Not exact matches
For anyone still willing to allow Mailer literary significance, The Gospel According to the Son offers some interesting commentary on the techniques of first -
person narration.
While Brad may be in a constant battle against himself, an internal battle White reveals through near constant voiceover
narration — a tricky device best - suited to the first -
person novel and not a cinematic character study — White repeatedly opts
for the mundane observation, the banal realization.
Scripted by John C. Higgins (who penned Raw Deal, T - Men and Border Incident
for Anthony Mann) and directed by Howard W. Koch, it's an inconsistent film, with striking imagery, creative twists (scuba gear) and ruthless turns (death by steam tunnel) next to plodding direction and tired first -
person narration from Reed Hadley, who plays the colorless but dignified FBI agent on the case.
After 6 novels narrated in the third
person, Cornwell returns to first
person narration by Kay Scarpetta
for this book, which I found easier to read, although the constant analysis of Kay's feelings and borderline paranoia did become tiresome.
Since a duet
narration is generally only done
for 1st
person reads, the narrator
for that character would also speak the narrative parts.
Writing a critical analysis paper, do not fail to mention the type of
narration, it can be,
for instance, from the 1st or the 3rd
person singular and try to explain, why the author resolved to use exactly this type.
We learned about past American leaders as we produced the
narration for a series of 12 biographical audio books, each showcasing a different
person who played a very important role in history.
Despite the first -
person narration, French provides ample moments
for the reader to acknowledge Antoinette's fears but also question them.
On some trips,
narration is provided by knowledgeable captains,
people who have been going to sea with whales
for years and have made a point of educating themselves so they can answer passengers» questions correctly.
Taken out of their plot context and erasing the former
narration, Here Scripts puts these extracted lines into new connections with the site of the Atlas Studios, quoting filmic descriptions of «The Other» / «Oriental «sites, settings and
people, while re-using the film sets and their tangible construction
for a newly scripted, fragmented story of the site.
It did not, in practice, mean the wholesale rejection of trust in other
people's
narrations as an adequate basis
for empirical scientific knowledge.
Value assumptions / Value systems / Values and practice / Values behind theories / Verbal maltreatment / «Victims and Villains» / Victim in the dock / View from 1996 / Views from Inside / Views of troubled youth / Violence and touch deprivation (1) / Violence and touch deprivation (2) / Violence between young
people / Violence in children's
narration / Virginia Axline / Vision
for 2034 / Visit from Dr. Korczak / Visiting / Volunteers