Sentences with phrase «person exhibitions such»

He has been the subject of numerous one - person exhibitions such as Office for Contemporary Art, Oslo, Norway; The Power Station, Dallas, TX and Kunsthalle St. Gallen, Switzerland.

Previously her work has been shown in solo and two - person exhibitions such as: «Portraits of Yfat» at Angles Gallery, LA; «New Paintings» at Anna Helwing Gallery, LA; «The Black Paintings» at Noga Gallery of Contemporary Art, Tel Aviv, Israel.

Not exact matches

Yet we know that people with serious sight problems struggle to fully participate in cultural experiences, such as museums and art galleries, with exhibitions and displays designed, primarily, for only the sighted.

Single people who are interested in art often come alone to such places and they usually don't mind admiring the exhibition together with some attractive person.

Many of the historical details, such as the first person Barnum ever put on exhibition — a nearly blind and paralyzed slave woman named Joice Heth he claimed was over 100 years old and owned by George Washington himself — are completely removed from the story.

The Crown Plaza Hunter valley also offers an exhibition suite and numerous special event options such as a lawn area suitable for large marquee set - ups for up to 1,000 people.

Julian Cox, co-curator of the exhibition, believes Mandel did not become better known because «she was a very private person, very modest by nature, and she really created her greatest work before there was such a thing as an art market for photography.

He has curated exhibitions such as «Into the Open,» the US representation at the Venice Biennale for Architecture; the «Perpetual Peace Project» at the International Peace Institute at the United Nations; «Mixplace Studio» with People's Emergency Center.

Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto's performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the exhibition will include works from all decades since the 60s and commission artists to create new work for 2017.

The National Endowment for the Arts (NEA) granted $ 10,000 to Artists Space for the exhibition, but when the catalogue appeared with an essay by David Wojnarowicz that excoriated politicians and the clergy for their inaction in the face of the crisis — or for their outright attacks on people with AIDS — the NEA came under fire from ultraconservative politicians such as Senator Jesse Helms.

From the influences of African art on the Modernist forms of artists like Picasso, to the work of contemporary artists such as Kara Walker, Ellen Gallagher and Chris Ofili, the exhibition will map out visual and cultural hybridity in modern and contemporary art that has arisen from the journeys made by people of Black African descent.

In the wake of the 2016 presidential election, where news media was deemed the «the enemy of the people,» and The New York Times directly attacked and labeled as «fake news,» FLAG began developing an exhibition examining how seminal artists, such as Robert Gober, Ellsworth Kelly, Lorraine O'Grady, Fred Tomaselli, and others, who have used and been inspired by this newspaper in their practice.

This exhibition rings true because it addresses our personal struggles and demonstrates the artist's ability to work things out, to find a way to combine seemingly irreconcilable opposites, such as art and life, thinking and doing, creating things and relating to people.

Ito has had solo and two - person exhibitions at galleries such as The Hole in New York, Steve Turner Contemporary in Los Angeles, Tomorrow Gallery in Toronto, and IMO Gallery in Copenhagen.

Young's decision to remove himself from the New York art world at a time when his paintings were included in such exhibitions as the Corcoran Biennial, Nine Young Artists / Theodoron Award at the Guggenheim, and a two - person show with David Diao at Leo Castelli, was the opposite of anyone who wished to embrace the limelight.

His first one - person exhibition took place in 1950, and was shown in major solo exhibits, in group exhibitions such as MoMA's «The Art of Assemblage» and the 1970 Venice Biennale, and is in many major museum collections.

Built from the foundation of five early paper negatives by Baron Adolphe Humbert de Molard (b. 1800), first exhibited as part of a three - person show originally presented ten years ago at Andrew Kreps Gallery, New York and Galerie Nelson, Paris, this expanded exhibition further investigates a premise that expounds the ways in which our perception of such work, historically bound to context and experience, has shifted over time, and continues to generate a discursivity and evaluation of content.

The gallery has organized and curated exhibitions that have become seminal in the Nordic context, successfully launching the careers of Scandinavian artists such as Annika Larsson, Matts Leiderstam and Annika von Hausswolff and giving artists such as Uta Barth, Siobhán Hapaska, Nandipha Mntambo and Xavier Veilhan their first European or Scandinavian one - person exhibition.

When we research artwork or other objects and we find information about you in sources such as newspaper articles, exhibition catalogues, public auction results, or one of our contacts gives us feedback in relation to objects or persons they have been told about.

More than 1,280 people showed up that Saturday to take in the inaugural exhibitions by renowned artists Bill Viola, Liza Lou, Stephen Antonakos, Kendall Buster, Kehinde Wiley and Alfredo Jaar; peruse the Walter O. Evans Center for African American Studies and the Pamela Elaine Poetter and André Leon Talley galleries; view items from SCAD's personal collection throughout the museum; relax in the Alex Townsend Grand Courtyard; and enjoy treats at the museum's Tad Café such as zucchini bread as well as ham, Brie, apple and onion confit on a baguette.

Following unprecedented visitor figures for a solo show, Chris Dercon, Director of the Tate Modern commented: «We are delighted that so many people came to see and discuss the Damien Hirst exhibition -LSB-...] It was wonderful to see such iconic works brought together in one place and to offer our visitors a chance to experience them first - hand.»

Peter Coffin's Untitled (Sculpture Silhouettes) is the Public Art Fund's 21st exhibition at City Hall Park, following shows such as Richard Woods» wall and door and roof (2009) M; Robert Melee (2008 - 0); Alexander Calder in New york (2006 - 7); Julian Opie's Animals, Buildings, Cars, and People (2004 - 6); and Roy Lichtenstein at City Hall Park (2003 - 4).

One - person exhibitions of her work have been presented at venues such as the Institute of Contemporary Art, London; Kunsthalle Basel; Musee d'art contemporain de Montreal; the Kunsthalle Dusseldorf; the Serpentine Gallery, London; the Museum of Contemporary Art, Los Angeles; the Whitney Museum of American Art, New York; and the Schirn Kunsthalle Frankfurt.

This year marks the 15th anniversary of the International Print Center New York and the 50th iteration of its New Prints exhibition program.1 For people who care about prints, IPCNY is so essential an institution that it is hard to believe it is a full generation younger than spaces such as the Drawing Center (now 38 years old) or International Center of Photography (41).

Her work has been included in numerous two - person and group exhibitions at venues such as the Montgomery Museum of Fine Arts, AL; Adams and Ollman, Portland, OR; Frist Center for the Visual Arts, Nashville, TN; Cuevas Tilleard Projects, New York, NY; Knoxville Museum of Art, TN; Zuckerman Museum of Art, Kennesaw, GA; Lamar Dodd School of Art, Athens, GA; Hunter Museum of American Art, Chattanooga, TN; and Weatherspoon Museum of Art, Greensboro, NC.

This Gallery allowed for an expanded exhibition schedule and provided facilities for large - scale works and dramatic installations, such as Peter Halley's explosive hanging of paintings and wallpaper, Marc Quinn's complete series of carved marble statues of persons with missing limbs, monumental sculpture by James Lee Byars, and, most importantly, a four - channel DVD installation by Barbara Kruger.

Cheng's sculptural practice demonstrates a preoccupation with objects people often create to meet basic needs such as: shelter, illumination, warmth, support, nutrition and occasionally diversion Cheng's solo exhibition, entitled Mixtures, involves a sprawling and scattered installation, a single work containing multitudes.

During his tenure, he curated award winning exhibitions such as Ryan McGinness: Studio Visit (2014); Xu Bing: Tobacco Project (2011); Sally Mann: The Flesh and The Spirit (2010); Chuck Close: People Who Matter to Me (2010); Artificial Light (2006), which appeared at VCU Anderson Gallery and MOCA at Goldman Warehouse in Miami; Robert Lazzarini (2003), recognized by the International Association of Art Critics as one of year's best exhibitions; Outer and Inner Space: A Video Exhibition in Three Parts (2002), recipient of an Emily Hall Tremaine Exhibition Award; and Vanitas: Meditations on Life and Death in Contemporary Art (2000).

At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one - person exhibition, at the Konrad Fischer Gallery in Dusseldorf.

The exhibition program includes one - person shows by gallery artists such as Vija Celmins, Bruce Conner, Alex Katz, Robert Mangold, Vera Molnar, Thomas Nozkowski, Edda Renouf and William Wegman, as well as thematic exhibitions that illustrate correspondences in the works of established 20th and 21st century artists.

The Turner prize - winning artist Jeremy Deller said while the price might discourage young people from seeing certain exhibitions, income from shows such as this was needed to subsidise museums.

The Bureau has collaborated with organizations such as Visual AIDS and Fire Island Artist Residency, as well as with veterans of The Lesbian Avengers activist group and activists fighting police violence against people of color to bring you provocative and inspiring exhibitions year round.

In its spacious facility, OK Harris is able to mount five one - person shows simultaneously and has seven such exhibitions in the course of a year.

Seeing that they are paired with pie charts displaying government censuses on the happiness of the Taiwanese people (a startlingly small slice of the pie represents «happy» people), the decision to include the more nebulous and conceptual words in the exhibition title, such as «Dissatisfaction,» «Agitation,» «Survival» and «Unequal,» becomes clear.

«Now people in the United States can go to Cuba and people from Cuba can come here, it's very important to me to have galleries such as Habana Gallery [taking part], and a solo exhibition of work by Havana - based artist Carlos Garaicoa, at the Continua Gallery booth.

I came up with the idea of this choreography, which I suppose is indebted to people such as Parreno, who are trying to bring a theatrical language to the exhibition space.

MacDonald has had a two - person exhibition at Projekt722, in Brooklyn, NY, and her work has been collected by such public institutions as Walker Art Center, Minneapolis, MN; Yale University Library, New Haven, CT; Library of Congress, Washington, DC; Newark Public Library, Newark, NJ; Wadsworth Athenaeum, Hartford, CT; Otis College of Art and Design, Los Angeles, CA; Virginia Commonwealth University, Richmond, VA; and Florida State University, Tallahassee, FL..

Since then he's participated in some fantastic two - person exhibitions, such as But the sea which no one tends is also garden, with Jason Benson at the now defunct Monument 2 and Really, Something with one of my favorite San Francisco artists, Alex Heilbron at Hungryman's SF location.

The artworks were printed on aluminum and bronze plaques and their short messages were accompanied by paintings of Peter Nadin, whose portraits of people attached to Holzer's messages emphasized the emptiness of both life and communication in the digital age.The multimedia extravaganzas of Holzer's later installations, such as the 1989 Guggenheim exhibition, are exemplified by a 535 - foot running electronic signboard spiraled around the core of Frank Lloyd Wright's architecture, flashing garish lights on the monumental stone benches arranged in a large circle on the floor below.

He participated in many group and one - person shows, such as Pop Science in 2001, a group exhibition organized by g - module, an art space in Paris, which operated from 2001 to 2008.

As I wrote in the AJC, the exhibition documents a building anger that would erupt in 1967 both on the streets and in large - scale canvases such as «American People Series # 20: Die,» a «Guernica» of sorts depicting the violence happening across the country in a bloody tableau.

HK: Because you take such an anthropological approach to discussing and presenting your work, people who visit your exhibitions have been know to wonder if what you are «studying» might actually be real.

This exhibition intermingles colourful portraits of people from Joffe's own life with equally vibrant portraits of the writers she admires, such as Anne Sexton, Sylvia Plath and Robert Lowell.

Schimmel has organized major one - person retrospectives for artists Chris Burden, Willem De Kooning, Takashi Murakami, Laura Owens, Sigmar Polke, Charles Ray, and Robert Rauschenberg, and significant thematic exhibitions such as The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938 - 1948 (1987), The Figurative Fifties: New York Figurative Expressionism (1988), Hand - Painted Pop: American Art in Transition 1955 — 62 (1992), Helter Skelter: LA Art in the 1990s (1992), Out of Actions: Between Performance and the Object, 1949 - 1979 (1999), Ecstasy: In and About Altered States (2006), and Collection: MOCA's First 30 Years (2010).

People lined up on the street to see such exhibitions as an Ilya and Emilia Kabakov retrospective and a show of works from the François Pinault Foundation.

McShine continued to work with the Jewish Museum, becoming Acting Director from 1967 to 1968 and organizing exhibitions such as Large Scale American Paintings, and one - person shows of Yves Klein, Robert Irwin, Gene Davis, and Richard Smith.

Presenting the work of some 40 photographers including such influential figures as Berenice Abbott, Diane Arbus, Garry Winogrand, Lisette Model, Alfred Stieglitz and Cindy Sherman, the exhibition features both the city and its inhabitants, from its vast, overwhelming architecture to the extraordinary diversity of its people.

In addition to our exhibition programs, Franklin Street Works also collaborates with organizations and individuals to create community events that bring people together to explore cultural and social themes via entry points such as art, food, and storytelling.

He has been the subject of many one - person exhibitions in prestigious public and private institutions such as The Museum of Modern Art, New York (2005), Serpentine Gallery, London (2006), the Neue Nationalgalerie, Berlin (2009), Fondazione Prada, Milan (2007, 2016), MOT, Tokyo (2012) and he has represented Germany at the Biennale of São Paulo in 2004.

This Gallery allows for an expanded exhibition schedule and provides facilities for large - scale works and dramatic installations, such as Peter Halley's explosive hanging of paintings and wallpaper, Marc Quinn's complete series of carved marble statues of persons with missing limbs, a four - channel DVD installation by Barbara Kruger, and monumental sculpture by James Lee Byars.