Sentences with phrase «permanent public art projects»

His temporary and permanent public art projects have been displayed in California, Kansas and Nebraska.

Since the mid-1970s he has shown widely in museums and commercial galleries and has completed a number of permanent public art projects.

He has completed more than a dozen temporary and permanent public art projects including the commission Hear My Train in Wanganui, New Zealand completed in 2012 and a public screening at the Oslo Central Station, Oslo Screen Festival in collaboration with Kunsthall Oslo, Oslo, Norway autumn 2013.

In 2012, she completed Walking on Sunshine, a permanent public art project, in the Spring Garden underground - subway station, Philadelphia, PA..

In 2010 she completed a permanent public art project for the city of Los Angeles, and an interactive community arts performance for San José's, CA, ZeroOne festival.

Permanent public arts projects include a commission by ONE World Trade Center for his monumental mural painting, ONE: Union of the Senses, the largest painting of its kind in New York City, in the tallest building in the western hemisphere; The Barclays Center in Brooklyn; the Brooklyn Academy of Music BAM Fisher; André Balazs» Chiltern Firehouse, London, United Kingdom; North Carolina State University's Hunt Library by Snøhetta; Concord City Place, Toronto, Canada.

2017 The Hidden Glades / Miami - Dade Art in Public Places Program at Sandra DeLucca Developmental Center 2014 Words Travel Fast / Public Art Murals / Downtown Miami Walls 2010 Chelsea Tree Street Signage / Root for Trees / A Permanent Public Art Project facilitated by the NYC based environmental nonprofit, Root For Trees, in association with Partnerships For Parks / NY RESIDENCIES

Not exact matches

2014 — PUBLIC ART COMMISSION: CHICAGO TRANSIT AUTHORITY, PERMANENT INSTALLATION FOR 35TH / WHITE SOX CTA STATION 2014 — RESIDENCY, DESIGN FABRICATION, ÍFRANS MAYER, MUNICH, GERMANY, 2014 2014 — NOMINATION 3 - ARTS AWARD 2011 — VISITING ARTIST, TEACHER INSTITUTE IN CONTEMPORARY ART, SAIC, NEA 2010 — GRANT: ARTIST PROJECT IN VISUAL ARTS, ILLINOIS ARTS COUNCIL 2009 — NEW AT THE MUSEUM OF CONTEMPORARY ART, CHICAGO 2009 — THE DRAWING CENTER VIEWING PROGRAM, CURATED ARTIST REGISTRY, NEW YORK, NY 2008 — CATWALK, NY ARTIST RESIDENCY, SCHOOL OF THE ART INSTITUTE CHICAGO 2004 — POST - MFA FELLOWSHIP, VISITING LECTURER, UNIVERSITY OF CHICAGO 1998 — HONORABLE MENTION AWARD / STATE LINE EXHIBITION / ROCKFORD MUSEUM, ILLINOIS 1996/1997 — ARTS MIDWEST / REGIONAL NEA VISUAL ARTIST FELLOWSHIP AWARD (PAINTING) 1990 — ILLINOIS ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / NORTHWESTERN UNIVERSITY EXHIBIT 1987 — ILLINOIS ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / CHICAGO CULTURAL CENTER EXHIBIT

Permanent works and public projects include Streetcar Stop for Portland, Regional Arts and Culture Council, Portland (2014); Plat 99, Bar and Lounge designed for The Alexander Hotel, Indianapolis, (2013); Tecoh, private residence, Yucatán (2012); Untitled (reinstallation of the Latin American Galleries), LACMA Los Angeles County Museum of Art, Los Angeles, US (2008); Untitled (Guadalajara Light Piece), Solares Foundation, Guadalajara (2005); House for Cesar and Mimi Reyes, Old San Juan (2004); Project, a reimagining of the lobby and new bookshop for Dia Art Foundation Chelsea, New York, US (2000); 4166 Sea View Lane, a proposal as part of an exhibition for LA MoCA to build an artist's house on a hillside in Mount Washington, Los Angeles, for which Pardo designed every element of the building (completed 1998).

Some of his most recent large - scale public projects include David Fairchild's Laboratory, a permanent installation commissioned for The Kampong, National Tropical Botanical Garden, Coconut Grove, FL (2016); Den, a permanent installation commissioned for the Norway National Tourist Route (2012) and Neukom Vivarium, a permanent outdoor installation and learning lab for the Olympic Sculpture Park commissioned by the Seattle Art Museum (2006); Dion has also produced large - scale permanent commissions for Documenta 13 in Kassel, Germany and the Montevideo Biennale in Uruguay (both 2012).

Recent projects include the permanent public sculpture Han in Elsinore, Denmark (2012) and the theatrical play Happy Days in the Art World, which debuted at the Performa 11 biennial in New York (2011) and was subsequently performed at the Bergen International Festival and the Royal Danish Theatre in Copenhagen (both 2012).

Recent stints as a resident in Spaces World Art Program and a Mary L. Nohl Fellow resulted in permanent, public installations of bronze plaques that commemorate their own legitimacy; a further iteration of this project was included in the 2014 Whitney Biennial.

Mendieta's archives from this period reveal that she had a strong interest in creating permanent works like these sculptures on a larger scale for public art projects.

The museum attracts art lovers with exhibitions of the permanent collection, which comprises of major works by artists such as Bacon, Calder, van Gogh, Matisse and Picasso, and temporary shows with contemporary artists such as Jeff Koons and Philippe Parreno, and public art projects by Louise Bourgeois, Jenny Holzer, and other renowned artists.

Permanent Collection Exhibitions, Films and Public Programs in Art and Film Collection Access Project at the Berkeley Art Museum and Pacific Film Archive are made possible through the Lila Wallace - Reader's Digest Fund Museum Collections Accessibility Initiative.

Propositions on the Permanent Collection, Studio Museum in Harlem, New York, NY, 2009 Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970, Spelman College of Art, Atlanta, GA, 2007 and Contemporary Arts Museum Houston, Houston, TX 2008 - 2009 Horizon, EFA Gallery, Curated by David Humphrey, New York, NY, 2007 Black Alphabet, conTEXTS of Contemporary African American Art, Zacheta National Gallery of Art, Warsaw, Poland, 2006 - 2007 Turn the Beat Around, Sikkema Jenkins & Co., New York, NY, 2006 The Manhattan Project, Fred Snitzer Gallery, Miami, FL, 2006 Frequency, Studio Museum in Harlem, New York, NY, 2005 - 2006 MFA Thesis Exhibition, Columbia University, Curated by Jeffery Uslip, New York, NY, 2005 Recess: Images & Objects in Formation, Rush Gallery, Curated by Derek Adams, New York, NY, 2005 Past Perfect, Kantor / Feuer Gallery, New York, NY, 2004 - 2005 After Goya, Leroy Neiman Gallery, Columbia University, Curated by Tomas Vu Daniel, New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach Gallery, New York, NY, 2004 Signs, Public Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed Gallery, Los Angeles, CA, 2000 Art in St. Louis, Honorable Mention, Curated By Jerry Saltz, Art St. Louis Gallery, St. Louis, MO, 1997

Glesta has installed several permanent and temporary public art projects around the world including the USA, Australia, Italy, Spain, South America and Asia.

Conceived and produced under the artistic direction of the Fondation Louis Vuitton, the exhibition showcases key works by Cheng in the framework of the Fondation's «Hors - les - Murs «program, destined to introduce previously unseen artworks from its permanent collection to audiences of the Espaces Culturels Louis Vuitton in Munich, Venice, Beijing, and Tokyo, thus realizing its mission to curate ambitious international art projects and share its collection with a broader public.

Recently she has started accepting commissions for permanent large - scale public art projects, the first of which is a frieze that is a permanent part of the architecture of the Rose McQuillan Art Center at the Fairchild Tropical Botanic Gardart projects, the first of which is a frieze that is a permanent part of the architecture of the Rose McQuillan Art Center at the Fairchild Tropical Botanic GardArt Center at the Fairchild Tropical Botanic Garden.

Doyle's temporary and permanent urban projects include LEAP, a project commissioned by the Public Art Fund and presented by Creative Time and Commutable.

It is the ambition of this project to not only commission a permanent public sculpture for The Hepworth Wakefield but to work closely with the wider Wakefield Museum / Cultural Services team to create a site - specific work for Castleford, forging links between the two locations and opening up discussion and debate around the role of public art.

For this specific project, Magic Gardens worked with the City of Philadelphia Mural Arts Program, where the Mexican artist created a permanent public mural in the Northern Liberties neighborhood.

Apocalypse Management: Vistas And Details, Taubman Museum Of Art, Roanoke, Virginia Culver City Currency, Permanent public project, Westfield, Culver City, Ca Ecstatic City Tampa, Multi-media project + permanent component, Tampa Convention Center, TampaPermanent public project, Westfield, Culver City, Ca Ecstatic City Tampa, Multi-media project + permanent component, Tampa Convention Center, Tampapermanent component, Tampa Convention Center, Tampa, Florida

Born in 1958, Chicago, IL Recent locations include Los Angeles; New Orleans; Baja California, Mexico; San Juan Islands, British Columbia and Portland SOLO EXHIBITIONS 2011 Loose Lips Do Sink Ships, Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium (forthcoming) 2010 Timothy Taylor Gallery, London 2009 Galerie Laurent Godin, Paris Laurel Gitlen, New York Sorry We're Closed, Brussels, Belgium 2008 State of the Union, Small A Projects, Portland, OR 2007 White Columns, New York SELECTED GROUP EXHIBITIONS 2011 Sex Drive, Haverford College, Haverford, PA (curated by Stuart Horodner) 2010 Bienniale de Belleville, Paris 2009 Sign of the Times, Monique Meloche Gallery, Chicago Diabolique, Dunlop Art Gallery, Regina, Saskatchewan, Canada; Galerie de L'UQAM, Montreal, Canada; Military Museums, Calgary, Canada (curated by Amanda Cachia) Salvador Diaz Gallery, Madrid (curated by Rikrit Tiravanija) 2008 Say Goodbye To..., Clifford Gallery, Colgate University, Hamilton, NY 2008 Altoids Award, The New Museum of Contemporary Art, New York Ambivalent Figuration, Samson Projects, Boston, MA 2007 Memorial to the Iraq War, ICA London (with Harrell Fletcher) BIBLIOGRAPHY Free Speech Zone: Michael Patterson - Carver, monograph edited by Harrell Fletcher, with contributions by Fletcher, Matthew Higgs, and an introduction by Michael Patterson - Carver, (London: Four Corners Books, 2010) Cachia, Amanda, Diabolique, exhibition catalogue, (Dunlop Art Gallery, 2009) Dexter, Emma, «Michael Patterson - Carver» in 60: Innovators Shaping Our Creative Future, edited by Lucas Dietrich, (London: Thames and Hudson, 2009) «Michael Patterson - Carver,» (review) The New Yorker, October 19, 2009 Anne Doran, «Michael Patterson - Carver,» (review) Time Out New York issue 732, October 8 - 14, 2009 Sanders, Gabriel, «Trader Joe's Treasure,» The Forward, July 2008 Yim, Su - jin, «Political Artist Moves in Higher Circles» (Michael Patterson - Carver), The Oregonian, April 2008 Vogel, Carol, «Inside Art: Altoids Award» (Michael Patterson - Carver), New York Times, March 2008 Yim, Su - jin, «An Artist, Discovered» (Michael Patterson - Carver), The Oregonian, August 2007 PUBLIC COLLECTIONS American Folk Art Museum, New York City of Paris Permanent Collection FRAC Bretagne, Châteaugiron, France Museum of Everything, London

Her work is held in private collections in the U.S., has been commissioned for permanent, large - scale public art projects, and has been exhibited in galleries, museums, and public venues throughout New York.

He has recently been awarded a grant to create a permanent public sculpture in Baltimore's Remington neighborhood through the PNC Bank Transformative Art Project, organized by the Baltimore Office of Promotion & the Arts.

His documentation of his 2006 Atlanta Celebrates Photography Public Art Project was recently added to the MOCA GA permanent collection.

Amanda is currently involved in curating: three permanent public art commissions for Art Dubai's AIR 2017 program (with artists Chafa Ghaddar, Zeinab Al Hashemi and Shaikha Al Mazrou); six permanent site - specific commissions for a private hospital in Beirut (AUBMC) using participatory and contextual approach for art in healthcare (with artists Lara Tabet, Hatem Imam, Sharif Sehnaoui & Nadim Mechlaoui, Catherine Cattaruzza, Rayya Badran & Zeina Badran; and an audio - guide project with artist Annabel Daou and the people of Beirut for the National Museum of Beirut commissioned by Beart commissions for Art Dubai's AIR 2017 program (with artists Chafa Ghaddar, Zeinab Al Hashemi and Shaikha Al Mazrou); six permanent site - specific commissions for a private hospital in Beirut (AUBMC) using participatory and contextual approach for art in healthcare (with artists Lara Tabet, Hatem Imam, Sharif Sehnaoui & Nadim Mechlaoui, Catherine Cattaruzza, Rayya Badran & Zeina Badran; and an audio - guide project with artist Annabel Daou and the people of Beirut for the National Museum of Beirut commissioned by BeArt Dubai's AIR 2017 program (with artists Chafa Ghaddar, Zeinab Al Hashemi and Shaikha Al Mazrou); six permanent site - specific commissions for a private hospital in Beirut (AUBMC) using participatory and contextual approach for art in healthcare (with artists Lara Tabet, Hatem Imam, Sharif Sehnaoui & Nadim Mechlaoui, Catherine Cattaruzza, Rayya Badran & Zeina Badran; and an audio - guide project with artist Annabel Daou and the people of Beirut for the National Museum of Beirut commissioned by Beart in healthcare (with artists Lara Tabet, Hatem Imam, Sharif Sehnaoui & Nadim Mechlaoui, Catherine Cattaruzza, Rayya Badran & Zeina Badran; and an audio - guide project with artist Annabel Daou and the people of Beirut for the National Museum of Beirut commissioned by BeMA.

Tracing projects generated by the Trust — realised and unrealised — the material gives a unique insight into the evolution of public art and charts a major shift from permanent bronze and stone figures to temporary interventions, installations and projections.

Additionally, Long has created two of Houston's beloved permanent public works: Field of Vision at Project Row Houses and Art / Life, a 30 - foot by 7 - foot mural commissioned by the Houston Arts Alliance for Houston Public Library's Looscan bpublic works: Field of Vision at Project Row Houses and Art / Life, a 30 - foot by 7 - foot mural commissioned by the Houston Arts Alliance for Houston Public Library's Looscan bPublic Library's Looscan branch.

We initiate public art projects in the US and abroad placing large - scale works in the public domain for both permanent and temporary installations, in such locations as New York City, London, Boston, San Diego, Miami, Salt Lake City, Philadelphia, Las Vegas and Dallas.

His temporary and permanent urban projects include LEAP, presented by Creative Time; Commutable, commissioned by The Public Art Fund; as well as recent commissions for Culver City, California; Tampa, Florida; Kansas City, Missouri; and Austin, Texas.

Sandi has been accepted into and won awards at many local and national juried shows, held a solo show of her abstract works, «Urban Edge,» in 2016, and was commissioned in 2016 to paint two abstracts for a large - scale permanent public art installation as part of the «Art Walls» project in Crystal City, Arlington, VA, on view at 12th St. and Army - Navy Driart installation as part of the «Art Walls» project in Crystal City, Arlington, VA, on view at 12th St. and Army - Navy DriArt Walls» project in Crystal City, Arlington, VA, on view at 12th St. and Army - Navy Drive.

Among these have been the retrospective Mike Kelley (Stedelijk Museum, Amsterdam, 2012; Centre Georges Pompidou, Paris, 2013; Museum of Modern Art / PS1, New York NY, 2013; Museum of Contemporary Art, Los Angeles CA, 2014); the permanent public work and accompanying exhibition HAUSER & WIRTH Mobile Homestead, Museum of Contemporary Art Detroit, Detroit MI (2013); Mike Kelley: Kandors, Museen Haus Lange, Haus Esters, Kunstmuseen Krefeld, Germany (2011); Mike Kelley: Educational Complex Onwards: 1995 — 2008, WIELS Centre d'Art Contemporain, Brussels, Belgium (2008); Petting Zoo, Skulptur Projekte Münster, Germany (2007); Profondeurs Vertes, Musée du Louvre, France (2006); The Uncanny, a curatorial project presented at Tate Liverpool, England and Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria (2004); a 1993 retrospective at the Whitney Museum of American Art, New York NY and Los Angeles County Museum of Art, Los Angeles CA; Documenta IX (1992) and Documenta X (1997), Kassel, Germany; and five appearances at the Whitney Biennial.

The Fence Friends Project provided a creative opportunity for students to participate in a permanent public art exhibition.

The Fence Friends Project provided opportunities for students to participate in a permanent public art exhibition.

The construction of the Long Beach Senior Arts Colony was completed through multiple avenues of public partnership with the City of Long Beach and the State of California both of whom provided construction and permanent financing to the project.