Sentences with phrase «person narrative description»

Not exact matches

A short description of all religions: A fictional narrative intended to help people avoid dealing with some of the harsh realities of life and encourage them to be better citizens and members of the society in which they live.
The two natural modes of human thought, according to Bruner, are paradigmatic thought (logico - scientific thinking that rests on description, explanation and verification) and narrative thought that weaves together action and consciousness (NPM) 3 Consciousness is the thinking, feeling and willing of the human person.
Requires self - ranking of skills and descriptions of job or academic experiences in first person narrative at www.makingthedifference.org
«It's useful for scientists on the one hand but on the other hand, the fact that you can take something like the data from 2,000 trees in Alaska and give someone a 20 - second description of what that song is portraying and they pick it up (means) it has huge potential to share these narratives with people
The Faulkner novel it most closely resembles is The Sound and the Fury, which unfolds over four days, beginning with the viewpoint of the character who understands the least about the events taking place — an idiot named Benjy — before moving backward in time to the viewpoint of Benjy's brother Quentin, then forward to the viewpoint of a third brother the day before Benjy's narrative, and concluding with a third - person description of the day after Benjy's account.
by Walter Chaw Because there is no plot save the scrambling for rent money that has been stolen from the Abbot and Costello - ian pairing of Ice Cube and Michael Epps, the closest one might come to a description of Friday After Next's narrative would involve the running gag of a Santa Claus bandit who breaks into homes to steal presents and beat people with Christmas trees (maybe inspired by Eddie Murphy's Mr. Robinson's Neighborhood Christmas sketch).
With its imitations of Robert Bresson close - ups, pointless references to European political change, actors talking about acting, junkies who are never seen doing drugs, «unexpected» pop songs, and deliberately obscured narrative (probably because — wait for it — it has the arc of a bad Victorian social novel), Schanelec's studious bore seems intended for an audience of people who write film festival catalogue descriptions.
Are there any small details help create these images in the absence of the kind of description that third person narrative would provide?
He's no slouch either as he deepens the narrative with descriptions of food, sidewalk cafes, and Sicily's intense blue sky, but nothing's done better than bringing the wry, and world-wise Sicilian people to the page.
Selected from hundreds of narrative descriptions the artist wrote with friends, each text sounds as if it were an excerpt from a much longer story — a figment in a person's life.
The aim in all this is not to create a straightforward narrative description of an event, place or person, but rather to explore distinctions between nameable things and things we can not name, between thoughts and objects.
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