Sentences with phrase «person exhibition curated»

Pose and Revok POSE and REVOK Uphill Both Ways Gallery I Two - Person Exhibition curated by Roger Gastman Jun 29 — Jul 27, 2013 http://jonathanlevinegallery.com/?method=Exhibit.Upcoming

Notable American Women, a three - person exhibition curated by Victoria Haynes inlcuding works by Wayne Gonzales, Victoria Haynes, and Chris Verene, uses Miller's unrealized 1946 exhibition plan as a model.

Earlier this year she exhibited at Texas State University, and upcoming shows include a four - person exhibition curated by David Freeman at the Brownsville Museum of Art with Riley Robinson, Jesse Amado, and Chris Sauter, opening Nov. 11, and a solo endeavor at Testsite in Austin early next year.

Abelow's solo exhibition, Freddy, is currently on view at the gallery (55 Delancey Street) and below the gallery at Allen & Eldridge is a three person exhibition curated by Abelow featuring work by Brent Holland Baker, Jashin Friedrich, and Rose Wylie.

Selected artists will participate in a 3 - person exhibition curated by the group's assigned Curator Resident.

Yeah, there was a three - person exhibition I curated that included Cheryl Donegan and Tom Meacham.

Not exact matches

Curated by Adrienne L. Childs, this exhibition explores images of black people in European art in the era spanning 1750 - 1914.

The artist's first U.S. solo museum exhibition, Volta Photo: Starring Sanlé Sory and the Good People of Bobo - Dioulasso in the Small but Musically Mighty African Country of Burkina Faso, is curated by Matthew S. Witkovsky and will open at the Art Institute of Chicago on April 27, 2018, with an accompanying catalog by Steidl Verlag.

Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY

Steel: Color, Form, Concept Main Gallery Nancy Frankel and Sam Noto Curated by Claudia Rousseau Two - person Exhibition On View: May 23 — June 16, 2012

He has curated exhibitions such as «Into the Open,» the US representation at the Venice Biennale for Architecture; the «Perpetual Peace Project» at the International Peace Institute at the United Nations; «Mixplace Studio» with People's Emergency Center.

As curator of the El Paso Museum of Art in El Paso, Texas he has curated one - person exhibitions, authored artist essays for the Encyclopedia of Twentieth Century Photography, as well as numerous other publications for the El Paso Museum of Art.

Ye Funa's work has been the subject of solo exhibitions including, Curated Nail Residency, MoCA Pavilion, Museum of Contemporary Art, Shanghai, China (2015); People's Congress via their Nails - Exhibitionist's Curated Nails, Art Museum of Nanjing university of the Arts, Nanjing, China; Zha Golden Flowers — News from Nowhere, V Art Center, Shanghai, China (2014); and Ye Funa, Galerie Pièce Unique, Paris, France (2014).

an exhibition curated by Nick Tremley, originating at Pace London, focusing on works done in the spirit of Mingei, or «people's art,» folk art, a Japanese philosophical and aesthetic movement conceptualized in the 1920s by Japanese theorist Sōetsu Yanagi.

7 - 10 pm Opening: Closer at Spinello Gallery A visual study of the interaction between two people, multidisciplinary artists Antonia Wright and Ruben Millares present Drinks On Me, part of group exhibition, CLOSER — curated by Anthony Spinello at Spinello Projects.

2015 EAF15: 2015 Emerging Artist Fellowship Exhibition, Socrates Sculpture Park, Queens, NY, Curatorial Advisors Gary Carrion - Murayari and Nora Lawrence Edge Effects: Christine Howard Sandoval & Leah Raintree, King Street Gallery, Montgomery College, Silver Spring, MD (two - person exhibition) Creative Climate Awards & Exhibition 2015, The Human Impacts Institute, Taipei Cultural Offices, New York, NY Soft Eyes, Whitespace Gallery, Atlanta, GA, curated by Pete Schulte an other land, and in the other, our own, Prosjektrom Normanns, Stavanger, Norway, curated byExhibition, Socrates Sculpture Park, Queens, NY, Curatorial Advisors Gary Carrion - Murayari and Nora Lawrence Edge Effects: Christine Howard Sandoval & Leah Raintree, King Street Gallery, Montgomery College, Silver Spring, MD (two - person exhibition) Creative Climate Awards & Exhibition 2015, The Human Impacts Institute, Taipei Cultural Offices, New York, NY Soft Eyes, Whitespace Gallery, Atlanta, GA, curated by Pete Schulte an other land, and in the other, our own, Prosjektrom Normanns, Stavanger, Norway, curated byexhibition) Creative Climate Awards & Exhibition 2015, The Human Impacts Institute, Taipei Cultural Offices, New York, NY Soft Eyes, Whitespace Gallery, Atlanta, GA, curated by Pete Schulte an other land, and in the other, our own, Prosjektrom Normanns, Stavanger, Norway, curated byExhibition 2015, The Human Impacts Institute, Taipei Cultural Offices, New York, NY Soft Eyes, Whitespace Gallery, Atlanta, GA, curated by Pete Schulte an other land, and in the other, our own, Prosjektrom Normanns, Stavanger, Norway, curated by Ian Cofre

JG Matthew, when you curate exhibitions that mingle work by marginalized or developmentally disadvantaged people with that of other contemporary artists, surely there is a special ethical responsibility to protect their interests?

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

And I realized pretty quickly that in my new role as a director - slash - fundraiser - slash - janitor of Participant, when curating solo exhibitions, most people don't even really see the curator, if you're doing a good job.

Inclusion in museum exhibitions include a forthcoming two person show at the Philadelphia Photo Center, curated by Nathaniel Stein, as well as group shows at the Brooklyn Museum of Art, the Nasher Museum of Art, the Seattle Museum of Art, the Studio Museum and the Nerman Museum of Contemporary Art, among others.

American People, Black Light: Faith Ringgold's Paintings of the 1960s was curated by Miami Art Museum Director Thom Collins and Neuberger Museum of Art Curator and Purchase College Associate Professor of Art History Tracy Fitzpatrick with students from the Purchase College, SUNY, spring 2010 Art History Exhibition Seminar.

Curated by Veronique Wiesinger, the exhibition captures Giacometti's dynamic, energized relationship with his adopted city and the people who inhabited his life there.

The gallery has organized and curated exhibitions that have become seminal in the Nordic context, successfully launching the careers of Scandinavian artists such as Annika Larsson, Matts Leiderstam and Annika von Hausswolff and giving artists such as Uta Barth, Siobhán Hapaska, Nandipha Mntambo and Xavier Veilhan their first European or Scandinavian one - person exhibition.

Whitney Museum of American Art, New York, NY, Television Delivers People Gagosian Gallery, New York, NY, Fit to Print ARC / Musee de le Ville de Paris, Paris, France, Playback Threewalls, five day exhibition, curated by Electronic Arts Intermix, Chicago, IL Gagosian Gallery, New York, NY, Beneath the Underdog

If readers are up near Union College in Schenectady, NY, please check out «blueprint,» a three person exhibition in The Atrium Gallery curated by Brece Honeycutt, artist and writer of the terrific blog on a colonial farm.

It basically let me curate solo exhibitions in the space, so people don't just see one piece by an artist here and there in a mishmash, but can see a solo exhibit of Jon Rafman, a solo exhibit of Chris Hood, a solo exhibit of Charlie Billingham, a solo exhibit of Oscar Murillo.

His first one - person show at the Whitney Studio in March 1924 ran concurrently with an exhibition he curated at the Studio Club on Cubism, Dada, and African sculpture.

Proxy hosts 12 group or one - person exhibitions a year, curated by a roster of guest curators.

Tate Modern is the most visited contemporary art gallery in the world, with almost 4.9 million people passing through its doors in 2013, and had its most popular ever exhibition — Henri Matisse: The Cut - outs, curated by Serota — this year.

He will participate in a two - person exhibition at Las Cienegas Projects in Los Angeles next spring and is currently in the process of curating a group exhibition entitled, «8/29/70» for the Vincent Price Art Museum at East Los Angeles College that will open in the fall of 2011.

David Shrigley has participated in numerous exhibitions including The Fantastic Recurrence of Certain Situations: Recent British Art and Photography at Consejéria de Cultura in Madrid (2001), The British Art Show 5 (2000), Common People, British Art between Phenomenon and Reality curated by Francesco Bonami at Fondazione Sandretto re Rebaudengo per L'arte, Torino, Italy (1999) and Waste Management at Art Gallery of Ontario, Canada (1999).

In 2008, Strassfield curated the Guild Hall exhibition, «Inspired by the Light: East End Landscapes,» a three - person show featuring the work of Jane Wilson, Jane Freilicher and April Gornik.

I curated a three - person exhibition of her landscapes and works by Jane Wilson and April Gornik several years ago that was so well received by the public and the critics.

Future exhibitions include a one person exhibition at Breeder Projects Athens and a curated project for Camden Arts Centre, London.

During his tenure, he curated award winning exhibitions such as Ryan McGinness: Studio Visit (2014); Xu Bing: Tobacco Project (2011); Sally Mann: The Flesh and The Spirit (2010); Chuck Close: People Who Matter to Me (2010); Artificial Light (2006), which appeared at VCU Anderson Gallery and MOCA at Goldman Warehouse in Miami; Robert Lazzarini (2003), recognized by the International Association of Art Critics as one of year's best exhibitions; Outer and Inner Space: A Video Exhibition in Three Parts (2002), recipient of an Emily Hall Tremaine Exhibition Award; and Vanitas: Meditations on Life and Death in Contemporary Art (2000).

Exhibitions in 2015 include a four - person show at the Irish Museum of Modern Art called El Lissitzky: the Artist and the State; Sarah Pierce: Pathos of Distance, a collaborative research based exhibition with the ESB CSIA at the National Gallery of Ireland; and a presentation of new work for Positions # 2, curated by Annie Fletcher at the Van Abbemuseum in Eindhoven.

Open call: «We are the leaders we have been waiting for» An exhibition protesting violence against young people Deadline: 5 pm GMT, Friday 11th May 2018 Application fee: no application fee Gnome House, an arts centre in London, is curating an...

The ADAA Art Show 2015 will feature seventy two leading art dealers, including six first - time exhibitors, who will present a range of thoughtfully curated solo, two - person and thematic exhibitions in their location at the historic Park Avenue Armory.

Gnome House, an arts centre in London, is curating an exhibition protesting violence against young people.

The exhibition, which is curated by Betty Nguyen, Creative Director of First Person Magazine, brings together three Los Angeles - based artists in an examination of artistic process and its relation to utility, both in object and image.

Selected two - person and group exhibitions include: «New York Painting», Kunstumuseum Bonn (2015); «The Forever Now: Contemporary Painting in an Atemporal World», MoMA, New York, curated by Laura Hoptman (2014); «Outside the Lines: Painting: A Love Story», Contemporary Arts Museum, Houston (2014); «Painter Painter», Walker Art Center, Minneapolis (2013); «Matt Connors / Marc Hundley», Herald St, London (2012); «Collaborations & Interventions», Kunsthalle Andrax, Mallorca (2012).

«The Baker, the Surfer, the Warden and a Rambler» is his solo debut and in January 2016 he has a two person exhibition with Kaspar Muller at Westminster Waste (London) curated by Jonathan Watts.

Person of the Crowd: The Contemporary Art of Flânerie is curated by Thom Collins, executive director and president of the Barnes Foundation in collaboration with Dr. Martha Lucy, deputy director for education & public programs and curator, as well as exhibition guest curator Judith Tannenbaum, who will collaborate on the performance series and billboard installations.

From loneliness to collaboration, I ended up re-reading Cassavetes on Cassavetes (2001), a printed essay that was brought to my attention while curating a group exhibition, which, at its core, prompted the artists to question or evaluate their collaborative impulses.8 In the text, the director John Cassavetes writes plainly about how he works with actors: «I just think that you give somebody something they can do, and allow them to be a person.»

Gallery presentations feature thoughtfully curated solo, two - person, and thematic exhibitions by 72 leading art dealers.

There will also be a section called Collections curated by Sir Norman Rosenthal, the former exhibitions director of the Royal Academy, which shines a light on the collecting passions of various people in the art business.

The exhibition is one of several fantastic shows curated by Alex Baker this year — including Cryptopictos, Painters Sculpting / Sculptors Painting, and Person, Place or... read more... «Philadelphia conversation: Lovitz, Hoffmann, Granwell at Fleisher / Ollman»

Recent exhibitions include: As We Were Saying: Art and Identity in the Age of «Post,» curated by Claire Barliant, The Elizabeth Foundation, New York (2014); Michael Wang: Global Tone, Foxy Production (2013); Liquid Autist, curated by Daniel Keller, Kraupa - Tuskany Zeidler, Berlin (2013); Spaces for Drawing, The Hite Collection, Gangman - gu, Seoul (2013); Differentiation Series, Primetime Gallery, Brooklyn, NY (solo); Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (two - person); and Carbon Copies, Foxy Production (solo project)(all 2012).

A three - person exhibition by HATCH Projects Residents Jessica Bardsley, Victoria Bradford, Rebecca Hamlin Green Curated by HATCH Curatorial Resident Jessica Cochran

Art and Culture Center of Hollywood Multiple exhibitions: Dave Muller: Rock»n' Old Bhakti Baxter: Returning What Was Borrowed Annie Buckley: The People's Tarot yardbird records pop - up record store installation curated by Michael Dean ABMB hours: Tuesday - Friday, 10 am — 5 pm, Saturday - Sunday, Noon — 4 pm.