Proxy hosts 12 group or one -
person exhibitions a year, curated by a roster of guest curators.
Not exact matches
Nearly 120,000
people visit the DOM BENEDICTINE Palace every
year to explore the unique architecture; an exceptional collection of priceless art masterpieces and
exhibitions of world leading modern art.
The
exhibition, titled «a small fort, which our
people call Fort Orange,» examines the momentous archaeological discovery of the fort in 1970, as well as the lasting impact of Dutch settlement of New York 400
years ago.
The three
year research project on which the
exhibition was based has aimed to explore young
people's experiences of music festivals and free parties (similar to festivals but with less or no commercial involvement) and how these experiences are affected by consumption and the presence of marketing and branding.
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exhibition,
year abroad in china •
Many of the historical details, such as the first
person Barnum ever put on
exhibition — a nearly blind and paralyzed slave woman named Joice Heth he claimed was over 100
years old and owned by George Washington himself — are completely removed from the story.
Every
year we use the
exhibition to connect with thousands of young
people, their schools and their parents who attend the show and showcase engineering as a rewarding career path.»
Teaming up with these and hundreds of other partners, the government will deliver a
year of UK - wide school visits,
exhibitions, and open doors events — all aimed at encouraging young
people and their parents to take a closer look at engineering throughout 2018.
The show, referred to as the «Detroit show» by
people who actually work as automotive journalists, has become arguably the single most important show of the
year, often eclipsing Tokyo and Frankfurt, the other two huge
exhibitions.
QWest will be bringing it to the show at the ExCeL
Exhibition Centre, a change of venue designed to house more
people after 25,000
people visited the show at Battersea Evolution last
year.
At the moment, the lighting
people are out, and I can see these wonderful objects for what they are from any angle, I can compare this map with that map, I can understand the cartography of the French and the British, or the Dutch and the Portuguese,» said a naturally excited Martin Woods, National Library's curator of maps, who said the
exhibition marks the culmination of
years of planning and negotiations.
There's been a slew of
exhibitions honouring that 50
year point, including the superb Queer British Art
exhibition at Tate Britain, Manchester's
People's History Museum's Never Going Underground, and now Gay UK: Love, Law and Liberty over at The British Library.
There's an image in the
exhibition of Neel in her seventies, standing outside the Whitney Museum, picketing the institution — just three
years before it would give her a solo retrospective — for failing to involve
people of color in the making of its
exhibition «Contemporary Black Artists in America.»
Every
year Guild Hall is privileged to attract nationally recognized
persons in the art world to serve as Awards Juror for this
exhibition.
Street project with The Illuminator (projections) NYC Stickering Campaign: Billionaires Controlling Art How many women had one -
person exhibitions at NYC museums last
year?
Her solo
exhibition «American
People, Black Light: Faith Ringgold's Paintings of the 1960s» was on view in 2013 at the National Museum of Women in the Arts in Washington, D.C., and last
year her work «Groovin High» was featured on a billboard along New York City's High Line park.
Guerrilla Girls (est. 1985), How Many Women Had One -
Person Exhibitions at NYC Museums Last
Year?
ON THE WEST COAST, the Los Angeles County Museum of Art had something of a banner
year with an
exhibition of Catherine Opie's «O Project,» portraits that document the love and dignity of
people who defy narrow definitions of sexual normalcy; an exhaustive retrospective of Robert Mapplethorpe (in collaboration with the Getty) and a survey of the horror movie polymath Guillermo del Toro.
Miriam Schapiro is the recipient of six honorary doctorates and has been the subject of numerous doctoral and master's degree dissertations and she has been honored with painting retrospectives, a thirty -
year works on paper retrospective, numerous one -
person exhibitions and has been included in hundreds of group
exhibitions throughout the world.
The review continues with the
year's most significant moments in April, including First Lady Michelle Obama «s participation in the dedication ceremony for the new Whitney Museum of American Art building in New York, the centennial of artist Elizabeth Catlett, the opening of two important Jacob Lawrence
exhibitions, and Time magazine naming artist Chris Ofili to its list of the
year's 100 Most Influential
People.
Structured around video production, artist interviews, and
exhibition curation, this
year - long paid internship provides teens with an open forum for the expression of ideas and dialogue on issues affecting young
people today.
Two of the works, both entitled Free - Hanging Room Divider, date from 1949, the
year Anni Albers became the first textile artist to have a one -
person show at The Museum of Modern Art; the
exhibition Anni Albers: Textiles subsequently traveled to 26 venues throughout the United States and Canada.
CIMA's first two -
person exhibition pairs the Metaphysical painter Giorgio de Chirico with the contemporary conceptual artist Giulio Paolini, who has described de Chirico as an «illustrious model» and has incorporated overt and coded images and references to de Chirico in his work for
years.
Next
year she will have one -
person exhibitions at the Museum of Contemporary Art in Chicago and The Tate Gallery in London.
Hoeck and Miller have collaborated for nearly twenty
years and have had two -
person exhibitions at the Kunsthalle Wein, Vienna and at KW / Kunstwerke, Berlin along with frequent group
exhibitions.
I just had this
exhibition recently, this
year, of a lot of my early work, and in the book there are a few thousand Polaroids of
people who would come over.
Since May this
year, nearly 100
people have been referred to the programme, and forty of the participants have work featured in the
exhibition and its accompanying booklet.
As well as having been included in a number of museum group
exhibitions in the past few
years, he has also recently had a one -
person exhibition at the Stedelijk Van Abbemuseum in Eindhoven and was one of four nominees for the 2000 Turner Prize.
Armory programming includes: free
year - round community arts programs, serving 6,500
people annually; in - school artist residencies and a gallery fieldtrip program, serving 4,500 students annually; studio programs offering visual and media arts classes for all ages, serving 3,700
people annually; professional development training for teaching artists and public school teachers; and contemporary visual art
exhibitions and performance based work.
In the past five
years, more than 330,000
people have passed through the museum's doors to engage with their
exhibitions, programs and events, according to the Parrish.
Tate director Nicholas Serota said 120,000
people visited last
year's
exhibition, half as many again as the
year before and double the number in 1996.
In less than a
year after his arrival to the city, this audacious young painter had his first solo
exhibition at the Delancey Street Museum, followed by a two -
person show at the prestigious Zabriskie Gallery.
The juror of selection and awards this
year is renowned watercolor artist Kathleen Conover, who will select the winners of the Gold Medal ($ 1,200 prize), Silver Medal ($ 900 prize), and Bronze Medal ($ 600 prize) and 19 other designated awards worth more than $ 8,000 in cash and sponsored prizes.Throughout the
exhibition, visitors will have the opportunity to cast a vote for their favorite painting in order to select the winner of the «
People's Choice Award.»
In the Flesh, Aberdeen Art Gallery
Exhibition: Ron Mueck, 29 September — 31 October 2009 Partners: Arts Education Team, Aberdeen City Council Young
people: Secondary school pupils from Aberdeen Grammar, Hazlehead Academy and Kincorth Academy (13 — 14
year - olds).
But this time around it was not my usual amazement that anyone alive today was naïve enough to believe the old avant - garde orthodoxy of shocking the bourgeois, the tired old line offered in support of Deitch by Aaron Rose, a curator of one of Deitch's recent
exhibitions: «I feel like [Deitch] is shaking the foundation of the castle, and the
people who've been living quite comfortably in that castle for the last 20
years are nervous about it.
The current show, focusing on new work and including two major early paintings, is Burkhart's third solo show with the gallery and his first one -
person exhibition in New York in 22
years.
Over the last five
years, Saccoccio's visibility has risen dramatically, with a solo museum show at at the Museo D'Art Contemporanea in Genoa, Italy, a two -
person show with Joanne Greenbaum at the Nerman Museum of Contemporary Art in Kansas City, and currently has work in a group
exhibition at the Rose Art Museum in Waltham, Massachusetts, as well as critically lauded gallery shows at Eleven Rivington, in New York.
This will be the second one -
person exhibition in New York for Gary Hume, a thirty - two
year old English painter, his first having been presented by this gallery in February 1992.
Built from the foundation of five early paper negatives by Baron Adolphe Humbert de Molard (b. 1800), first exhibited as part of a three -
person show originally presented ten
years ago at Andrew Kreps Gallery, New York and Galerie Nelson, Paris, this expanded
exhibition further investigates a premise that expounds the ways in which our perception of such work, historically bound to context and experience, has shifted over time, and continues to generate a discursivity and evaluation of content.
During my student
years,
people like [Royal Academicians] Carel Weight and Roger de Grey and Rodney Burn would encourage me to send in to the Summer
Exhibition, and when I graduated I continued to do that.
Each
year the Gallery presents the MFA thesis projects as a series of one -
person exhibitions.
Some 208,000
people experienced the installation, making it the most visited
exhibition of a living artist in the Hayward's 39 -
year history.
It's an endeavour that has expanded vastly over the
years as more
people start to discover Klein and see his
exhibitions.
Tate Modern is the most visited contemporary art gallery in the world, with almost 4.9 million
people passing through its doors in 2013, and had its most popular ever
exhibition — Henri Matisse: The Cut - outs, curated by Serota — this
year.
He had a one -
person show at P.S. 1 last
year, was included in the last Venice Biennale, and has had numerous solo museum
exhibitions.
Solo
Exhibitions 2015 The Reclining Hippy and the Envelope - Bureau des Realites, Brussels, Belgium Stripes and Dots on the Isle of Portikus: A Story of Sound + Visuals (a small index of contemporary psych)- Portikus - Frankfurt, Germany TBA - In Light of 25
Years - Witte de With - Rotterdam, The Netherlands Solo Show - Nosbaum Reding - Luxembourg, Luxembourg Solo Show - Supportico Lopez - Berlin, Germany Two -
person show (with Ute Muller)- Galleria collicaligreggi - Sicily, Italy 2014 Karl?s Body - Kunsthalle Wien Karlsplatz - Vienna, Austria The Illustrator - 1646 - The Hague, The Netherlands Foto / Studio / Zig - Zag - 21er Haus - Vienna, Austria The Tangental Zig - Zag, Kunstraum - London, England Portals (SUN MILK)- Maison Gregoire - Brussels, Belgium Dirt Not Copper - Two -
person show with Lorna MacIntyre - 221a - Vancouver, Canada The Story of Stripes and Dots (Chapter 7)- Jessica Bradley Gallery - Toronto, Canada 2013 The Story of Stripes and Dots (Chapter 6)- Southern Alberta Art Gallery - Lethbridge, Canada The Story of Stripes and Dots (Chapter 5)- Fogo Island Arts - Fogo Island, Canada Letterhead - Kunsthal Charlottenborg - Copenhagen, Denmark Alphabet City - MiArt with Supportico Lopez - Milan, Italy Parrot Soup - Supportico Lopez - Berlin, Germany 2012 The Ceremony and The Spirit (with Roe Ethridge)- La Loge - Brussels, Belgium Art Statements - Art Basel - Basel, Switzerland The Story of Stripes and Dots (chapter 2)- Jessica Bradley - Toronto, Canada The Story of Stripes and Dots (chapter 1)- MuHKA - Antwerp, Belgium 2011 The Flute of Sub - The Artist's Institute - New York, USA Growth - KIOSK - Gent, Belgium The Instruments - ABC Berlin - Berlin, Germany The Five Arms of Supportico - Supportico Lopez - Berlin, Germany The Units - Ursula Blickle Stiftung - Kraichtal, Germany The Voids - Galerie Vidal Cuglietta - Brussels, Belgium 2010 The Nine Fingers of Malakoff - Pavilion Projects / Les Maison des Arts de Malakoff - Malakoff, France The Bakery of Blok (first arrangement)- Front Room - Contemporary Art Museum St Louis, St Louis, USA 2009 The Bakery of Blok and the Three Forms of Unit - Miguel Abreu Gallery - New York, USA The Bakery of Blok - Jessica Bradley - Toronto, Canada 2008 The Crystal Ship - BELvue Museum, Brussels, Belgium / Etablissement d?en Face Projects - Brussels, Belgium 2007 The Flute of Sub - Galerie Isabella Bortolozzi - Berlin, Germany Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Named the Days?
This
year marks the 15th anniversary of the International Print Center New York and the 50th iteration of its New Prints
exhibition program.1 For
people who care about prints, IPCNY is so essential an institution that it is hard to believe it is a full generation younger than spaces such as the Drawing Center (now 38
years old) or International Center of Photography (41).
Zwirner's
exhibition schedule is about two
years ahead, and within time some of the ideas I have for historical or one -
person shows should have the opportunity to get implemented.
Faith Ringgold «s solo
exhibition at the National Museum of Women in the Arts, «American
People, Black Light,» was on view last
year and «Groovin High,» her billboard
exhibition on the High Line just concluded.
Your membership support makes it possible for 1.4 million
people to experience Carnegie Museums each
year through education programs, outreach, and
exhibitions, and you also help preserve the vast, treasured collections of our four museums.