Sentences with phrase «person museum exhibition»

Although she is well known on the East Coast and in Europe, especially Germany, Austria, and Switzerland, this was the artist's first one - person museum exhibition in her home state in forty years.

In 2011 Córdova was invited for his first one person museum exhibition in Europe, yawar mallku: royalty, abductions y exiles at La Conservera, Murcia, Spain and also awarded the Joan Mitchell Foundation Grant.

September: First U.S. one - person museum exhibition, of nine recent works, opens at the Los Angeles County Museum of Art (September 21 - November 14).

This will be Demand's first major one - person museum exhibition in the U.S.

Organized by Hammer curatorial associate Corrina Peipon, Hammer Projects: Alex Hubbard is his first one - person museum exhibition.

In 2004 - 2005 he was the subject of a one - person museum exhibition at Kunstnernes Hus in Oslo, Norway, that also traveled to the National Art Museum of Lithuania and Stiftelsen 3,14 in Bergen, Norway.

In 2004, the Brooklyn Museum presented his first one - person museum exhibition Passing / Posing: Paintings by Kehinde Wiley.

SITE Santa Fe has commissioned Ochoa to make new work for his first major one - person museum exhibition.

Joan Semmel's first one - person museum exhibition, Joan Semmel: A Lucid Eye, is reviewed by Tanyanika Samuels for New York Daily News.

This interview was taken on the occasion of Liversidge's first one - person museum exhibition in the United States, at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, and his exhibition Twofold at the Sean Kelly Gallery in New York.

MATRIX 217 will be his first one - person museum exhibition in the United States.

Neil Raitt in three person museum exhibition, Coquet mais pas trop, at the Centre d'art contemporain La Halle Des Bouches, in Vienne, FR.

His work has been the subject of numerous one - person museum exhibitions in the United States and Europe, including Tate Gallery, London (1986); the Museum of Contemporary Art, Los Angeles (1991); the Whitney Museum of American Art, New York (1992); the Whitechapel Gallery, London (1998); Kunsthalle Basel (2000); the Metropolitan Museum of Art, New York (2001); the Irish Museum of Modern Art, Dublin (2009); Kunsthaus Graz, Austria (2016); and the Museum of Fine Arts, Boston (2016).

His work has been the subject of several one - person museum exhibitions: Montclair Art Museum (2006), University of Wyoming Art Museum (2006), the Tampa Museum of Art (2004), Miami Art Museum (2001), Bronx Museum of the Arts (2001) and the Museum of Modern Art, New York (1998).

New York - based Apfelbaum has had one - person museum exhibitions throughout the US and Europe.

Almond participated in the 2003 Venice Biennale and has had one - person museum exhibitions at the Kunsthalle Zurich; de Appel Centre for Contemporary Art in Amsterdam; the Tate Britain, London; K21 Kunstsammlung Nordrhein - Westfalen, Düsseldorf; and the Lentos Kunstmuseum in Linz, Austria.

Her work has been the subject of numerous one - person museum exhibitions, including the Stedelijk Museum in Amsterdam and the Serpentine Gallery in London.

He has had one - person museum exhibitions at Tate Britain, London; the Kunsthalle Zürich; de Appel Centre for Contemporary Art, Amsterdam; The Renaissance Society at the University of Chicago; K21 Kunstsammlung Nordrhein - Westfalen, Düsseldorf; and SITE Santa Fe, among others.

Halley has had one - person museum exhibitions at the capc Musee d'Art Contemporain, Bordeaux (1991), the Museo Nacional Centro de Arte Reina Sofia, Madrid (1992), the Stedelijk Museum, Amsterdam (1992), the Des Moines Art Center (1992), the Dallas Museum of Art (1995), the Museum of Modern Art, New York (1997), the Kitakyushu Municipal Museum of Art (1998), the Museum Folkwang, Essen (1998), and the Butler Institute of American Art (1999).

[6] One - person museum exhibitions at Museum Boymans - van Beuningen in Rotterdam, at Portikus in Frankfurt, at Museum Ludwig in Cologne and at Kunsthalle Zurich, Kunstverein am Hamburg and Tate Liverpool have accompanied exhibitions in less conventional spaces — an empty office building for The Law in 1997, a disused postal depot in Berlin for the exhibition Beautiness in 1999, and an installation at the Freud Museum called Beyond the Pleasure Principle in 2000.

About the Artist John Wesley (b. 1928) has had numerous one person museum exhibitions including PS1 / MoMA, New York; Fogg Art Museum, Cambridge; Haus Lange, Krefeld; Stedlijk Museum, Amsterdam, and Portikus, Frankfurt.

With the support of an experienced team of curators, advisors and SITE's Board of Directors, Hofmann continues SITE's legacy of presenting first one - person museum exhibitions of numerous emerging and now internationally recognized artists in addition to significant group exhibitions, while garnering SITE an expanded profile among its national and international peer institutions as well as in its own community.

Two - person museum exhibitions include Paired, Gold: Felix Gonzalez - Torres and Roni Horn, Solomon R. Guggenheim Museum, New York, 2009 andFelix Gonzalez - Torres / Joseph Beuys, Dallas Museum of Art, Texas, 2001.

He began exhibiting his work in 1998 and has had one - person museum exhibitions at the Whitney Museum of American Art, New York; the San Francisco Museum of Modern Art; the de Appel Foundation, Amsterdam; the Museo Nacional Centro de Arte Reina Sofía, Madrid; The Museum of Modern Art, New York; Cubitt, London; and the Schinkel Pavillion, Berlin.

He has exhibited his work regularly since that time, including one - person museum exhibitions at the Menil Collection, Houston; the Whitney Museum of American Art, New York; the Walker Art Center, Minneapolis; and, most recently, the Chinati Foundation, Marfa.

Recent one - person museum exhibitions include shows at DeCordova Museum and Sculpture Park, MA; Tate Collection at Tate Liverpool; and The Margulies Collection at the Warehouse, FL..

During his lifetime he had one - person museum exhibitions at the Whitney Museum of American Art, New York (1969); the Menil Collection, Houston (1992); the Walker Art Center, Minneapolis (1992); and the Chinati Foundation, Marfa (2004).

He has had numerous one - person museum exhibitions including the Contemporary Arts Center in Cincinnati, the Whit...

His one - person museum exhibitions include the Tate Gallery, London (1986); the Museum of Contemporary Art, Los Angeles (1991); the Whitney Museum of American Art, New York (1992); the Whitechapel Gallery, London (1998); Kunsthalle Basel (2000); the Metropolitan Museum of Art, New York (2001); the Irish Museum of Modern Art, Dublin (2009); and, this year, the Kunsthaus Graz, Austria, and the Museum of Fine Arts, Boston.

He has had numerous one - person museum exhibitions including the Contemporary Arts Center in Cincinnati, the Whitney...

He has since exhibited his paintings and works on paper extensively, and has had several one - person museum exhibitions, including at the Kunstmuseum in Lucerne, the Tate Gallery in London, and the Walker Art Center in Minneapolis.

Not exact matches

Christoper Spring, curator of the African galleries at the British Museum, explains why he hopes his exhibition will change people's perception of African art and show the diversity present in the continent.

The Museum of American Bird Art is Mass Audubon's art museum, offering exhibitions and programs that connect people and nature througMuseum of American Bird Art is Mass Audubon's art museum, offering exhibitions and programs that connect people and nature througmuseum, offering exhibitions and programs that connect people and nature through art.

While maybe not massively groundbreaking, or as visually compelling as those paintings that are famous for being an homage to victims of everyday horrors reported in the media (Goya's The Third of May 1808 springs to mind), the exhibition is in keeping with the museum's focus on the impact of war on the lives of ordinary people, and a welcome accompaniment to the excellent experience on offer at the museum.

The Museum's reputation for helping people understand the experience of modern conflicts is unrivalled, and I'm confident that members of the public will be inspired and motivated by the exceptional courage of the ordinary men, women and children featured in the outstanding exhibition.»

Yet we know that people with serious sight problems struggle to fully participate in cultural experiences, such as museums and art galleries, with exhibitions and displays designed, primarily, for only the sighted.

As the Statue of Liberty nears its 130th anniversary, a new free - standing 20,000 - square - foot museum is being planned that would accommodate far more people than the current exhibition space in the statue's pedestal.

Mesa actually is a city of intelligent people who are interested in arts and who love going to different exhibitions and museums.

If a lady is a city person, who actively participates in the city rich social life (night clubs, exhibitions, museums, concerts and so on), there is a tiny chance she will be happy living in a small town, on a farm or in the country.

As part of a class final project, Bohnstedt and a group of her classmates created their own design and proposal for a museum exhibition on advertising literacy, demonstrating how advertisers target youth, and helping young people learn how to cope with marketing strategies.

Japanese American National Museum Develops Lesson Plans for Instructions to All Persons Exhibition...

LOS ANGELES, April 24, 2017 — The Japanese American National Museum has developed a series of lesson plans for teachers to complement its Instructions to All Persons: Reflections on Executive Order 9066 exhibition and enhance student learning of the 75th anniversary of President Franklin Roosevelt's signing of the order that led to the tragic and unlawful incarceration of 120,000 individuals of Japanese ancestry during World War II.

To many people, art is defined by what museums exhibit, and apparently this important museum considers this game to be real art, and shows it in a normal exhibition.

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

«I wanted people to have a feeling of coming across something that was in some ways better prepared to survive than yourself,» Koons said of that debut exhibition, which showed at a former location of the New Museum at the corner of 5th Avenue and 14th Street.

There's been a slew of exhibitions honouring that 50 year point, including the superb Queer British Art exhibition at Tate Britain, Manchester's People's History Museum's Never Going Underground, and now Gay UK: Love, Law and Liberty over at The British Library.

The exhibition of eight pictures by Soutine opening at New York's Museum of Modern Art [to Jan. 6] will, for many people, be the first real encounter with his work and for nearly everyone will provide the first opportunity for a comprehensive view.

Felix Salmon on the phenomenon of institutions around the world putting on art exhibitions that have high budgets and low quality standards: «If a museum becomes popular by putting on blockbusters, then people start to think of it as a place to check out temporary exhibitions and see no reason to go there at any other time.»

There's an image in the exhibition of Neel in her seventies, standing outside the Whitney Museum, picketing the institution — just three years before it would give her a solo retrospective — for failing to involve people of color in the making of its exhibition «Contemporary Black Artists in America.»

In 1949, she became the first designer to have a one - person show at The Museum of Modern Art, New York; the exhibition Anni Albers: Textiles subsequently traveled to 26 venues throughout the United States and Canada.