Not exact matches
A short
description of all religions: A fictional
narrative intended to help
people avoid dealing with some of the harsh realities of life and encourage them to be better citizens and members of the society in which they live.
The two natural modes of human thought, according to Bruner, are paradigmatic thought (logico - scientific thinking that rests on
description, explanation and verification) and
narrative thought that weaves together action and consciousness (NPM) 3 Consciousness is the thinking, feeling and willing of the human
person.
Requires self - ranking of skills and
descriptions of job or academic experiences in first
person narrative at www.makingthedifference.org
«It's useful for scientists on the one hand but on the other hand, the fact that you can take something like the data from 2,000 trees in Alaska and give someone a 20 - second
description of what that song is portraying and they pick it up (means) it has huge potential to share these
narratives with
people.»
The Faulkner novel it most closely resembles is The Sound and the Fury, which unfolds over four days, beginning with the viewpoint of the character who understands the least about the events taking place — an idiot named Benjy — before moving backward in time to the viewpoint of Benjy's brother Quentin, then forward to the viewpoint of a third brother the day before Benjy's
narrative, and concluding with a third -
person description of the day after Benjy's account.
by Walter Chaw Because there is no plot save the scrambling for rent money that has been stolen from the Abbot and Costello - ian pairing of Ice Cube and Michael Epps, the closest one might come to a
description of Friday After Next's
narrative would involve the running gag of a Santa Claus bandit who breaks into homes to steal presents and beat
people with Christmas trees (maybe inspired by Eddie Murphy's Mr. Robinson's Neighborhood Christmas sketch).
With its imitations of Robert Bresson close - ups, pointless references to European political change, actors talking about acting, junkies who are never seen doing drugs, «unexpected» pop songs, and deliberately obscured
narrative (probably because — wait for it — it has the arc of a bad Victorian social novel), Schanelec's studious bore seems intended for an audience of
people who write film festival catalogue
descriptions.
Are there any small details help create these images in the absence of the kind of
description that third
person narrative would provide?
He's no slouch either as he deepens the
narrative with
descriptions of food, sidewalk cafes, and Sicily's intense blue sky, but nothing's done better than bringing the wry, and world-wise Sicilian
people to the page.
Selected from hundreds of
narrative descriptions the artist wrote with friends, each text sounds as if it were an excerpt from a much longer story — a figment in a
person's life.
The aim in all this is not to create a straightforward
narrative description of an event, place or
person, but rather to explore distinctions between nameable things and things we can not name, between thoughts and objects.