Sentences with phrase «person exhibition sculptures»

Concurrently, our 47 Wooster Street space will house the one - person exhibition Sculptures: 1973 - 74 by Vlassis Caniaris.

Not exact matches

Genomic Expressions is a new exhibition at the Wellcome Genome Campus that displays the creative efforts of the people who work across the campus, reflecting what genomics means to them — from vivid paintings and sculptures to baked goods and audio experiences.

Jong Oh will open a new large - scale, site - specific installation at deCordova Sculpture Park and Museum in the two - person exhibition «Sculpting with Air ``.

The artist conceived and re-conceived the exhibition in his Los Angeles studio, eventually presenting paintings, sculptures and video the reflect his individual voice, collapse the division between artist and ordinary people, and emphasize his belief in the social and cultural influence of art, particularly in this historic, political moment.

Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto's performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the exhibition will include works from all decades since the 60s and commission artists to create new work for 2017.

Nonas» solo and two - person exhibitions include Cross Cuts: Richard Nonas and Joel Shapiro at the Knockdown Center, Queens, NY (2014); The Raw Edge: Vière et les Moyennes Montagnes, Digne - les - Bains, France (2012); Shoots Good Not Straight, Musée d'art de Saint - Etienne, France (2010); Smoke, OMI, Ghent, NY (2009); Musée d'Art Moderne et Contemporain, Geneva, Switzerland (1998); Hip and Spine (Stone Chair Setting), Josephine F. Ford Sculpture Garden in collaboration with the Detroit Institute of Arts, MI (1997, permanent); Museum of Contemporary Art Stockade, Los Angeles, CA (1993); Lucifer Landing (Real Snake in an Imaginary Garden), Cranbrook Art Museum, Bloomfield Hills, MI (1989, permanent); Lund Museum of Art, Lund, Sweden (1988, permanent); and Viewpoints: Richard Nonas, Walker Art Center, Minneapolis, MN (1978).

In this show, the artist's first one - person exhibition in the United States since his «Possibilities» show at the P.S. 1 Museum in June 1989, FRANZ WEST will exhibit a series of new sculptures and an installation which includes a video made in collaboration with the Austrian film - maker BERNARD RIFF.

This focused exhibition includes work by Lalla Essaydi, David Goldblatt, Fathi Hassan, Fabrice Monteiro, Zwelethu Mthethwa, Zanele Muholi, and Yinka Shonibare as well as sculptures by the Yoruba People and masks by the Igbo People.

In celebration of International Sculpture Day on Sunday, April 24, 2016, Mana will open a new group exhibition of sculpture in the 5th floor gallery, Wake the Town and Tell thSculpture Day on Sunday, April 24, 2016, Mana will open a new group exhibition of sculpture in the 5th floor gallery, Wake the Town and Tell thsculpture in the 5th floor gallery, Wake the Town and Tell the People.

Her work has been the subject of one - person exhibitions at the Whitney Museum of American Art, New York (1973); the Corcoran Gallery of Art, Washington, D.C. (1974); the Baltimore Museum of Art (1974 & 1992); and the Hirshhorn Museum and Sculpture Garden, Washington, D.C. (2009).

2015 EAF15: 2015 Emerging Artist Fellowship Exhibition, Socrates Sculpture Park, Queens, NY, Curatorial Advisors Gary Carrion - Murayari and Nora Lawrence Edge Effects: Christine Howard Sandoval & Leah Raintree, King Street Gallery, Montgomery College, Silver Spring, MD (two - person exhibition) Creative Climate Awards & Exhibition 2015, The Human Impacts Institute, Taipei Cultural Offices, New York, NY Soft Eyes, Whitespace Gallery, Atlanta, GA, curated by Pete Schulte an other land, and in the other, our own, Prosjektrom Normanns, Stavanger, Norway, curated byExhibition, Socrates Sculpture Park, Queens, NY, Curatorial Advisors Gary Carrion - Murayari and Nora Lawrence Edge Effects: Christine Howard Sandoval & Leah Raintree, King Street Gallery, Montgomery College, Silver Spring, MD (two - person exhibition) Creative Climate Awards & Exhibition 2015, The Human Impacts Institute, Taipei Cultural Offices, New York, NY Soft Eyes, Whitespace Gallery, Atlanta, GA, curated by Pete Schulte an other land, and in the other, our own, Prosjektrom Normanns, Stavanger, Norway, curated byexhibition) Creative Climate Awards & Exhibition 2015, The Human Impacts Institute, Taipei Cultural Offices, New York, NY Soft Eyes, Whitespace Gallery, Atlanta, GA, curated by Pete Schulte an other land, and in the other, our own, Prosjektrom Normanns, Stavanger, Norway, curated byExhibition 2015, The Human Impacts Institute, Taipei Cultural Offices, New York, NY Soft Eyes, Whitespace Gallery, Atlanta, GA, curated by Pete Schulte an other land, and in the other, our own, Prosjektrom Normanns, Stavanger, Norway, curated by Ian Cofre

Exhibitions are usually two - person shows, although group exhibitions from painting and sculpture ateliers may also be featured as part of tExhibitions are usually two - person shows, although group exhibitions from painting and sculpture ateliers may also be featured as part of texhibitions from painting and sculpture ateliers may also be featured as part of the program.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

This is the British artist's first one - person exhibition in Los Angeles and includes thirteen sculptures made for this gallery, all shown here for the first time.

Genzken, who has often dedicated particular art works to specific people, naming sculptures after friends, artists, or people whom she admires, focuses in this exhibition on her own image, thematizing the idea of portraiture and self - portraiture, being at once the artist and the subject.

Leigh was the subject of a one - person exhibition at The Kitchen, New York, and has shown her work at the Sculpture Center, Queens, The Studio Museum in Harlem, and the Kunsthalle Wien, Vienna, among many other venues.

Truitt's one - person show at André Emmerich Gallery in 1963 was one of the first exhibitions of minimal - type sculpture; her work was included in «Black, White, and Grey» (1964) and «Primary Structures» (1966), the defining exhibitions of the minimalist tendency.

His work has been the subject of one - person exhibitions at The Contemporary Arts Museum, Houston; The Modern Art Museum of Fort Worth, TX; The Museum of Contemporary Art, North Miami; Institute for Contemporary Art at the University of Pennsylvania, Philadelphia; The Studio Museum in Harlem, New York; The University of South Florida Contemporary Art Museum, Tampa; The Savannah College of Art and Design, Savannah and Atlanta; The Weatherspoon Museum, Greensboro; Sheldon Museum of Art, Lincoln; Canzani Center Gallery, The Columbus School of Art and Design, OH; Olympic Sculpture Park at the Seattle Art Museum, WA; The Fruitmarket Gallery, Edinburgh; and Museum Boijmans Van Beuningen, Rotterdam, The Netherlands.

NORTH ADAMS, MASSACHUSETTS — An ambitious new installation combining small sculptures and large videos, Radical Small is Richmond, Virginia - based artist Elizabeth King's most expansive one - person exhibition to date.

He had his first retrospective at the Solomon R. Guggenheim Museum, New York, in 1971, followed by more than one hundred one - person exhibitions, including Dia Art Foundation (1983); «John Chamberlain: Sculpture, 1954 — 1985,» Museum of Contemporary Art, Los Angeles (1986); Staatlich Kunsthalle Baden - Baden (1991); «John Chamberlain: Sculpture,» Stedelijk Museum, Amsterdam (1996); «John Chamberlain: Foam Sculptures (1966 — 79) and Photographs (1989 - 2004),» Chinati Foundation, Marfa, Texas (2005 — 06); and «John Chamberlain: American Tableau,» Menil Collection, Houston (2009).

His first one - person show at the Whitney Studio in March 1924 ran concurrently with an exhibition he curated at the Studio Club on Cubism, Dada, and African sculpture.

Peter Coffin's Untitled (Sculpture Silhouettes) is the Public Art Fund's 21st exhibition at City Hall Park, following shows such as Richard Woods» wall and door and roof (2009) M; Robert Melee (2008 - 0); Alexander Calder in New york (2006 - 7); Julian Opie's Animals, Buildings, Cars, and People (2004 - 6); and Roy Lichtenstein at City Hall Park (2003 - 4).

There are two enormous cast aluminum sculptures suspended from the oculus whose knotted forms are informed by a spiral and whose reflections are of the spiral ramp, which in the several times I visited the exhibition was always crammed with people.

He has had 71 one - person exhibitions involving printmaking and sculpture.

This Gallery allowed for an expanded exhibition schedule and provided facilities for large - scale works and dramatic installations, such as Peter Halley's explosive hanging of paintings and wallpaper, Marc Quinn's complete series of carved marble statues of persons with missing limbs, monumental sculpture by James Lee Byars, and, most importantly, a four - channel DVD installation by Barbara Kruger.

For his debut at Blaffer Art Museum, the artist's first solo museum exhibition, Coolquitt will recombine 60 discrete sculptures and tableaux made between 2006 and 2011 into a site - specific installation which, in its singularity and temporariness, reflects on the condition of the gallery space as a codified place of encounter for people and works of art.

Future People, a solo exhibition by Derrick Adams, is a multifaceted experience combining large scale two dimensional works on paper mimicking spaceship windows with galactic scenes, a video projection animating the objects included in the collages, sculpture installation referencing a space station control center, with an added live DJ set component featured opening night and...

Throughout her career, Linda Ridgway's sculptures, drawings and prints have been featured in more than twenty - five one - person exhibitions.

Their most recent projects include a two - person exhibition and presentation of photographs, sculpture and video from the Sealander series at The J Paul Getty Museum, Los Angeles, California Feb - July 2017.

His work has been included in one - person and group exhibitions in several galleries including the University of the Arts, Philadelphia; Antenna Gallery in New Orleans; Smack Mellon Gallery, Jamaica Arts Center, Socrates Sculpture Park, The Studio Museum in Harlem, and the Neuberger Museum of Art, all in New York.

On display are Magdalena Abakanowicz» Hurma, an epic figurative environment by the Polish sculptor; Isaac Julien's Western Union: Small Boats, a video installation on migration and the hope for a better life; George Osodi's Oil Rich Niger Delta, a photographic essay on the people of Nigeria; and Photography and Sculpture: A Correlated Exhibition (new and vintage photography linked to contemporary scSculpture: A Correlated Exhibition (new and vintage photography linked to contemporary sculpturesculpture).

Maya Hayuk's work has been the subject of one person exhibitions and commissions at venues including The Bowery Wall, NY, The Hammer Museum, LA, The Museum Of Contemporary Canadian Art, Toronto, Canada, Bonnefanten Museum, Maastricht, The Netherlands; Socrates Sculpture Park, Queens, New York; Musee E.A.V., Rio De Janiero, Brazil; Matucana Artspace, Santiago, Chile; Democratic National Convention, Denver, Colorado; and Monster Island, Brooklyn, New York.

The outcome of the election changed a lot of people's plans, including some of Nari Ward's for his solo exhibition «G.O.A.T., again,» opening April 29 at Socrates Sculpture Park on the waterfront in Long Island City, Queens.

Photography, sculpture and installation art are among the featured exhibits and even those people unfamiliar with Enrico David's work will be immediately struck by the variance of the exhibition.

Dirty was a two - person exhibition of new works by Paul Nudd and Casey Ann Wasniewski that examined the uncanny similarities between geology and biology through paintings and sculptures.

INDUCTION is a two - person exhibition that features new paintings, videos, and glass sculpture by New York based artist Tauba Auerbach (1981, San Francisco, CA) alongside an early sound installation by Paris - based composer Éliane Radigue (1932, Paris, France) that explores artistic relationships and influences.

It was that spring that Rauschenberg showed his White Paintings (1951), Black paintings (1951 — 53), and Elemental Sculptures (ca. 1953) in a two - person exhibition with Twombly at the Stable Gallery, New York.12 Cage responded to these works with a chant - like poem about the White Paintings that was added to a gallery wall during the exhibition.

Pierogi intends to use the old location for one - person exhibition and Pierogi's Flat Files, while the more expansive Boiler allows Pierogi to mount larger - scale sculpture, painting, and installation exhibitions and present performances, readings and other events.

2005 «Connie Goldman / Eric Zammitt», Tangent Contemporary Art, San Francisco, CA 2004 «Three Some», Three person exhibition with Tim Nolan and Gary Symanski, Newspace Gallery, Los Angeles, CA 2003 «Merge», Curated by Jennifer Faist, Andlab, Los Angeles, CA «Gridlock», Curated by Kristina Newhouse West L.A. College, CA «Trans Fab» (Transcendental Fabrication) Domestic Setting, Venice, CA «Approaching Perfection», The Brewery Project, Los Angeles, CA 2002 Permanent installation, «Wall of Honor», donor wall Baylor College of Medicine, Houston, TX «Kaleidoscope», Raid Projects, Los Angeles, CA Venice Art Walk Silent Auction, Venice, CA Korea International Art Fair, Pusan, Korea Represented by Sabina Lee Gallery, Los Angeles, CA 2001 Venice Art Walk Silent Auction, California Sculpture Garden, Curator: Noel Korten, Venice, CA 1997 «Skin and Bone», L.A. Municipal Art Gallery, Barnsdall Art Park, Curator: Noel Korten, Los Angeles, CA 1996 «New Structuralists», Susan Street Fine Art, Solana Beach, CA «On and Off the Wall», Riverside Art Museum, Riverside, CA «Structuralism», Boritzer / Gray / Hamano Gallery, Santa Monica, CA «Norman Zammitt and Eric Zammitt», M. Anthony Gallery Sierra Madre, CA «Eric Zammitt / Constance Kocs», Brand Gallery, Santa Ana, CA

The new space will open on 16th April with a two - person exhibition of collage and sculpture by Tom Burr and Linder.

2012 LA Raw: Abject Expressionism in Los Angeles, 1945 - 1980: From Rico Lebrun to Paul McCarthy, Pasadena Museum of California Art, Pasadena, CA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Breaking in Two: Provocative Visions of Motherhood, Santa Monica Art Center, Santa Monica, CA Against the Grain: Wood in Contemporary Art, Craft and Design, Museum of Arts and Design, New York, NY; Mint Museum of Art, Charlotte, NC; Museum of Art in Fort Lauderdale, FL Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Regarding Warhol: Fifty Artists, Fifty Years, The Metropolitan Museum of Art New York, NY From Nothing to SOMEthing: Assemblage, Collage and Sculpture, Tobey C. Moss Gallery, Los Angeles, CA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, Philadelphia, PA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY

She has had one - person exhibitions at Museum of Fine Arts, Boston; Dallas Museum of Art; Hirshhorn Museum and Sculpture Garden, Washington, DC; Los Angeles County Museum of Art; Museum of Contemporary Art, Chicago; Walker Art Center, Minneapolis; and Tate Gallery, London; among others.

Louise Lawler has had one - person exhibitions at the Wexner Center for the Arts, Columbus, Ohio (2006); Dia: Beacon, Beacon, New York (2005); the Museum für Gegenwartskunst, Basel (2004); Portikus, Frankfurt (2003); and the Hirshhorn Museum and Sculpture Garden, Washington, D.C. (1997).

K. Imperial Fine Art is pleased to present, Harkening Dusk and Twilight, a two - person exhibition featuring redwood and graphite sculptures by Chris Sicat and vibrant oil paintings by Shingo Francis.

Surveying the extensive career of multi-talented artist Maren Hassinger, this exhibition presents sculpture, performance documentation, and videos that explore the emotional dynamics of relationships amongst different communities of people, and between them and the environments in which they live.

Monte Vista Projects is pleased to announce Cell, Share, Swivel Chair, a three - person exhibition featuring works on paper by Lynne Marinelli Ghenov and Justin Michell and sculptures by Adrian Paules.

Concurrently, September 7 — October 28, 2017, Loretta Howard Gallery, 521 West 26th Street, NY, NY, will show «Nicolas Carone: Imaginary Portraits,» an exhibition and catalog focused on haunting portrayals in painting and sculpture of people drawn from the artist's mind.

«I wonder about the condition of sculpture in the technological age,» comments DeLucia, who observes that «today we work on the computer, which is an abstract and spatially fragmented place, and 99 % of people will only see an exhibition on - line.»

McShine organized many exhibitions including one - person shows of Gene Davis, Robert Irwin, Yves Klein, and Richard Smith, in addition to Large Scale American Paintings, Recent Italian Painting and Sculpture, and Primary Structures: Younger American and British Sculptors, for which he will long be remembered.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!