collections, Wadsworth Atheneum Museum of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England

It was next exhibited in Treasures of Modern Art: The Legacy of Phyllis Wattis at SFMOMA in 2003, and then in a permanent collection presentation from 2006 to 2007.

With a menu of events and activities that can be tailored to the individual client — whether their priorities are for Corporate Entertaining or Branding opportunities — the Contemporary Art Society has the expertise to deliver a range of effective and bespoke services that will help corporates stand out from the crowd, whilst leaving a permanent and visible legacy for future generations in the museums and galleries of the UK.

In recognition of our 40th anniversary, artists participating in this exhibition have generously donated their works of art to the UMCA's permanent collection, to serve as a legacy and to help us continue our role as an inspirational teaching resourcIn recognition of our 40th anniversary, artists participating in this exhibition have generously donated their works of art to the UMCA's permanent collection, to serve as a legacy and to help us continue our role as an inspirational teaching resourcin this exhibition have generously donated their works of art to the UMCA's permanent collection, to serve as a legacy and to help us continue our role as an inspirational teaching resource.

2003 African - American Art: 20th Century Masterworks, X, Michael Rosenfeld Gallery, New York, NY American Art and Artifacts Featuring the Chris Webber Collection, Crocker Art Museum, Sacramento, CA My Mother's an Artist, The Educational Alliance Art School and Gallery, New York, NY Layers of Meaning: Collage and Abstraction in the late 20th Century, Pennsylvania Academy of Fine Arts, Philadelphia, PA An American Legacy: Art from The Studio Museum in Harlem, The Parrish Art Museum, Southampton, NY African American Masters: Highlights of the Smithsonian American Art Museum, New York Historical Society, New York, NY; Cheekwood Museum of Art, Nashville, TN; The Cummer Museum of Art, Jacksonville, FL; Cincinnati Art Museum, Cincinnati, OH; Currier Museum of Art, Manchester, NH; The Delaware Art Museum, Wilmington, DE; Long Beach Museum of Art, Long Beach, CA; Utah Museum of Fine Arts, Salt Lake City, UT Turning Corners, University Art Museum, University of California, Berkeley, CA Seizing the Myths: Arts of Rebellion, Resource Center for Activism and Arts, Washington, DC Twenty - Fifth Anniversary Exhibition, Tobey C. Moss Gallery, Los Angeles, CA Focus on the Figure: Selections from the Permanent Collection, Palm Springs Desert Museum, Palm Springs, CA Popular, Pop & Post-Pop: Color Screenprints 1930s to Now, Philadelphia Museum of Art, Philadelphia, PA

One lasting legacy of this exhibit, Chanzit says, is the Denver Art Museum's commitment to invest in female AbEx artists; it has made seven acquisitions for the permanent collection.

It is a permanent legacy, prodigious in value (both monetary and cultural) and likely to appreciate.

Visual artists from around the world have responded in a myriad of ways to this nuclear legacy — and the Nevada Museum of Art houses a number of artworks in its permanent collection related to this subject matter.

«time / frame,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, January 25 — July 28, 2002 «Fifty Years of Supporting the New: The Charles H Carpenter Jr Collection,» Aldrich Museum of Contemporary Art, Ridgefield, CT, September 22 — December 31, 2002 «In the Spirit of Martin: The Living Legacy of Dr Martin Luther King Jr,» Smithsonian Institution Traveling Exhibition Service (organizer), Charles H Wright Museum of African American History, Detroit, MI, January 12 — August 4, 2002; traveled to Bass Museum of Art, Miami Beach, FL, September 7 — December 1, 2002; Frederick R Weisman Art Museum, Minneapolis, MN, January 19 — April 6, 2003; International Gallery, Smithsonian Institution, Washington, D.C., May 15 — July 27, 2003; Memphis Brooks Museum of Art, Memphis, TN, August 30 — November 9, 2003; and Montgomery Museum of Fine Arts, AL, January 3 — March 28, 2004; catalogue «LIFE DEATH LOVE HATE PLEASURE PAIN: Selected works from the MCA Permanent Collection,» Museum of Contemporary Art, Chicago, IL, 2002 «Structures of Difference,» curated by Nicholas Baume, Wadsworth Atheneum, Hartford, CT, 2002 «Drawings of Choice from a New York Collection,» Krannert Art Museum, University of Illinois at Urbana - Champaign, Champaign, IL, curated by Joself Helfenstein: traveled to Arkansas Arts Center, Little Rock, AR; Georgia Museum of Art, Athens, GA; Bowdoin College Museum of Art, Brunswick, ME; Cincinnati Art Museum, Cincinnati, OH «Recent Acquisitions,» Fonds Régional d'Art Contemporain, Reims, France, 2002 «Pushing Aesthetic Boundaries: Contemporary Prints,» Gallery M, New York, NY, 2002 «Charles H Carpenter, Jr Collection: Fifty Years of Supporting the New,» Aldrich Museum of Contemporary Art, Ridgefield, CT, 2002 «New York, New Work, Now!

After acquiring a permanent space in 2003, the museum began a regular exhibition program, with shows focusing on subjects like Black Mountain's design and craft legacy and the many important female artists who once studied there, including the sculptor Ruth Asawa and the Abstract Expressionists Pat Passlof and Elaine de Kooning.

The Legacy Life Select plan provides permanent life insurance coverage for Federal, State, and Municipal employees and their family members actively at work or in school.

Since most of us do not live beyond the age of 120, a permanent life insurance policy guarantees a financial cushion or in many cases a financial legacy for your loved ones.

TCFE legacy content management system (DSF) and a second content management system (Vignette / Open Text) to the District's permanent unified content management system (Drupal 7) * Member of the Web production team at OCTO who helped the DC Gov win a national award recognizing excellence in government and municipal websites «Best of the Web 2013» Runner Up, and «Best of the Web 2015» Winner * Collaborate with OCTO BA's and Ag...