Sentences with phrase «person exhibition color»
David E. Peterson Asics Oniksuka Tiger Collection Spring 2010, 2010 Acrylic, mdf and UV resin 82 panels 11 x 5 x 3 inches each Overall installation 3 x 28 feet September 11 — October 30, 2010 Alejandra von Hartz Gallery is pleased to announce the two - person exhibition Color Climate: Matthew Deleget / David E. Peterson.
http://www.minusspace.com/ Not exact matches
There's an image in the exhibition of Neel in her seventies, standing outside the Whitney Museum, picketing the institution — just three years before it would give her a solo retrospective — for failing to involve people of color in the making of its exhibition «Contemporary Black Artists in America.»
Building on the rich tradition of geometric abstraction, three one - person exhibitions take the visual language of line, form, and color in compelling directions.
Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY
Steel: Color, Form, Concept Main Gallery Nancy Frankel and Sam Noto Curated by Claudia Rousseau Two - person Exhibition On View: May 23 — June 16, 2012
For the exhibition, Als, a critic at The New Yorker, selected paintings that portray African Americans, Latinos, and Asians, and other people of color — neighborhood children, fellow artists and progressives among whom the artist lived in Spanish Harlem and the Upper West Side.
The exhibition centers Black experience and perspective within an art history that so often ignores people of color.
BOOKSHELF Published to coincide with the exhibition, «Speaking of People: Ebony, Jet and Contemporary Art» features full - color images and contributions from Studio Museum in Harlem Director Thelma Golden, curator Lauren Haynes, and artist Hank Willis Thomas, among others.
For her first exhibition at the Studio Museum in Harlem, Ebony G. Patterson will consider violence against young people of color.
As a response to the current social and political climate in the United States, the Strange Fire Collective is looking for work made by women, people of color, and LGBTQ artists that engages with issues of social justice and critically questions the dominant social hierarchy for our upcoming exhibition Call and Response: Art as Resistance.
By juxtaposing contemporary color images of ice cream next to historical photographs of people enjoying it, the exhibition examines the visual and social culture of ice cream, the role it plays in society and the playfulness of the human experience.
His work has been included in museum group exhibitions including: The Revolution Will Not Be Gray, Aspen Art Museum, Aspen, CO (2016); Walls and Words, Museum at Eldridge Street, New York, NY (2014); LUMP Projects, organized by John Neff, Raleigh, NC (2013); People of Color, Gene Siskel Film Center, Chicago, IL (2012); and Ground Floor, Hyde Park Art Center, Chicago, IL (2012).
A one - person exhibition of large scale Triangle paintings and oil stick on paper followed in 1993, at the Andre Zarre Gallery [11] where the artist employed a tight grid overridden by gesture and a plastic color palette.
Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.
If Barkley had flown slightly under the radar before Barkley L. Hendricks: Birth of the Cool, the unprecedented exhibition helped tell the whole world about his masterful life - size portraits of people of color.
So, when I entered the Guggenheim to see the exhibition on a gray March day, I choose to surrender myself to the work — relinquishing any preconceptions so as not to color my first in - person experience.
The Bureau has collaborated with organizations such as Visual AIDS and Fire Island Artist Residency, as well as with veterans of The Lesbian Avengers activist group and activists fighting police violence against people of color to bring you provocative and inspiring exhibitions year round.
The exhibition tells a familiar story of aesthetic progress — from naturalism to abstraction to a plurality of contemporary art practices across media — but gives pride of place to the work of women and people of color.
MISAKO & ROSEN This Tokyo - based gallery's three - person exhibition includes brash paintings by Trevor Shimizu and five appealing color photographs of sushi, omu - raisu and other household staples, by a Prix Pictet winner, Motoyuki Daifu, sprawled across compositions that are halfway between advertisement and still life.
Steve Turner is pleased to present CMYK, a three - person exhibition featuring color - based abstract paintings by Adam Henry, G.T. Pellizzi and Joshua Saunders.
Author Joobin Bekhrad talks with Faisal about her most recent solo exhibition, Nass [People], color, and being a woman photographer in «a man's world.»
Be sure to see Devin's work in person at AMERICA at HEART: Behind the Shutter, a group exhibition celebrating the colors, characters and contours of America's West captured through photography by Michael Fain, Tom Korologos, Kathryn Rabinow, Gayle Waterman, and emerging artist Devin Pool.
[5] This exhibitions recontextualization of contemporary Bay Area art (by featured people of color and women), and showcased some of the following artists; Ruth Asawa, Bernice Bing, Rolando Castellon, Claude Clark, Robert Colescott, Frank Day, Rupert Garcia, Mike Henderson, Oliver Jackson, Frank LaPena, Linda Lomahaftewa, George Longfish, Ralph Maradiaga, José Montoya, Manuel Neri, Mary Lovelace O'Neil, Darryl Sapien, Raymond Saunders, James Suzuki, Horace Washington, Al Wong, René Yañez, Leo Valledor, and many more.
Founded in 1995 by Joseph «Rev. Run» Simons of the legendary hip - hop group Run - DMC, along with media mogul Russel Simmons and visual artist / community builder Danny Simmons, the Rush Philanthropic Arts Foundation began with the goal of filling the gap that «disenfranchised and people of color face in both accessing the arts and exhibition opportunities.»
In this exhibition, Als brings together a selection of Neel's portraits of African Americans, Latinos, Asians, and other people of color.
Jess Fuller Born 1972, Portland, Maine, US Lives and works in Brooklyn, NY Education University of Iowa, Master of Fin e Arts, Painting, Iowa City, US Boston University, Bachelor of Fine Arts, Painting, Boston, US Solo Exhibitions 2017 Canada, New York, US 2015 Fairy Smoke, Herald St, London, UK Planet without a body, Martos Gallery, New York, US 2012 NADA Miami, Martos Gallery, Miami, US Jellie, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Washed up and bleached out, organized by Jens Peter Brask, Galleri Tom Christoffersen, Copenhagen, DK Group Exhibitions 2016 Fort Greene, curated by Adrianne Rubenstein, Venus, Los Angeles, US Re-Planetizer, curated by The Pit, Regina Rex, New York, US Inside Out, Berthold Pott Gallery, Cologne, DE 8 Femmes, Office Baroque, Brussels, BE 2015 BFA Boatas, Sao Paulo, BZ Call and Response, Gavin Brown?s Enterprise, New York, US I Can?t Wait to GetOff Work, Bannerette, New York, US 2013 The Fruit Loop, Soloway, New York, US Beach Painting Club, Paddle 8 Silent Auction, NY Limits of Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emily,?
«My colleagues (past and present) and I continually think about the relationship between the contemporary and historical parts of the museum's collection and exhibitions, and how they relate to the city of Baltimore,» said Kristen Hileman, the BMA's Senior Contemporary Curator since 2009, who curated Crosby's solo exhibition — a show planned years in advance of the museum's recent series of shows by women and people of color.
The first contemporary exhibition of the museum's anniversary season, «UnSeen: Our Past in a New Light: Ken Gonzales - Day and Titus Kaphar» examines how people of color are missing in historical portraiture, and how their contributions to the nation's past were rendered equally invisible.
«Historically, artworks by women, people of color, LGBTQ, and other marginalized people have been underrepresented in almost every art institution's exhibitions and collection,» said Njideka Akunyili Crosby, whose solo show at the BMA, Counterparts, closed in March.
She had seen an exhibition in New York that included men of color and women — people whose works are rarely seen in Ab - Ex exhibitions.
The last few years have seen solo exhibitions by a strong number of female artists, a great many queer artists and people of color,...
21 Renaissance Square Gallery 4307 Jefferson Street Hyattsville, MD * Group Exhibition: My Beautiful People of Color
For his first one - person exhibition in New York, Ron Johnson offers up a collection of paintings that project a keen and sometimes - referential theory of color, a very curious technique, and a place between non-representation and our collective subconscious of catalogued experiences that flow through the exhibition in unexpected ways.
The last few years have seen solo exhibitions by a strong number of female artists, a great many queer artists and people of color, reaching a high note with last year's very gay, very feminist, ultimately historicizing exhibition This Will Have Been.
While many of the works in the exhibition engage with a looser, more experimental approach to form, color, and composition, others relate more directly to fully - realized works, such as his proposals for compositions for To The People of New York, a large - scale installation of paintings comprised of forty metal panels grouped in variations of red, yellow, and black, which occupied most of his artistic focus during the last year of his life.
The Cooper Union for the Advancement of Science and Art, New York, New York, painting major Selected Exhibitions: 2015 Op Infinitum: «The Responsive Eye» Fifty Years After, Part I, Part II, American Op Art in the 60's, David Richard Gallery, Santa Fe, NM 2010 The Suburban, solo exhibition, Oak Park, IL Pentimenti Gallery, «Superimpose,» three - person exhibition, Philadelphia, PA, Reynolds Gallery, «Perimeter Check,» solo exhibition, Richmond, VA SNO, Contemporary Art Projects, solo exhibition in SNO 54, Sydney, Australia Triple Candie, «Painting, Smoking, Eating,» a Case Room project, New York, NY Frederieke Taylor Gallery, «Color as Structure,» curated by Julie Langsam, four - person exhibition in the Viewing Room, New York, NY Rocket Gallery, «Book A Table,» group exhibition of tables and artists» books, London, U.K..
Women Students and Artists for Black Art Liberation, founded by Faith Ringgold and her daughters Michele Wallace and Barbara Wallace, protested the lack of women and people of color in the Whitney Museum's influential Annual Exhibition in 1970.
Weems pointed out the disparities in the art world (in terms of exhibition opportunities, publishing catalogs and auction prices) and challenges women and people of color face.
Chromophobes — people who hate and fear color — should steer clear of this optically ravishing exhibition.
The exhibition will include approximately 24, large - scale color photographs that depict the river's look and culture, including its distinct channeling and the people drawn to its banks.
2013 Wingding 3rd Anniversary Exhibition, LVL3, Chicago, IL 2013 Fractal Semblance, Roots and Culture, Chicago, IL 2012 NADA Miami, Rawson Projects, Miami, FL 2012 Fictitious Truths curated by Kara Rooney, Rooster Gallery, New York, NY 2012 Anderson, Murphy, Nielsen, New Capital Projects, Chicago, IL 2012 People Who Work Here curated by Rawson Projects, David Zwirner gallery, New York, NY 2012 First Love, curated by Angela Bryant O'Connor gallery, Dominican University, River Forest, IL 2011 Color: Fully Engaged, curated by Jamilee Polson, A & D gallery, Columbia College, Chicago, IL 2011 Juried Auction, NURTUREart hosted by the Chelsea Art Museum, New York, NY 2010 Feeble Intimacy, LVL3, Chicago, IL 2010 MinimumixaM curated by Nicholas Cueva, Dan Gunn, and Heather Mekkelson Twelve Galleries Quarterly # 1 hosted by Pentagon Gallery, Chicago, IL 2009 Ship in a Bottle, Sullivan Galleries, School of the Art Institute of Chicago, Chicago, IL 2008 Liz Nielsen at Accomplice Projects, Art Basel Miami / Bridge Fair, Miami, FL 2007 Awesome in Giftshop project space, Gescheidle Gallery Chicago, IL 2007 Word of Mouth presented by Diet Gallery, Art Basel Miami / Bridge Fair Miami, FL 2005 Art Chicago, Lisa Boyle Gallery, Chicago, IL 2005 Art Basel Miami / Aqua Art, Lisa Boyle Gallery, Miami, FL 2005 Genderosity, 4 - F Gallery, Los Angeles, CA 2005 Art Chicago / NOVA Young Art Fair, Project Rooms: (The Mothership Installation), Chicago, IL 2004 Who's doing Self - Portraiture in 2004?
Selected Group Exhibitions, & Art Fairs 2018 Black Box Projects, 2 person exhibition, London Winter Song at NextLevel gallery, Paris Lights, Camera, Action, curated by Haley Finnegan at Kunstraum in Brooklyn Sitting Still at BravinLee programs 2017 «Painters and Photographers» at Providence College, Rhode Island, curated by Jamilee Polson PARIS PHOTO with NextLevel Galerie Art Market Budapest with Horizont Galeria, Budapest, Hungary Rubber Factory, NY, «Women In Colour: Women and Color Photography» curated by Ellen Carey Aspen Art Museum, Art Crush, courtesy of SOCO gallery Double Vision, Artists Who Instagram, at LabSpace, Hillsdale, NY Mountain Gallery, Brooklyn, «Along a River of Sapphire Pools» NextLevel Galerie «Full Bloom II», Paris, France 2016 PULSE Miami with Danziger Gallery UNTITLED Miami with SOCO Gallery PARIS PHOTO with NextLevel Galerie, Paris, France Davidson College Gallery, North Carolina Pallas Projects, 2 - person exhibition with Max Warsh curated by Jessamyn Fiore, Dublin, Ireland New Photography Exhibition at BAM, curated by Holly Shen David Shelton Gallery: Summerzcool Curated by Austin Eddy and Benjamin Edmiston, Houston, Texas Sirius Art Center, 2 - person exhibition with Max Warsh curated by Jessamyn Fiore, Cobh, Ireland Spring Break Art Show curated by Kelly Schroer, NY, NY, Kristen Lorello gallery, Geometric Cabinet, NY, NY EddysRoom, Solo Show, Brooklyn, NY 2015 Silver Projects, Double Vision, Brooklyn, NY BRIC Art Center, Handmade Abstract, Brooklyn, NY, Zolla / Lieberman gallery, Hot Slice, Chicago, IL Danziger Gallery, Wonderful Lies, NY, NY Ameringer, McEnery, Yohe, Black and White, NY, NY, Danziger Gallery, Project Room, NY, NY Material Art Fair with LVL3, Mexico City 2014 Paris Photo with Laurence Miller Gallery Westport Arts Center, curated by Julia Mechtler and Elizabeth Koehn, Westport, CT Expo Chicago with Laurence Miller Gallery, Chicago, IL New Capital, Real Time, Future, Experience, Chicago, IL Spring Break Art show, NY, NY La Montagne Gallery, Black and White, exhibition, London Winter Song at NextLevel gallery, Paris Lights, Camera, Action, curated by Haley Finnegan at Kunstraum in Brooklyn Sitting Still at BravinLee programs 2017 «Painters and Photographers» at Providence College, Rhode Island, curated by Jamilee Polson PARIS PHOTO with NextLevel Galerie Art Market Budapest with Horizont Galeria, Budapest, Hungary Rubber Factory, NY, «Women In Colour: Women and Color Photography» curated by Ellen Carey Aspen Art Museum, Art Crush, courtesy of SOCO gallery Double Vision, Artists Who Instagram, at LabSpace, Hillsdale, NY Mountain Gallery, Brooklyn, «Along a River of Sapphire Pools» NextLevel Galerie «Full Bloom II», Paris, France 2016 PULSE Miami with Danziger Gallery UNTITLED Miami with SOCO Gallery PARIS PHOTO with NextLevel Galerie, Paris, France Davidson College Gallery, North Carolina Pallas Projects, 2 - person exhibition with Max Warsh curated by Jessamyn Fiore, Dublin, Ireland New Photography Exhibition at BAM, curated by Holly Shen David Shelton Gallery: Summerzcool Curated by Austin Eddy and Benjamin Edmiston, Houston, Texas Sirius Art Center, 2 - person exhibition with Max Warsh curated by Jessamyn Fiore, Cobh, Ireland Spring Break Art Show curated by Kelly Schroer, NY, NY, Kristen Lorello gallery, Geometric Cabinet, NY, NY EddysRoom, Solo Show, Brooklyn, NY 2015 Silver Projects, Double Vision, Brooklyn, NY BRIC Art Center, Handmade Abstract, Brooklyn, NY, Zolla / Lieberman gallery, Hot Slice, Chicago, IL Danziger Gallery, Wonderful Lies, NY, NY Ameringer, McEnery, Yohe, Black and White, NY, NY, Danziger Gallery, Project Room, NY, NY Material Art Fair with LVL3, Mexico City 2014 Paris Photo with Laurence Miller Gallery Westport Arts Center, curated by Julia Mechtler and Elizabeth Koehn, Westport, CT Expo Chicago with Laurence Miller Gallery, Chicago, IL New Capital, Real Time, Future, Experience, Chicago, IL Spring Break Art show, NY, NY La Montagne Gallery, Black and White, exhibition with Max Warsh curated by Jessamyn Fiore, Dublin, Ireland New Photography Exhibition at BAM, curated by Holly Shen David Shelton Gallery: Summerzcool Curated by Austin Eddy and Benjamin Edmiston, Houston, Texas Sirius Art Center, 2 - person exhibition with Max Warsh curated by Jessamyn Fiore, Cobh, Ireland Spring Break Art Show curated by Kelly Schroer, NY, NY, Kristen Lorello gallery, Geometric Cabinet, NY, NY EddysRoom, Solo Show, Brooklyn, NY 2015 Silver Projects, Double Vision, Brooklyn, NY BRIC Art Center, Handmade Abstract, Brooklyn, NY, Zolla / Lieberman gallery, Hot Slice, Chicago, IL Danziger Gallery, Wonderful Lies, NY, NY Ameringer, McEnery, Yohe, Black and White, NY, NY, Danziger Gallery, Project Room, NY, NY Material Art Fair with LVL3, Mexico City 2014 Paris Photo with Laurence Miller Gallery Westport Arts Center, curated by Julia Mechtler and Elizabeth Koehn, Westport, CT Expo Chicago with Laurence Miller Gallery, Chicago, IL New Capital, Real Time, Future, Experience, Chicago, IL Spring Break Art show, NY, NY La Montagne Gallery, Black and White, Exhibition at BAM, curated by Holly Shen David Shelton Gallery: Summerzcool Curated by Austin Eddy and Benjamin Edmiston, Houston, Texas Sirius Art Center, 2 - person exhibition with Max Warsh curated by Jessamyn Fiore, Cobh, Ireland Spring Break Art Show curated by Kelly Schroer, NY, NY, Kristen Lorello gallery, Geometric Cabinet, NY, NY EddysRoom, Solo Show, Brooklyn, NY 2015 Silver Projects, Double Vision, Brooklyn, NY BRIC Art Center, Handmade Abstract, Brooklyn, NY, Zolla / Lieberman gallery, Hot Slice, Chicago, IL Danziger Gallery, Wonderful Lies, NY, NY Ameringer, McEnery, Yohe, Black and White, NY, NY, Danziger Gallery, Project Room, NY, NY Material Art Fair with LVL3, Mexico City 2014 Paris Photo with Laurence Miller Gallery Westport Arts Center, curated by Julia Mechtler and Elizabeth Koehn, Westport, CT Expo Chicago with Laurence Miller Gallery, Chicago, IL New Capital, Real Time, Future, Experience, Chicago, IL Spring Break Art show, NY, NY La Montagne Gallery, Black and White, exhibition with Max Warsh curated by Jessamyn Fiore, Cobh, Ireland Spring Break Art Show curated by Kelly Schroer, NY, NY, Kristen Lorello gallery, Geometric Cabinet, NY, NY EddysRoom, Solo Show, Brooklyn, NY 2015 Silver Projects, Double Vision, Brooklyn, NY BRIC Art Center, Handmade Abstract, Brooklyn, NY, Zolla / Lieberman gallery, Hot Slice, Chicago, IL Danziger Gallery, Wonderful Lies, NY, NY Ameringer, McEnery, Yohe, Black and White, NY, NY, Danziger Gallery, Project Room, NY, NY Material Art Fair with LVL3, Mexico City 2014 Paris Photo with Laurence Miller Gallery Westport Arts Center, curated by Julia Mechtler and Elizabeth Koehn, Westport, CT Expo Chicago with Laurence Miller Gallery, Chicago, IL New Capital, Real Time, Future, Experience, Chicago, IL Spring Break Art show, NY, NY La Montagne Gallery, Black and White, Boston, MA
Brintz Gallery is honored to present The Color of Light, a two - person exhibition featuring recent paintings by Ross Bleckner and Eric Freeman.
We talked about Kuo's early exposure to Fort Thunder as a student at RISD, how wild and elegant color is, My Chemical Romance making good on their promises as a band, the lineage of emo, the best time of day to paint, getting into self - publishing, the new Obama portrait, anxiety and jokes, literally biting your tongue, how Peter Halley has made the same painting for decades and why that's the one of the most audacious radical painting moves out there, Kuo's band HEX MESSAGE, why Bart Simpson is still on every single thing in the zine tent at the New York Art Book Fair, Jeremy Lin and bootleg merch beef, Kuo's two - person exhibition «It Gets Beta» with Scott Reeder in 2015, avoiding knuckleheads so you can enjoy watching sports, being the last generation who for some reason is still afraid of selling out, his own roundball podcast Cookies, and embracing the simulation.
EXHIBITION: Among the many portraits of family, friends, neighbors, creatives, activists, and students by Alice Neel, are paintings of African Americans and other people of color she knew and admired.
This exhibition, Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas, will be bringing together for the first time three leading American artists from three different generations whose work challenges a Western painting tradition that historically erases or misrepresents people of color..
Remi Rough was able to share a couple of pictures with us of his new work for his upcoming Solo Exhibition «How to use colors to manipulate people» at Unit 44 Gallery in Newcastle UK.
While at the Studio Museum, she has organized and co-organized exhibitions including Alma Thomas (2016; forthcoming); Ebony G. Patterson:... when they grow up... (2016; forthcoming); Stanley Whitney: Dance the Orange (2015); Speaking of People: Ebony, Jet and Contemporary Art (2014 -15); Carrie Mae Weems: The Museum Series (2014); Fred Wilson: Local Color (2013); Fore (2012); Gordon Parks: A Harlem Family 1967 (2012); The Bearden Project (2011 - 12); Spiral: Perspectives on an African American Art Collective (2011); Sculpted, Etched and Cut: Metal Works from the Permanent Collection (2011); Inside the Collection: Interiors from the Studio Museum (2010); and A Delicate Touch (2009).
This unprecedented exhibition gives due recognition to the women artists and activists of color who were actively contributing to the second wave of feminism — a chapter of art history that has too often excluded people of color.
The tour will focus on the absence and history of People of Color and Women in ACT UP and AIDS activism, and speak to the representation of People of Color and women in the exhibition along with artworks represented in the exhibition that speak to each of them in remarkable ways.