Sentences with phrase «person exhibition forming»

Caroline Achaintre, Sara Barker, Alice Channer is a three person exhibition forming the space of the gallery with discreet and autonomous moments of object making via careful labour.

Not exact matches

Building on the rich tradition of geometric abstraction, three one - person exhibitions take the visual language of line, form, and color in compelling directions.

Steel: Color, Form, Concept Main Gallery Nancy Frankel and Sam Noto Curated by Claudia Rousseau Two - person Exhibition On View: May 23 — June 16, 2012

Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto's performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the exhibition will include works from all decades since the 60s and commission artists to create new work for 2017.

Experimental People is a group exhibition featuring four artists exploring new forms of communication in the digital age.

From the influences of African art on the Modernist forms of artists like Picasso, to the work of contemporary artists such as Kara Walker, Ellen Gallagher and Chris Ofili, the exhibition will map out visual and cultural hybridity in modern and contemporary art that has arisen from the journeys made by people of Black African descent.

Joshua Liner Gallery is pleased to present Recollected Forms, a three - person exhibition featuring the work of contemporary artists Matthew King, Kevin Umaña, and David Ellis (cover artist, Juxtapoz, March 2007).

The works on view at the exhibition evokes conversations between abstract forms and a variety of human or animal protagonists, as locations strike up to have a conversation with the people, recognizable images chat with paint smears while looping gestures address spectators within his imageries.

Solo Exhibitions 2015 The Reclining Hippy and the Envelope - Bureau des Realites, Brussels, Belgium Stripes and Dots on the Isle of Portikus: A Story of Sound + Visuals (a small index of contemporary psych)- Portikus - Frankfurt, Germany TBA - In Light of 25 Years - Witte de With - Rotterdam, The Netherlands Solo Show - Nosbaum Reding - Luxembourg, Luxembourg Solo Show - Supportico Lopez - Berlin, Germany Two - person show (with Ute Muller)- Galleria collicaligreggi - Sicily, Italy 2014 Karl?s Body - Kunsthalle Wien Karlsplatz - Vienna, Austria The Illustrator - 1646 - The Hague, The Netherlands Foto / Studio / Zig - Zag - 21er Haus - Vienna, Austria The Tangental Zig - Zag, Kunstraum - London, England Portals (SUN MILK)- Maison Gregoire - Brussels, Belgium Dirt Not Copper - Two - person show with Lorna MacIntyre - 221a - Vancouver, Canada The Story of Stripes and Dots (Chapter 7)- Jessica Bradley Gallery - Toronto, Canada 2013 The Story of Stripes and Dots (Chapter 6)- Southern Alberta Art Gallery - Lethbridge, Canada The Story of Stripes and Dots (Chapter 5)- Fogo Island Arts - Fogo Island, Canada Letterhead - Kunsthal Charlottenborg - Copenhagen, Denmark Alphabet City - MiArt with Supportico Lopez - Milan, Italy Parrot Soup - Supportico Lopez - Berlin, Germany 2012 The Ceremony and The Spirit (with Roe Ethridge)- La Loge - Brussels, Belgium Art Statements - Art Basel - Basel, Switzerland The Story of Stripes and Dots (chapter 2)- Jessica Bradley - Toronto, Canada The Story of Stripes and Dots (chapter 1)- MuHKA - Antwerp, Belgium 2011 The Flute of Sub - The Artist's Institute - New York, USA Growth - KIOSK - Gent, Belgium The Instruments - ABC Berlin - Berlin, Germany The Five Arms of Supportico - Supportico Lopez - Berlin, Germany The Units - Ursula Blickle Stiftung - Kraichtal, Germany The Voids - Galerie Vidal Cuglietta - Brussels, Belgium 2010 The Nine Fingers of Malakoff - Pavilion Projects / Les Maison des Arts de Malakoff - Malakoff, France The Bakery of Blok (first arrangement)- Front Room - Contemporary Art Museum St Louis, St Louis, USA 2009 The Bakery of Blok and the Three Forms of Unit - Miguel Abreu Gallery - New York, USA The Bakery of Blok - Jessica Bradley - Toronto, Canada 2008 The Crystal Ship - BELvue Museum, Brussels, Belgium / Etablissement d?en Face Projects - Brussels, Belgium 2007 The Flute of Sub - Galerie Isabella Bortolozzi - Berlin, Germany Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Named the Days?

The exhibition explores the sense of place that is Fortitude Valley, Brisbane as it is evoked through the effect of people and time on the built form in that area.

** Obviously, URL documentation of IRL exhibitions as a form in itself has become a hot topic, given the changing way people engage with art on the internet.

There are two enormous cast aluminum sculptures suspended from the oculus whose knotted forms are informed by a spiral and whose reflections are of the spiral ramp, which in the several times I visited the exhibition was always crammed with people.

Its purpose is to engage with forms of exhibition - making by experimenting with organisational relations between people, things and situations.

Similar to peasants» revolts of the past, young people organised themselves, formed their own independent art groups and put on exhibitions.

Public exhibitions are my favorite form of art because so many people get to see them.»

The first major retrospective of Greenfield's work, the exhibition features nearly 200 photographs, numerous first - person interviews, and documentary film footage, forming a thematic investigation of how the pursuit of wealth, and its material trappings and elusive promises of happiness, has evolved since the late 1990s.

Joshua Liner Gallery is pleased to present Recollected Forms, a three - person exhibition featuring the work of contemporary artists Matthew King, Kevin Umaña, and David Ellis.

Last Year at Marienbad redux is an exhibition, public program and publication that explores the way fact and fiction merge to form accepted knowledge about people, places, events and politics.

For an exhibition, I make a rather strict form, an architectural plan, and then I work with many people from the museum and they begin to fill it in.

As an original member of the Group f. 64, formed in 1932, she participated in the exhibition at the M.H. de Young Memorial Museum in San Francisco and had a one - person exhibition at the Los Angeles County Museum.

The exhibition, «Edward Hines National Forest,» introduces a site - specific installation that traces the material processing of trees, from plant to lumber and cellulose, to produce hybrid forms that expose the complex relationship between people, human - made objects and the natural ecosystem.

A year and a half ago, I began brewing mead as part of two - person exhibition at Chicago Artists Coalition titled «Life, in some form» (curated by Christina Cosío & exhibiting alongside artist Brittany Ransom: http://www.thevisualist.org/2012/12/marissa-lee-benedict-brittany-ransom-life-in-some-form/).

In a short film outside the exhibition entrance, Nicholas Serota argues that the Turner Prize's great achievement is that «it's given people the opportunity to disagree with each other and form a view».

By picking up on these relations built over time with people we have previously been put in context with, we wish to operate from within the structure of the group exhibition and open up for a collective process in the forming of the show.

Castor Gallery's first official exhibition will open January 15th, with a two person show by Heath West, whose algorithmic paintings combine digitally - inspired patterns with abstract traditions; and Elizabeth Winnel, whose self - portraits take the form of sumptuous, juicy lips.

The exhibition forms part of Partners in Art which is a key element of Pallant House Gallery's Learning and Community Programme providing opportunities for people with Continue Reading»

Rasgado's work has also been featured in important museum group exhibitions including Other People's Problems: Conflicts and Paradoxes, Herzliya Museum of Contemporary Art, Tel Aviv (2013); Noise, Ex Magazzini di San Cassian, Venice (2013); When Attitudes Became Form Becomes Attitudes, CCA Wattis Institute for Contemporary Arts, San Francisco (curated by Jens Hoffman, 2012); Los Irrespetuosos, Carrillo Gil, Mexico City (curated by Carlos Palacios, 2012); and Lost Line: Contemporary Art from the Collection, Los Angeles County Museum of Art (2012).

In 2002, e-flux launched DO IT an online exhibition by Hans Ulrich Obrist of several hundred artworks in the form of instructions that any person could realize at home.

2003 «Sketches 2» Swan coach house, Atlanta, Ga 2003 «ROAR Goes Postal» Roswell Alliance for the Arts, Roswell, GA 2003 «In Flight Entertainment» Spruill Art Center, Atlanta, GA 2003 «Castleberry Tour» represented by Marcia Wood Gallery, Atlanta, GA 2003 «Tickled Pink» Marcia Wood Gallery, Atlanta, GA 2003 «SGF Project» SGF Building, Atlanta, GA 2001 «Rape Crisis Benefit» Live Auction, Asheville, NC 1998 «Sketches», Eye Drum, Atlanta, GA 1998 «Annual Erotica Show» Atlanta, GA 1997 «Masters Program Exhibition» collaboration with artist Phil Ahnen, Montana State University, Bozeman, MT 1995 Senior show, ACA Gallery, Atlanta, GA 1995 «Bakers Dozen» Old Highland Bakary, Atlanta, Ga 1995 «Juried Sculpture Exibition» University of Georgia, Athens, GA 1995 «Installations» Autry Mill Nature Preserve, Alpharetta, GA 1995 «Central Metals» City Hall, Atlanta, GA 1994 «Form Feed» Old HighLand Bakery, Atlanta, GA 1994 «Decatur Arts Festival» City Hall, Decatur, GA 1993 «19» Old Highland Bakery, Atlanta, GA 1993 «Central Metals» City Hall, Atlanta, GA 1992 «Juried Student Exhibition» Atlanta College of Art, GA 1992 Group Exhibition, Gallery 100, Atlanta, GA 1991 Group Exhibition, New Visions, Atlanta, GA 1990 «National Campaign for the Freedom of Expression» Clear Ring House Gallery, Winston - Salem, NC 1990 Group Exhibition, Sawtooth Center for Contemporary art, Winston - Salem, NC 1990 Two Person Exhibition, Clear Ring House Gallery, Winston - Salem, NC

The exhibition explores the potential of levitation as the power to overcome gravity and make monuments and people rise, as a form of protest, resistance and liberation.

The special exhibition will give people an opportunity to see the transition from the space's raw form and the finished product once it reopens, she says.

While many of the works in the exhibition engage with a looser, more experimental approach to form, color, and composition, others relate more directly to fully - realized works, such as his proposals for compositions for To The People of New York, a large - scale installation of paintings comprised of forty metal panels grouped in variations of red, yellow, and black, which occupied most of his artistic focus during the last year of his life.

The correlating exhibition entitled Living as Form combined artists, theorists, curators, and activists to consider how creative projects can restructure relationships between people and the places they live.

one - person exhibition 1996 Nexus Contemporary Art Center, Atlanta, «Obsession» group exhibition 1995 TZ» Art & Co., New York, Testwall installation Museum of Modern Art, Saitama, Japan, «The Language of Place,» group exhibition curated by Sarah Rogers (Wexner Center, Director of Exhibitions) 1993 SPACES Gallery, Cleveland, «Form Out of Context,» four - person exhibition 1992 «American Pluralism» group exhibition curated by Terry Barrett.

group exhibition, «Modeling the Photographic: The End (s) of Photography», curated by Saul Ostrow, Youngstown, Ohio 2006 Lab Gallery, three - person exhibition with Siemon Allen and Royce Howes, «Chronicle,» New York, NY University of Cincinnati, group exhibition, «Bad Drawing,» Mark Harris — curator 2003 Reynolds Gallery, one - person exhibition, Richmond, VA School of Visual Arts Gallery, New York, «Americana,» 2002 Virginia Museum of Fine Art, «Grief: A Collection,» one - person exhibition 2001 Trans Hudson Gallery, New York, one - person exhibition in the project room 1999 Trans Hudson Gallery, New York, group exhibition 30 Paris Street, London, «The Manchurian Candidate,» group exhibition, collaboration with Carmel Buckley, curated by Ciara Ennis and David Goldenberg, 1998 Shillam + Smith, London, U.K., «Form (s): A Collection,» one - person exhibition Nexus Contemporary Art Center, Atlanta.

The collection forms the basis of a series of 50 free touring exhibitions called Artist Rooms that have been seen by almost 30 million people.

However, as Himid reminds us, the meaning within the object's history becomes a narrative force in the exhibition; early forms of the banjo were made by African people (as many other objects and innovations) in America and were often played in minstrel shows in the 19th century.

Although The New Four Seasons were created in her New York studio they are very much about the mountains in the north part of South Korea (you can read here about the Soey Milk — Sinavro exhibition and how her Korean roots influence her work and you can also read about how Minhwa, the Korean form of popular art or painting for the people influenced the work of Nicolas Frémion in this Frémion Presents Minhwa article).

While he was still in his teens and was studying at the University of California, Los Angeles, Mr. Hopps and two other friends opened the Syndell Studio, a free - form exhibition space in which they gave one - person shows to Craig Kauffman and Kienholz.

On the occasion of her solo exhibition First Person Plural in summer 2018 at KW Institute for Contemporary Art, American artist Lynn Hershman Leeson (born 1941, Cleveland, US) revisits her iconic installation The Dante Hotel in the form of a new commission entitled The Novalis Hotel.

BURIED, 2009 a single - channel video installation, was commissioned by The Fruitmarket Gallery in Edinburgh and formed the center of a one - person exhibition in Spring 2009.

The anecdote is prompted by a question about what motivated the Los Angeles - based artist and writer to make «Wata (Yazoo, MS),» a video included in White ppl think I'm radical, a joint exhibition with Melbourne - based artist Hamishi Farah — whom we await on a Google Doc form.

JENS HOFFMANN It seems that many people who are looking for progress in curatorial work no longer see the exhibition as a viable form for the display of art.

The project brings a new model of thinking, in the form of one - artist exhibitions that offer looking and thinking opportunities to people «literally from Penzance to the Shetland Isles.»

Her urban landscapes, which combine nature — in the form of people, plants, and animals — and architecture together, provide the exhibition with its title.

This is perhaps reflected by the curator's decision to name the exhibition after Mroué's 2013 work, which explores how the continuous strain of the unresolved and heavily mediatised conflict influences and forms people's relationship to technology and media.

★ METROPOLITAN MUSEUM OF ART: «JERUSALEM 1000 - 1400: EVERY PEOPLE UNDER HEAVEN» (through Jan. 8) Three major faiths — Judaism, Christianity and Islam — have called Jerusalem their own, and its varying histories as a sacred space, a theater of conflict and a cosmopolitan cultural emporium are reflected in this exhibition modeled along classic Met epic lines: 200 fascinating objects from 60 international collections, with a time frame in the past and context in the present (in the form of short videos in each gallery).

Titled «Kindred Spirits,» the exhibition hints at formal similarities between geometric forms used by indigenous peoples and those of twentieth - century Minimalism.

She has worked with indigenous Huni Kuin people in the state of Acre in the north of Brazil to develop weaving techniques and has also formed links with community groups to realise projects for her exhibitions.

«Experimental People» is a group exhibition in video format featuring four artists exploring new forms of communication in the digital age.