Sentences with phrase «person exhibition about»

New work from Isaac Julien is featured in «Biomorphic Virtuosity,» a three - person exhibition about the present tense and multiple futures...

New work from Isaac Julien is featured in «Biomorphic Virtuosity,» a three - person exhibition about the present tense and multiple futures of the human body.

Not exact matches

That's what Meetings Mean Business is all about: showing the real power of what business meetings, conferences, conventions, incentive travel, trade shows and exhibitions collectively do for people, businesses and communities.

We spoke to Kun, who's preparing for the launch of the book of what he found and an accompanying exhibition at the Los Angeles Public Library called To Live and Dine in L.A., about what menus and food have to say about the way people live.

As palaeontologist Adrian Lister, the NHM's scientific adviser on the exhibition, explains, the aim is to get more people excited about the ice age mammals who disappeared relatively recently.

In our modern exhibitions, people can learn about evolution, biodiversity, minerals, Polar Regions, climate, and the human body.

About Site - Queensland's premier visual arts institution, the Queensland Art Gallery Gallery of Modern Art (QAGOMA), connects people and art through a dynamic program of Australian and international exhibitions that showcase works from a diverse range of historical and contemporary artists.

INTERNET RETAILER - June 10 - Observers can tell a lot about a person from their online dating profile, Sam Yagan, co-founder and CEO of OKCupid told attendees this week at the Internet Retailer 2012 Conference and Exhibition.

For the bargain price of $ 1 / person, we got a guided tour of the house, watched a 20 - minute film about Wolfe's life and wandered through an exhibition recreating the many places Wolfe lived over the course of his career.

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

«This is an exhibition about the relationships with the recurring people and places in our daily lives.

THIS FALL, NEW EXHIBITIONS featuring work by and about black people are opening in a political season like no other.

«Collaboration isn't just about two people or a group of people making a single object,» Thomas says, during a walk - through of the exhibition, suggesting that collaboration can be just as much about the process itself than about a single outcome.

The artist talks about her latest exhibition, for which she photographed ordinary people in Azerbaij...

the object is usually kept outside the UK the object is not owned by a person who is resident in the UK the import of the object does not contravene any law the object is brought into the UK for the purpose of a temporary public exhibition at an approved museum or gallery the museum or gallery has published information about the object where required to do so by Regulations.

READ Culture Talk interview with Lauren Haynes about the exhibition «Speaking of People: Ebony, Jet and Contemporary Art»

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

4) The Big Break: «When I started working on what became «Freestyle,» this exhibition of emerging artists [at the Studio Museum in Harlem],» says Thelma Golden, «I was going to L.A. and spoke to many people about artists I should see.

But this time around it was not my usual amazement that anyone alive today was naïve enough to believe the old avant - garde orthodoxy of shocking the bourgeois, the tired old line offered in support of Deitch by Aaron Rose, a curator of one of Deitch's recent exhibitions: «I feel like [Deitch] is shaking the foundation of the castle, and the people who've been living quite comfortably in that castle for the last 20 years are nervous about it.

KJM If we agree that making paintings and the compulsion to depict things is not unique, not particularly special, and you're describing some exhibitions that get made about painting, that then reduce the pictures to something like wallpaper, and if we go back to the original point I was trying to make when we started the conversation, about what people want to hear when they hear artists talk about what they do, the question persists: When you're looking at paintings, what are you looking for?

When we research artwork or other objects and we find information about you in sources such as newspaper articles, exhibition catalogues, public auction results, or one of our contacts gives us feedback in relation to objects or persons they have been told about.

His exhibition title came about during his stay at the Rauschenberg Residency in Florida (2017) where he found a path that had naturally emerged though the process of people repeatedly walking through a forest.

This year marks the 15th anniversary of the International Print Center New York and the 50th iteration of its New Prints exhibition program.1 For people who care about prints, IPCNY is so essential an institution that it is hard to believe it is a full generation younger than spaces such as the Drawing Center (now 38 years old) or International Center of Photography (41).

Zwirner's exhibition schedule is about two years ahead, and within time some of the ideas I have for historical or one - person shows should have the opportunity to get implemented.

If Barkley had flown slightly under the radar before Barkley L. Hendricks: Birth of the Cool, the unprecedented exhibition helped tell the whole world about his masterful life - size portraits of people of color.

Like most people, I had been using Yelp mainly to find out about restaurants, but in January 2012, when I was searching for information on Ai Weiwei's exhibition of millions of porcelain sunflower seeds at Mary Boone Gallery, the top result on Google was a four - star review on Yelp, by Lisa Jane C. «During my visit, many people were mesmerized by the seeds, which are beautiful,» she wrote.

Organized by Scott Rothkopf, the museum's deputy director of programs and chief curator, and Jessica Man, a curatorial assistant, the show is accompanied by a catalog of more than 650 pages, which includes a memoir by the artist's mother, Carol Hendrickson, a public health nurse, who lives with her second husband next door to Owens and her family; testimonies about how wonderful Owens is as a person and a painter from a bevy of artists, curators, dealers, and studio assistants; price lists from early exhibitions; essays, including one about Elizabeth Murray by Francine Prose; statements by influential people who were among the first wave to recognize her importance.

«The installation is the best part — you've been talking about the work for so long, and you're finally seeing it in person,» said Mr. Schoonmaker, the sneaker - clad artistic director of the exhibition, titled «Prospect.4: The Lotus in Spite of the Swamp,» on view through Feb. 25.

«What's fascinating about Rafman's work is the way he uses the very familiar visual language of the internet, social media, and computer games to create immersive narratives that reveal the anxieties and desires of contemporary life,» says Maitreyi Maheshwari, program director at Zabludowicz Collection and curator of the exhibition, which also offered up a waterbed, ball pit, massage chair, and filing cabinets streaming video games in first - person shooter.

Author Joobin Bekhrad talks with Faisal about her most recent solo exhibition, Nass [People], color, and being a woman photographer in «a man's world.»

From loneliness to collaboration, I ended up re-reading Cassavetes on Cassavetes (2001), a printed essay that was brought to my attention while curating a group exhibition, which, at its core, prompted the artists to question or evaluate their collaborative impulses.8 In the text, the director John Cassavetes writes plainly about how he works with actors: «I just think that you give somebody something they can do, and allow them to be a person.»

Photographs That Hurt So Good — Artspace artist Jason Lazarus talks with Artinfo's Julia Halperin about his latest exhibition at MCA Chicago and his ongoing project, «THTK (2010 — Present),» where he collects painful pictures people can't bear to part with.

Seeing as how I visited in a throng of a few hundred people, I can only talk about the few individual works I saw, not the exhibition as a whole.

In addition to the exhibition, the UAG will also present multiple programming events to include: «Q&A with the Artist: A Conversation with Wendy Red Star and Michelle Lanteri» on January 25, 2018, in the NMSU HSS Auditorium 101 at 6:00 pm; a screening of Rumble: The Indians Who Rocked the World, a feature documentary about Native American peoples» contributions to rock «n» roll history, on February 15, 2018, in the NMSU CMI Theatre at 5:30 pm; and «Considering Contemporary Art,» a panel featuring Julie Sasse, Chief Curator of Modern, Contemporary, and Latin American Art, Tucson Museum of Art; Nadiah Rivera Fellah, Guest Curator, Newark Museum and Art History PhD Candidate, CUNY Graduate Center; and Michelle J. Lanteri on March 8, 2018, in the University Art Gallery at 5:30 pm.

Cuchifritos Gallery + Project Space is thrilled to present on the subversion of opacity [About Practice # 3], a two - person exhibition of recent work by Arianna Carossa and Beatrice Glow, curated by Alessandro Facente.

The exhibition is being staged simultaneously at seven museums across the United States and provides a space for people to gather, watch coverage of, and talk about the presidential election.

«People will make their own links,» said the artist Cornelia Parker about a new exhibition she has curated, choosing 70 works from the Government Art Collection (GAC).

«I hope this exhibition will inspire people to educate themselves about this difficult situation.»

In putting together a large, non-thematic group exhibition it emerged that the most authentic method would be to structure a show around my ongoing day to day process of talking about what people are looking at with collectors, artists, curators, writers, and gallery staff.

Seth, I remember we talked about that once: you said you were not against exhibition spaces, although you have become known as the person who, in 1968, made a catalogue as an exhibition with Xerox Book as well as Douglas Heubler's exhibition as a book

Last Year at Marienbad redux is an exhibition, public program and publication that explores the way fact and fiction merge to form accepted knowledge about people, places, events and politics.

It was that spring that Rauschenberg showed his White Paintings (1951), Black paintings (1951 — 53), and Elemental Sculptures (ca. 1953) in a two - person exhibition with Twombly at the Stable Gallery, New York.12 Cage responded to these works with a chant - like poem about the White Paintings that was added to a gallery wall during the exhibition.

The LOEWE exhibition, «Lucia Moholy, A Hundred Years Later», invites the public to learn about the people in the portraits.

People are walking through the exhibition and they're really taking their time to look at the artwork, and they have great interest and knowledge about it.

But what I enjoy about exhibitions that group artists through media is that the ideas of each artist stand out, each brings their own intentionality, and it's so interesting to see how many different people are doing completely different things with the same media.

The exhibition is all about the clash between empiricists and people who depend on their instincts.

Schimmel has organized major one - person retrospectives for artists Chris Burden, Willem De Kooning, Takashi Murakami, Laura Owens, Sigmar Polke, Charles Ray, and Robert Rauschenberg, and significant thematic exhibitions such as The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938 - 1948 (1987), The Figurative Fifties: New York Figurative Expressionism (1988), Hand - Painted Pop: American Art in Transition 1955 — 62 (1992), Helter Skelter: LA Art in the 1990s (1992), Out of Actions: Between Performance and the Object, 1949 - 1979 (1999), Ecstasy: In and About Altered States (2006), and Collection: MOCA's First 30 Years (2010).

«I wonder about the condition of sculpture in the technological age,» comments DeLucia, who observes that «today we work on the computer, which is an abstract and spatially fragmented place, and 99 % of people will only see an exhibition on - line.»

Although the two had been talking about doing the show together for the past year or so (the two - person show format is a signature of Safe's programming), it wasn't until Safe's founder, Pali Kashi, set an actual date for the exhibition that a real flurry of work started in earnest.

The texts serve multiple purposes, of which the most important two are: a: provoke people to come see the show, write about it, buy the work, etc. and, b: help people understand what the exhibition is «about».