But third -
person action sequences like these will only be one part of the overall game.
The most game - accurate moment may have been too on - the - nose, as it went into a first -
person action sequence as homage.
The Doom film is nowhere to be seen, even though it has its own first
person action sequence.
Not exact matches
The little touches — every flame is the clear plastic Lego kind, every spilled glass of water turns into clear single pieces — also help bring personality to the
action sequences, which tend to be as exciting as anything real
people have managed to pull off recently.
There's so much to appreciate in that film — from its portrayal of a kickass female lead character who just so happens to have a physical disability (though is never depicted as being a
person who matters less because of it) to its impressive number of real - time stunts and
action sequences to its feminist message.
Shore also displays some directorial style of his own signature, creating shots that are the epitome of the word «cinematic,» or attempting to use Matthew Vaughn - style techniques (like 1st
person POV) to create distinct and different styles of
action sequences (to varying degrees of success).
The few scenes that do rely on their limited acting ability aren't pretty to watch, but they're rock stars when it comes to the
action sequences, which are peppered with some cool POV camera work that is the closest most
people will ever get to the real thing.
Put it this way: the first
action sequence in «Ant - Man'takes place in a bathtub, and while ultimately this film is too bland to leave much of an impression, at least it's still a much - needed reminder that there are
people underneath all that spandex.
Every
person who has a favorite Marvel movie has experienced the feeling of smiling uncontrollably at a particularly stunning
action scene or
sequence.
Ready Player One Rated PG - 13 for
sequences of sci - fi
action violence, bloody images, some suggestive material, partial nudity and language Rotten Tomatoes Score: 76 % In Theaters Based on the best - selling novel by Ernest Cline (and one of my favorite books in recent memory) Ready Player One explores a futuristic world where life in the real world is quite terrible, but
people can escape into a virtual reality program called the OASIS, where they can be anyone and do anything.
But The Fall Part 2: Unbound isn't just about wandering around chatting to
people and attempting to pull off the correct
actions in the right
sequence.
Magic Mike XXL certainly dances up a storm of steamy yet silly
action sequences and effectively showcases the deft physical talents of Channing Tatum, who is more than happy to charm
people into forgetting that the movie itself is pure fluff.
Jump - cuts and sped - up
action destroy any notion of the passing of time — we've little sense of how long these
people are holed up in the farmhouse — while opening and closing chase
sequences with bumbling authorities conjure Keystone runarounds from a playful visual style.
The Russos, with assistance from
people such as Winter Soldier cinematographer Trent Opaloch as well as second unit directors David Leitch and Chad Stahelski (the longtime stunt coordinators - turned directors of John Wick), serve up several precisely - choreographed
action sequences, varying from quick - cutting fisticuffs to exhilarating foot chases and combat situations that make great use of individual superhero's unique abilities.
The third -
person gunplay puts the game squarely in «Uncharted» territory - something the multiplayer mode makes even more obvious - but the gunbattles are satisfying as far as
action sequences go (even if it's a bit too easy to pull off headshots).
It's not just about her being aggressive and as aggressive as the men in those
action sequences, but being able to be a little bit more rounded as a
person.»
Gangster Squad (2013)-- «Max Kennard» RP: You probably already know this, but because of the idiot in Colorado who went into the theater and killed those poor
people... We had a trailer for the film that had a scene that took place in Grauman's Chinese Theater, which was a big
action sequence in our movie, and we had to scrap the trailer, they had to reposition the movie and put it out later.
Although there is barely an explanation as to who all of these
people how, how they got their powers, and how these powers can actually work, Bekmambetov keeps the
action moving so briskly, and with such visual panache, that he never gives audiences the time to sit and contemplate the many egregious story short cuts in order to get to the next stunningly - rendered
action sequence or tantalizing story development.
From here on out, the film loses its nerve, tying
action sequence after
action sequence together with
people walking in between.
Lots of
action and explosions unfold at the pace of old
people shuffling through a buffet line, split up by really idiotic and mostly identical
sequences in which wordy riddles lead our heroes on yet another series of lever - pullings and allegedly tense standoffs in cobwebbed corridors.
He's a good figure that can you can follow the intense
action sequences and a charismatic funny guy that
people like him for.
«The Wilson Identity: From
People to Puppets» (1:33, HD) observes director Zeb Wells getting real - life reference for an
action sequence.
Its use of first -
person POV, and the ways in which it manages to reinvent
action sequences within that conceit, is exciting and fresh and should have a lasting influence on genre film for years to come.
«Even watching the audience at the Black Panther premiere respond to Lupita, Letitia, and certainly Danai in their
action sequences... you watch Danai spinning around in that casino, taking out dozens of
people, and you go, «Of course you can make a whole movie about that!
The
people who made The Raid need to go to Hollywood to teach them how to shoot close - quarters
action sequences!
During this event, an Ordinary White American Divorced Family Man (played by John Cusack) fights to save his family whilst navigating a series «talking» scenes (mostly
people crying into telephones) which link one stupendous, special effects - riddled, scientifically - implausible,
action sequence after another.
The comedy scenes are not funny, the
action scenes are not exciting and the one big attempt to blend the two, an extended fight
sequence in which numerous innocent
people are tased and a guy with a shellfish allergy repeatedly has shrimp rubbed in his face and eyes, is as ugly of a would - be set - piece that you will see this year.
Many
people are going to be quick to compare «Kingsman» to «Kick - Ass,» but while the former boasts the same punk - rock attitude, dark plot twists, and kinetic, no - holds - barred
action sequences (including an extremely violent set piece inside of a church that rivals Hit - Girl's blood - soaked exploits), «Kingsman» feels less like a satire of an entire genre than the product of a filmmaker who grew up loving spy movies.
It's a feature - length
action sequence shot entirely from the first -
person camera eye of its mute cyborg hero.
Director John Hillcoat's (Lawless; The Road) film has little character building, because the story, written by Matt Cook, overflows with
people, and quickly moves to entertaining
action sequences.
At least the
people behind that had both the crew and age - rating to stage some seriously fun
action sequences even if the film almost immediately abandons any fleeting relationship it had with sanity.
In the
action sequences, this has the effect of placing the viewer at a sometimes uncomfortable proximity to the other elements of the
sequence, including other
people, vehicles, flying bullets and debris.
Those who watched the film following its surprise Oscar win discovered a unique crime thriller more concerned with
people's passions — be they watching sports, getting drunk, or tracking a murderer — than with gunplay or chase
sequences (despite a one - take
action scene that gives Children Of Men a run for its money).
Most
people know Tomb Raider as a series of video games about Lara Croft, a badass, gun - toting archaeologist / adventurer who gets into amazing
action sequences, discovers a lot of lost cities that contain evil spirits, and often saves the world.
Some of the early explosions in the film, from a distance, look like they've been dragged out of ’95 with some shoddy CGI but the close - up fight
sequences and chorography as a whole are deeply impressive, really dragging you into the
action like a first -
person shooter with the additiona of some hilarious one - liners kicking in.
Instead, I was horribly disappointed to learn that it was being produced as a straight comedy by a director with no flair for
action sequences and starring, of all
people, Ben Stiller.
So whether it is the
action of The Revenant or the incredible visceral
sequences in Gravity even though they aren't exactly
action sequences, I think that's the kind of filmmaking that
people are excited about now.
This
action unleashes a
sequence of events that will change Charlie, Jasper and the
people of the town of Corrigan.
Sega and Obsidian Entertainment's ambitious third -
person action role - playing game has finally arrived, combining full - fledged
action sequences, stealth, and much more into one thrilling experience.
It's cinematic
action sequences with compelling story lines has made it one of the greatest third
person games ever made.
Danganronpa Another Episode: Ultra Despair Girls features third
person shooter
action sequences with tons of different ammo types, firepower upgrades with special Bling bullet modifiers and challenging riddles and puzzles.
His work often features crowds of
people, blurred together or figures standing apart from one another, or in
sequence, as in «
Action Painting» throwing paint or objects out towards the viewer.
They're not exactly
action sequences, and the Norwegian Broadcasting Corporation has jokingly said it hopes
people realize it's not a screensaver.