Sentences with phrase «person painting exhibition»

Since then she has had numerous exhibitions for her paintings, drawings and prints, including one - person painting exhibitions at the Brooklyn Museum in 1984 and the New Museum of Contemporary Art in New York in 1987; both exhibitions traveled to museums in Europe and the US.

Steir has had one - person painting exhibitions at the Brooklyn Museum in 1984 and the New Museum of Contemporary Art in New York in 1987, both of which traveled to other museums, many in Europe.

Not exact matches

HRT: The portrait that I will always remember the most, and that many people have been moved to tears when they saw it in the exhibition, is a painting of Abdul Rahman.

For example, if you only use organic or sustainable materials, use recycled packaging, or your paintings have been included in exhibitions, magazines or blogs, tell people.

While maybe not massively groundbreaking, or as visually compelling as those paintings that are famous for being an homage to victims of everyday horrors reported in the media (Goya's The Third of May 1808 springs to mind), the exhibition is in keeping with the museum's focus on the impact of war on the lives of ordinary people, and a welcome accompaniment to the excellent experience on offer at the museum.

Genomic Expressions is a new exhibition at the Wellcome Genome Campus that displays the creative efforts of the people who work across the campus, reflecting what genomics means to them — from vivid paintings and sculptures to baked goods and audio experiences.

I was a believer of «follow your passion» so I painted, I did exhibitions, I wrote books that I wanted to write, I tried really hard to market them and connect with people.

We apologize because on 9th until 11th April, we do not special performance, but you can find the unique painting that made by our local people at our exhibition hall.

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

The success of the exhibitions organised by enthusiastic people from my hospital in May and December 2016, convinced me to advertise my painting on this website.

In his most recent exhibition Queens of the Undead at the Institute of International Visual Arts — Iniva, in London, Donkor presented four of these highly regarded heroic women: «Queen Njinga Mbandi who led her armies against the Portuguese empire in Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontations.

Ian Hughes May 10 — June 7, 2010 532 Gallery Thomas Jaeckel is pleased to present INSIDE OUT an exhibition of paintings by Ian Hughes, an outstanding mid-career painter, in his first one - person show in a New York gallery.

Her solo exhibition «American People, Black Light: Faith Ringgold's Paintings of the 1960s» was on view in 2013 at the National Museum of Women in the Arts in Washington, D.C., and last year her work «Groovin High» was featured on a billboard along New York City's High Line park.

Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY

This two - person exhibition is the culmination of an unfolding visual dialogue between artists Iva Gueorguieva and Julie Weitz, as each considers the relationship between time, body and painting.

Miriam Schapiro is the recipient of six honorary doctorates and has been the subject of numerous doctoral and master's degree dissertations and she has been honored with painting retrospectives, a thirty - year works on paper retrospective, numerous one - person exhibitions and has been included in hundreds of group exhibitions throughout the world.

For the exhibition, Als, a critic at The New Yorker, selected paintings that portray African Americans, Latinos, and Asians, and other people of color — neighborhood children, fellow artists and progressives among whom the artist lived in Spanish Harlem and the Upper West Side.

They include Kelley Walker's exhibition at the Contemporary Art Museum, right next door to the Pulitzer, which displayed sexualized pictures of black women and historical images of police brutality against black people; Dana Schutz showed a painting of Emmett Till's mutilated body in the current Whitney Biennial.

Few people saw that coming in New York in 1965, when she had her first solo exhibition, featuring her versions of a Frank Stella concentric painting, a Jasper Johns flag, and dozens of Andy Warhol silk - screened flowers.

The artist conceived and re-conceived the exhibition in his Los Angeles studio, eventually presenting paintings, sculptures and video the reflect his individual voice, collapse the division between artist and ordinary people, and emphasize his belief in the social and cultural influence of art, particularly in this historic, political moment.

In 2005, he had a one - person exhibition of drawings and paintings at S.M.A.K. in Ghent, Belgium (the painting exhibition then traveled to Parasol Unit in London, England and the Royal Hibernian Academy in Dublin, Ireland; the drawing exhibition traveled to the Cleveland Museum of Art in Cleveland, OH).

2016 «Cadence,» Three - Person Exhibit of Paintings and Monotypes, Gallery B, Bethesda MD «New This Week» 11/21/2016 Collection on Saatchi Art's homepage McLean Project for the Arts, Artfest, McLean VA «Art as Politics,» Touchstone Gallery, Washington DC «Not a Box» Installation Exhibit, Received Honorable Mention, Art League Gallery, Alexandria VA «Making Sense» Nora Atkinson, Juror, McLean Project for the Arts, McLean, VA Patricia Ladd Carega Gallery, Sandwich NH National Juried Exhibition, Delaplaine Arts Center, Frederick MD Auction Gala, Washington Project for the Arts Resident Artists Exhibition, Palette 22, Arlington, VA Print Portfolio, George Mason University Printmaking Dept.

What this exhibition also draws our attention to, and what Als, an African - American critic and writer, wants to draw our attention to, is that Neel was one of the very few white artists painting people of colour.

Tibor de Nagy Gallery is pleased to present a two - person exhibition of paintings by American artist Biala (1903 — 2000) and her husband Daniel Brustlein (1904 — 1996).

Recent comprehensive shows include a solo exhibition at the Painting Center in New York City and a two - person exhibition at the Exposition Hall of the City of Gubbio in Italy.

b. 1987 in Long Island, NY Lives and works in Brooklyn, NY EDUCATION 2012 MFA Fine Arts, School of Visual Arts, New York, NY 2009 BFA Painting and Drawing, Magna Cum Laude; SUNY New Paltz, New Paltz, NY SOLO AND TWO PERSON EXHIBITIONS 2015 Storms, Gavlak, Los Angeles, CA 2014 Patient Zero, The Arts Club, London, UK 2013 I Made It Through the Wilderness, Gavlak, Palm Beach, FL NADA New York, Andrew Brischler & David Haxton, Gavlak Booth, New York, NY 2012 Goodbye to All That, Gavlak Palm Beach, FL 39 Great Jones, New York, NY GROUP EXHIBITIONS 2017 Flaming June VII (Flaming Creatures), Gavlak, Los Angeles, CA

Experience Jenny Saville's formidable, massive - scale paintings in person at this first ever museum exhibition of her work in Scotland.

2016 • Art Expo Chicago • Chicago Paints • Art of Expression Exhibit Highland Park • Ohio University Southern Art Show (Group show) • St. Xavier University Art Show (Solo show) 2015 • McCormick Gallery Solo Show • Art Expo Chicago • Art Miami 2014 • McCormick Gallery Chicago • Art Expo Chicago • Mars Gallery Chicago 2013 • McCormick Gallery Chicago, Collage Collage Collage (Group Show) June • McCormick Gallery Chicago (Summer Show) July • Art Access Gallery / Bexley Ohio (Group Show) May • Art Access Gallery (Group Show) July • McCormick Gallery Chicago (Solo Show) December 2012 • McCormick Gallery Chicago • Fresh Abstractions Group Show Summer 2012 Highland Park Art Center 2011 • McCormick Gallery Chicago 2010 • Mars Gallery Chicago 2009 • Mars Gallery Chicago 2008 • Mars Gallery Chicago, (Group Show) • Mars Gallery Chicago, (Two Person Show) • Artropolis, The Artist Project 2007 • Medspa — Oak Brook, IL (2007 - 2008) • Contempo with Roberta Markbreit, Television show • Bottega M — Oak Park, IL 2005 • Solo Show, Roaring Belly Gallery — Oak Park, IL • Juried Exhibition Around the Coyote — Chicago, IL • Bent Fork Studio — Freemont, IN 2003 • Solo Show, Artist Frame Shop — Oak Park, IL • Official Selections Illinois Artisan Exhibition 2001 • Solo Show, Molly Malones — Forest Park, IL 1998 • Solo Show, Loras College — Dubuque, IA Collections Dr. and Mrs. Don Clem Mr. Rick Eagle Tom and Carol Woods Dr. and Mrs. Ross Hausner Steve and Laurie Bergren Mr. and Mrs. Christopher Sisco John Finn Scott and Nikki Elza Corporate Collections PNC Bank Delaney Law — Chicago, IL Regenerative Solutions — Fullerton, CA Community Bank — River Forest, IL Botticelli's South Congress — Austin, TX Caring Medical — Oak Park, IL Pilgrim Management Office — River Forest, IL Oak Park Park District Administration Building — Oak Park, IL

Exhibitions are usually two - person shows, although group exhibitions from painting and sculpture ateliers may also be featured as part of tExhibitions are usually two - person shows, although group exhibitions from painting and sculpture ateliers may also be featured as part of texhibitions from painting and sculpture ateliers may also be featured as part of the program.

Hume's first one - person exhibition at Matthew Marks Gallery, in 1992, his first in the United States, included five of his signature Door paintings.

Armed with these iconographic signifiers, Case, in his second solo exhibition with Chimento Contemporary, has painted a series of eight gorgeously rendered oil paintings that both commemorate and celebrate the oft ignored public arenas where people conduct the business of their lives.

The juror of selection and awards this year is renowned watercolor artist Kathleen Conover, who will select the winners of the Gold Medal ($ 1,200 prize), Silver Medal ($ 900 prize), and Bronze Medal ($ 600 prize) and 19 other designated awards worth more than $ 8,000 in cash and sponsored prizes.Throughout the exhibition, visitors will have the opportunity to cast a vote for their favorite painting in order to select the winner of the «People's Choice Award.»

Taylor was in residence at the museum for months preceding the show, creating the paintings that appeared in the exhibitions, portraits of ordinary and extraordinary people.

The current show, focusing on new work and including two major early paintings, is Burkhart's third solo show with the gallery and his first one - person exhibition in New York in 22 years.

The works on view at the exhibition evokes conversations between abstract forms and a variety of human or animal protagonists, as locations strike up to have a conversation with the people, recognizable images chat with paint smears while looping gestures address spectators within his imageries.

If you have the chance to see this exhibition, titled Into the Aether, make sure to check out his compelling paintings in person.

Young's decision to remove himself from the New York art world at a time when his paintings were included in such exhibitions as the Corcoran Biennial, Nine Young Artists / Theodoron Award at the Guggenheim, and a two - person show with David Diao at Leo Castelli, was the opposite of anyone who wished to embrace the limelight.

May 2007, Philadelphia, PA - Locks Gallery is pleased to present a two - person exhibition of paintings with Philadelphia artist Joy Feasley and San Francisco artist Clare Rojas from June 1 through July 27, 2007.

Faith Ringgold discusses her work on view at NMWA in the 2013 exhibition American People, Black Light: Faith Ringgold's Paintings of the 1960s; Photo: Laura Hoffman, NMWA

Another notable highpoint of the exhibition, Lewison points out, is Neel's self - portrait, painted at the age of 80: «Curiously, for an artist whose career focused on painting people, this is the only self - portrait she painted; and, she depicts herself naked.

American People, Black Light: Faith Ringgold's Paintings of the 1960s was curated by Miami Art Museum Director Thom Collins and Neuberger Museum of Art Curator and Purchase College Associate Professor of Art History Tracy Fitzpatrick with students from the Purchase College, SUNY, spring 2010 Art History Exhibition Seminar.

So, he jokes, the three works he presents in «Plein Air Paintings» at Western Exhibitions — attempts to capture the night sky that are shown in almost total darkness — are «basically in the shadow of other people's art.»

KJM If we agree that making paintings and the compulsion to depict things is not unique, not particularly special, and you're describing some exhibitions that get made about painting, that then reduce the pictures to something like wallpaper, and if we go back to the original point I was trying to make when we started the conversation, about what people want to hear when they hear artists talk about what they do, the question persists: When you're looking at paintings, what are you looking for?

Susan Eley Fine Art is pleased to present their spring show FOUND IN TRANSLATION a two - person exhibition featuring new paintings by Franco - British artist Sarah Picon, and paintings by Los Angeles based artist Chase Langford.

New Spring Painting Exhibition (Xinchun huazhan) was not a show I saw in person.

The exhibition title Procession refers to how the artist's paintings reference a dual meaning for how groups of people move through space: either in the spirit of play and feasting like in Carnival, or within a darker place occupied by the Ku Klux Klan and their nighttime rallies that punctuate the darkness with hoods and fire.

A one - person exhibition of large scale Triangle paintings and oil stick on paper followed in 1993, at the Andre Zarre Gallery [11] where the artist employed a tight grid overridden by gesture and a plastic color palette.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

The once - in - a-lifetime auction of Salvator Mundi, which followed a global exhibition that had seen thousands of people come to view the painting, produced an extraordinary 19 - minute bidding battle before it was finally bought for $ 450,312,500.

Solo and two - person exhibitions of his films, photographs, and paintings has been presented at Stedelijk Museum voor Actuele Kunst in Ghent, Vanderbilt University Fine Arts Gallery in Nashville, and Swiss Institute in New York.