Sentences with phrase «person exhibition now»

Jeffrey Vallance (’81 MFA Fine Arts) has a one - person exhibition Now more than ever.

Not exact matches

For now, I'll just say that after I exhibit my «best off» photos at Cafe Rouge starting next Monday, I'll start preparing a new cycle of photos for the new solo exhibition which I've envisioned to be a «travelling» one so that my art can reach some new destinations and people that don't live in Helsinki or New York can see these works too.

There's been a slew of exhibitions honouring that 50 year point, including the superb Queer British Art exhibition at Tate Britain, Manchester's People's History Museum's Never Going Underground, and now Gay UK: Love, Law and Liberty over at The British Library.

I came home, staged an exhibition in London which loads of people came to, and I thought, right — this is what I want to do from now on.

In his most recent exhibition Queens of the Undead at the Institute of International Visual Arts — Iniva, in London, Donkor presented four of these highly regarded heroic women: «Queen Njinga Mbandi who led her armies against the Portuguese empire in Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontations.

Recent solo and two - person exhibitions include Pommel and Six - Thirty at Jack Hanley Gallery, 8.30 at And Now in Dallas, and Music Stand at Eli Ping, New York.

It was she who asked Crimp to organize his now - legendary exhibition, which included Longo, Jack Goldstein, Sherrie Levine, Phillip Smith and Troy Brauntuch, and which few people saw.

In her latest exhibition and fourth solo show at Robert Mann Gallery, Because for Now We Still Have Poetry, multimedia artist Mary Mattingly assembles stories that strive to transform people's perceptions and reframe predominant ideologies by casting a spotlight on the lands that carry the scars of extraction from mining and chemical cultivation.

This year marks the 15th anniversary of the International Print Center New York and the 50th iteration of its New Prints exhibition program.1 For people who care about prints, IPCNY is so essential an institution that it is hard to believe it is a full generation younger than spaces such as the Drawing Center (now 38 years old) or International Center of Photography (41).

Billed as the «first exhibition to focus on the artist's portraiture», in fact a little of each of these facets of Blake's work is currently on display in Peter Blake: Portraits and People, now open at Waddington Custot Galleries in London.

«We have had an excellent start to 2018 with the spectacular success of our Terracotta Army exhibition, and we are thrilled to now launch Evans 360º as yet another way people of all ages can enjoy VMFA,» said Alex Nyerges, Director of the Virginia Museum of Fine Arts.

Recent exhibitions include: One Persons Materialism Is Another Persons Romanticism, Glasgow International (2012); Nobody Can Tell The Why Of It, 1857, Oslo, Norway (2011); Public Private Paintings, Kunstmuseum Ann Zee, Oostende (2010); Newspeak: British Art Now, Saatchi Gallery, London (2010); The Dark Monarch at Tate, St. Ives and Towner Gallery, Eastbourne (2010); and The Long Dark at Kettle's Yard, Cambridge and Hatton Gallery, Newcastle Upon Tyne, (2010); and Owl Stretching Time, Nordenhake, Berlin (2010).

Selected two - person and group exhibitions include: «New York Painting», Kunstumuseum Bonn (2015); «The Forever Now: Contemporary Painting in an Atemporal World», MoMA, New York, curated by Laura Hoptman (2014); «Outside the Lines: Painting: A Love Story», Contemporary Arts Museum, Houston (2014); «Painter Painter», Walker Art Center, Minneapolis (2013); «Matt Connors / Marc Hundley», Herald St, London (2012); «Collaborations & Interventions», Kunsthalle Andrax, Mallorca (2012).

Recent solo and two - person exhibitions include Elizabeth Jaeger at And Now, Dallas, Six - Thirty at Jack Hanley Gallery and Music Stand at Elil Ping, New York.

«Now people in the United States can go to Cuba and people from Cuba can come here, it's very important to me to have galleries such as Habana Gallery [taking part], and a solo exhibition of work by Havana - based artist Carlos Garaicoa, at the Continua Gallery booth.

A series of paintings created for a 2 - person exhibition with Greg Ito at Truesilver Gallery (now Goodnight Projects) in San Francisco's Noe Valley neighborhood.

He has been unseen in Sydney for some years now but last year he participated in the Adelaide Biennial of Australian Art and held one - person exhibitions in Brisbane, Melbourne, Wellington in New Zealand as well as in Austria and Germany.

Since then he's participated in some fantastic two - person exhibitions, such as But the sea which no one tends is also garden, with Jason Benson at the now defunct Monument 2 and Really, Something with one of my favorite San Francisco artists, Alex Heilbron at Hungryman's SF location.

Where I found my people,» he signed in an exhibition catalog for the College's collection, which is now on display in the Millard Sheets Library on campus.

Now, in an exhibition that takes its name from one of Pope.L's «Skin Set» drawings, «BLACK PEOPLE ARE THE WINDOW AND THE BREAKING OF THE WINDOW» (2004), the Studio Museum provides a focused look at current and historical expressions of protest through works of art primarily drawn from the Museum's collection.

Hilton Als was going to call the exhibition he's curated of Alice Neel's works — displayed first at David Zwirner in New York, now just opened in Victoria Miro in London — Coloured People.

But how are we to interact with this exhibition of still visuals differently in person now, as a culture immersed in the moving image of advertisements (iPhone apps, Tumblr, Instagram, etc.)?

Now, interest in the series has revived with the forthcoming launch of a book, People in Cars, and an accompanying exhibition, Good 70s at SFMOMA, starting 20 May.

The selling period has stretched on for a while now — collectors were shown PDFs and offered the works sight unseen well before the exhibition began, though they had to sign an NDA to keep the mystique of the show intact — and it appears that buying has ramped up since the show opened in mid-April, when collectors could see the work in person.

This latest exhibition marks the entry of the United States into the war in 1917 and promises to be as spectacular as the prior entries in the series, which have now been seen by more than five million people.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

Elijah Burgher is an artist and writer based in Chicago, IL. He has most recently exhibited in a solo show at Shane Campbell Gallery in Oak Park, IL and a two - person exhibition at Peregrine Program in Chicago, IL. He will exhibit work in group shows at Johalla Projects in Chicago and Envoy Enterprises in New York this summer. He maintains a hybrid studio wall / magick diary blog at http://ghostvomit.blogspot.com/. Burgher co-founded and co-edited the now - defunct art publication BAT. He has written reviews and essays for ArtUS and several small art publications in Chicago, as well as contributed writing to Art: 21's guest blog. He received an MFA from the School of the Art Institute of Chicago in 2004, and a BA from Sarah Lawrence college in 2000, where he split his credits amongst Literature, Visual Art, and Cultural Anthropology.

18 Nov 2002 Equivalence Exhibition at the Irish Museum of Modern Art An exhibition based on the results of two different residencies by the artist Terry O'Farrell — one a long - term project with older people; the other a short - term residency with young children — is now open to the public at the Irish Museum of Modern Art. 11 Nov 2002 IMMA Announces Appointment of New Director The Chairperson and Board of the Irish Museum of Modern Art today (Monday 11 November 2002) announced the appointment of Enrique Juncosa, currently Deputy Director of the prestigious Reina Sofía National Museum of Modern Art (MNCARS) in Madrid, as the new DirectoExhibition at the Irish Museum of Modern Art An exhibition based on the results of two different residencies by the artist Terry O'Farrell — one a long - term project with older people; the other a short - term residency with young children — is now open to the public at the Irish Museum of Modern Art. 11 Nov 2002 IMMA Announces Appointment of New Director The Chairperson and Board of the Irish Museum of Modern Art today (Monday 11 November 2002) announced the appointment of Enrique Juncosa, currently Deputy Director of the prestigious Reina Sofía National Museum of Modern Art (MNCARS) in Madrid, as the new Directoexhibition based on the results of two different residencies by the artist Terry O'Farrell — one a long - term project with older people; the other a short - term residency with young children — is now open to the public at the Irish Museum of Modern Art. 11 Nov 2002 IMMA Announces Appointment of New Director The Chairperson and Board of the Irish Museum of Modern Art today (Monday 11 November 2002) announced the appointment of Enrique Juncosa, currently Deputy Director of the prestigious Reina Sofía National Museum of Modern Art (MNCARS) in Madrid, as the new Director of IMMA.

The ingenious, daring, bizarre, and absolutely exquisite designs by Rei Kawakubo, the designer behind Comme des Garcon and the mastermind of Dover Street Market is now the second living person to be given an exhibition at the Metropolitan Museum of Art.

Wearing finished her studies at Goldsmiths» College in 1990, and hair first one - person exhibition at the London artist - run space City Racing in 1993 — titled «I'm Desperate» after a message held up by a young executive in her now famous series of photographs.

, Irish Times, October 23 Louise Jury, «Now they're REALLY taking the p ***: urinating model is shortlisted for Turner Prize», London Evening Standard, October 22 Aidan Dunne, «Derry courts controvery as Turner Prize opens offshore for first time», Irish Times, October 22 «Turner Prize exhibition due to open in Londonderrry», BBC news, October 22 «Turner Prize Exhibition Unveiled In Derry For City of Culture 2013», Artlyst.com, October 22 Ashoke Nag, «Christie's London evening auctions of post-war classics and Italian sales raises 54,586,900 euros», The Economic Times, October 22 Ashoke Nag, «Collectors from around the world gathers at Sotheby's Frieze Week sale in London», The Economic Times, October 18 Anny Shaw, «The Kids are alright», The Art Newspaper, October 18 Mary M. Lane, «Christie's Sells View of a Space Station for $ 3.8 Million», The Wall Street Journal, October 18 «The ArtLyst Power 100: 2013 Alternative Art Power List Unveiled», Artlyst.com, October 16 «Chistie's Art Cornucopia: Auction Houses as Exhibition Spaces», Huffington Post, October 13 Colin Gleadell, «London auctions capitalise on Frieze week», The Telegraph, October 8 «The Power 1000 — London's most influential people 2013: Imagineers, Artists and Curators», London Evening Standard, September 19 «Slideshow: See Massimiliano Gioni's Encyclopaedic Palace in 20 Key Works», Blouin Artinfo, August 1 «John Moores Painting Prize 2013 new open for entries», a-n, July 25 «Lynette Yiadom - Boakye», ART post blog, July 16 «Tate Patrons Report 2012 - 2013», Tate, London, pp. 16 - 17 James Hilton, «Who is Lynette Yiadom - Boakexhibition due to open in Londonderrry», BBC news, October 22 «Turner Prize Exhibition Unveiled In Derry For City of Culture 2013», Artlyst.com, October 22 Ashoke Nag, «Christie's London evening auctions of post-war classics and Italian sales raises 54,586,900 euros», The Economic Times, October 22 Ashoke Nag, «Collectors from around the world gathers at Sotheby's Frieze Week sale in London», The Economic Times, October 18 Anny Shaw, «The Kids are alright», The Art Newspaper, October 18 Mary M. Lane, «Christie's Sells View of a Space Station for $ 3.8 Million», The Wall Street Journal, October 18 «The ArtLyst Power 100: 2013 Alternative Art Power List Unveiled», Artlyst.com, October 16 «Chistie's Art Cornucopia: Auction Houses as Exhibition Spaces», Huffington Post, October 13 Colin Gleadell, «London auctions capitalise on Frieze week», The Telegraph, October 8 «The Power 1000 — London's most influential people 2013: Imagineers, Artists and Curators», London Evening Standard, September 19 «Slideshow: See Massimiliano Gioni's Encyclopaedic Palace in 20 Key Works», Blouin Artinfo, August 1 «John Moores Painting Prize 2013 new open for entries», a-n, July 25 «Lynette Yiadom - Boakye», ART post blog, July 16 «Tate Patrons Report 2012 - 2013», Tate, London, pp. 16 - 17 James Hilton, «Who is Lynette Yiadom - BoakExhibition Unveiled In Derry For City of Culture 2013», Artlyst.com, October 22 Ashoke Nag, «Christie's London evening auctions of post-war classics and Italian sales raises 54,586,900 euros», The Economic Times, October 22 Ashoke Nag, «Collectors from around the world gathers at Sotheby's Frieze Week sale in London», The Economic Times, October 18 Anny Shaw, «The Kids are alright», The Art Newspaper, October 18 Mary M. Lane, «Christie's Sells View of a Space Station for $ 3.8 Million», The Wall Street Journal, October 18 «The ArtLyst Power 100: 2013 Alternative Art Power List Unveiled», Artlyst.com, October 16 «Chistie's Art Cornucopia: Auction Houses as Exhibition Spaces», Huffington Post, October 13 Colin Gleadell, «London auctions capitalise on Frieze week», The Telegraph, October 8 «The Power 1000 — London's most influential people 2013: Imagineers, Artists and Curators», London Evening Standard, September 19 «Slideshow: See Massimiliano Gioni's Encyclopaedic Palace in 20 Key Works», Blouin Artinfo, August 1 «John Moores Painting Prize 2013 new open for entries», a-n, July 25 «Lynette Yiadom - Boakye», ART post blog, July 16 «Tate Patrons Report 2012 - 2013», Tate, London, pp. 16 - 17 James Hilton, «Who is Lynette Yiadom - BoakExhibition Spaces», Huffington Post, October 13 Colin Gleadell, «London auctions capitalise on Frieze week», The Telegraph, October 8 «The Power 1000 — London's most influential people 2013: Imagineers, Artists and Curators», London Evening Standard, September 19 «Slideshow: See Massimiliano Gioni's Encyclopaedic Palace in 20 Key Works», Blouin Artinfo, August 1 «John Moores Painting Prize 2013 new open for entries», a-n, July 25 «Lynette Yiadom - Boakye», ART post blog, July 16 «Tate Patrons Report 2012 - 2013», Tate, London, pp. 16 - 17 James Hilton, «Who is Lynette Yiadom - Boakye?»

With the support of an experienced team of curators, advisors and SITE's Board of Directors, Hofmann continues SITE's legacy of presenting first one - person museum exhibitions of numerous emerging and now internationally recognized artists in addition to significant group exhibitions, while garnering SITE an expanded profile among its national and international peer institutions as well as in its own community.

Book now for Guardian members» events: a private view of the Robots exhibition at the Science Museum in London, a private view of Never Going Underground: The Fight for LGBT + Rights at the People's History Museum in Manchester, and a private view of the Deutsche Börse Photography Foundation prize at the Photographers» Gallery in London.

In her latest exhibition and fourth solo show at Robert Mann Gallery, Because for Now We Still Have Poetry, multimedia artist Mary Mattingly assembles stories that strive to transform people's per...

My first solo exhibition was at Wollongong Regional Art Gallery (now called the Wollongong City Gallery) and it was entitled, «The 26 Cent Exhibition, «for people were required to pay 26 cents to enter, while each work costs a total of 26 cents exhibition was at Wollongong Regional Art Gallery (now called the Wollongong City Gallery) and it was entitled, «The 26 Cent Exhibition, «for people were required to pay 26 cents to enter, while each work costs a total of 26 cents Exhibition, «for people were required to pay 26 cents to enter, while each work costs a total of 26 cents to create.

Her exhibitions include Blue - Sky Thinking at Spring / Break NYC, Standard Deviations at Grin Providence, Be Here Now at Atlanta Contemporary Art Center, Jupe bleue, une blonde, des calculatrices et un nu couché at Parisian Laundry, Montreal, and Other People's Things at Cohen Gallery, Brown University.

Front Gallery: Art Now Mercer Union is pleased to present a new two - person exhibition featuring work by Thérèse Mastroiacovo (Montreal) and Corinne Carlson (Toronto).

Photograph of people in the exhibition «Now / Then / Again,» January 15 - July 2, 1989, held at the Dallas Museum of Art.

Selected exhibitions include NOW, a two - person exhibition with Neill Wright, Sulger - Buel Lovell, London (2017) and Yesterday is tomorrow's memory: a group show of work from North Africa, Elmarsa, Dubai (2016).

Leduc's work has been featured in solo and group exhibitions in venues in New York City and surrounding areas, most recently by Project 59 in Brooklyn, and in a two - person, multi-media exhibition entitled «I Like You Better Now» in Buffalo, NY.

Exhibition view People before clouds, group show curated by Gabriel Stoian, courtesy of NEW NOW art space and the artist

Ji's work has been shown extensively, most recently with Surroundings, a two - person exhibition with Susanna Heller at the Grand Rapids Art Museum, a solo exhibition Migrants, Ghosts, and the Dam at the University Museum of Contemporary Art in Amherst, Massachusetts (2015); and group exhibitions with Unscrolled: Reframing Tradition in Chinese Contemporary Art at the Vancouver Art Gallery (2014 — 15); Prospect.3: Notes for Now in New Orleans (2014 — 15), and at the Twentieth Anniversary Exhibition at Pierogi in Brooklexhibition with Susanna Heller at the Grand Rapids Art Museum, a solo exhibition Migrants, Ghosts, and the Dam at the University Museum of Contemporary Art in Amherst, Massachusetts (2015); and group exhibitions with Unscrolled: Reframing Tradition in Chinese Contemporary Art at the Vancouver Art Gallery (2014 — 15); Prospect.3: Notes for Now in New Orleans (2014 — 15), and at the Twentieth Anniversary Exhibition at Pierogi in Brooklexhibition Migrants, Ghosts, and the Dam at the University Museum of Contemporary Art in Amherst, Massachusetts (2015); and group exhibitions with Unscrolled: Reframing Tradition in Chinese Contemporary Art at the Vancouver Art Gallery (2014 — 15); Prospect.3: Notes for Now in New Orleans (2014 — 15), and at the Twentieth Anniversary Exhibition at Pierogi in BrooklExhibition at Pierogi in Brooklyn (2014).

The first one - person exhibition of the artist's work in New York, it includes twenty - five paintings, drawings, and objects from the years Rocca showed with the Hairy Who, a group of six Chicago - based artists who organized five now - legendary exhibitions between 1966 and 1969.

His upcoming exhibition People, now that we're alone will run June 18 - 21 at Kate Werble Gallery in Soho, with performances at 8 p.m. nightly.

Radical Figurative Art from Sickert to Bevan, James Hyman Fine Art, London, England 2002 Five Painters, Kilkenny Arts Festival, Kilkenny, England 2000 Painting, I Love, Michael Hue - Williams Fine Art, London Look Out: Art, Society, Politics, Wolverhampton Art Gallery, Wolverhampton, England; traveled to Bluecoat Gallery, Liverpool, England; and Wolsey Art Gallery, Ipswich, England 1999 Bacon, Bevan, Guston and Baselitz, Michael Hue - Williams Fine Art, London The School of London: From Bacon to Bevan, Musee Maillol, Paris; traveled to Auditorio de Galicia, de Santa Maria Compostela, Spain; and Kunsthaus Wien, Austria 1998 Last Dreams of the Millennium — The Reemergence of British Romantic Painting, Stephen Solovy Art Foundation; traveled to California State University; Tyler Museum of Art, Tyler TX; Manoa Art Gallery, University of Hawaii, Honolulu 1996 Masculine Measure, Michael Kohler Arts Centre, Sheboygan, Wisconsin 1995 Inside Out, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut; traveled to Galeria Arialdo Ceribelli, Bergamo, Italy 1994 Here and Now: Painting since 1970, Serpentine Gallery, London, England 1993 The Portrait Now, National Portrait Gallery, London, England 1992 British Figurative Painting of the 20th Century, The Israel Museum, Jerusalem, Israel 1991 Out of Limbo, Foundacion Luis Cernuda, Seville, Spain Five Painters from London, Colegio de Arquitectos, Malaga, Spain 1990 Inconsolable, Louver Gallery, New York, New YorK Picturing People: Figurative Art in Britain 1945 — 84, British Council touring exhibition: National Gallery, Kuala Lumpur; Museum of Art, Hong Kong; National Gallery, Harare, Zimbabwe 1989 Prospect 89, Schirn Kunsthalle, Frankfurt, Germany 1988 European Painting and Sculpture, L.A. Louver, Venice, CA Contemporary Portraits, Flowers East, London, England Aperto 88, XLIII Biennale di Venezia, Venice, Italy

Asmodelle's first solo exhibition was at Wollongong Regional Art Gallery (now called the Wollongong City Gallery) and it was entitled, «The 26 Cent Exhibition, «for people were required to pay 26 cents to enter, while each work cost a total of 26 cents exhibition was at Wollongong Regional Art Gallery (now called the Wollongong City Gallery) and it was entitled, «The 26 Cent Exhibition, «for people were required to pay 26 cents to enter, while each work cost a total of 26 cents Exhibition, «for people were required to pay 26 cents to enter, while each work cost a total of 26 cents to create.

Now that her third exhibition this year opened last week at New York's Lehmann Maupin gallery, Tracey Emin feels that she has earned a yearlong sabbatical, which she chose to announce, in the tradition of artists who wish to make an overt statement that doubles as an inside joke, by taking out an ad in Artforum: a photo of herself along with her four representatives, their contact information, and the message «If you need anything call one of these people» in the scrawl now so recognizable from her signature neoNow that her third exhibition this year opened last week at New York's Lehmann Maupin gallery, Tracey Emin feels that she has earned a yearlong sabbatical, which she chose to announce, in the tradition of artists who wish to make an overt statement that doubles as an inside joke, by taking out an ad in Artforum: a photo of herself along with her four representatives, their contact information, and the message «If you need anything call one of these people» in the scrawl now so recognizable from her signature neonow so recognizable from her signature neons.

Joanne Greenbaum and Gianna Commito included in the group exhibition, «Pure Paint for Now People,» at Mary Elizabeth Dee Shaw Gallery at Weber State University

Joanne Greenbaum and Gianna Commito included in the group exhibition, «Pure Paint for Now People,» at Mary Elizabeth Dee Shaw Gallery at Weber State University, Ogden, UT.

Three exhibitions currently on view in New York City — Stuart Davis: In Full Swing, Carmen Herrera: Lines of Sight, and the Hilma af Klint exhibition that is secreted within The Keeper exhibition at the New Museum — provide object lessons on the necessity of seeing «in person» artworks that in reproduction appear flat and graphic in a way that stays fixed at the level of an image with no scale so that when looking at the images most people, particularly those brought up entirely within the regime of Instagram would not see why they should see the works and, further, might not be able to see the work when in front of it because many people now see exclusively through the lens of their smart phone.