Not exact matches
I am not convinced that this objectification of humanity into victim and executioner does justice to the complexity of the human individual or to the dynamic of evil... The web that unites victim and tyrant in the same
person is more complex
than the white hat / black hat
caricature that seems banal even in its natural habitat, the «grade B» movie.
The temptation though is to turn each other into
caricatures or demonize the place we have shifted FROM or
people who think differently
than us.
These
people also found the
caricatures to be more realistic
than the anti-
caricatures — just like
people with normal brains.
People with normal face recognition will say that
caricatures are more distinct
than «anti-
caricatures,» which are closer to an average face.
Sure, he's more a
caricature than a fully fleshed out
person, but he reacts to his increasingly unbelievable situation with unexpected... believability.
His veiled misogyny and totally unguarded homophobia are unconvincing, and when he resorts to chestnuts like comparing how black and white
people walk, he comes off as a Pryor
caricature, rather
than as a devotee.
As Tommy, he is the strange, unknowable presence at the center of both «The Disaster Artist» and «The Room,» and audiences need to believe this is a real
person rather
than a
caricature.
retains the lightness of both of these ideas; the
people Travis meets are far more simply
caricatured than the characters of if....
Stories about families are usually like, «There's the crazy mom and there's the weird aunt» and everything is sort of a
caricature of the characters rather
than real
people.
Peopled by flapper - era
caricatures partaking in white - collar social orgies fuelled by selfish hedonism, Luhrmann's interpretation of Fitzgerald's oft - debated novel emerges as grotesque melodrama that plays more like a Mexican telenovela
than a respectful reinterpretation of 1920's New York high society.
These damsels come across more as ridiculous
caricatures than actual flesh and blood characters; nobody could retain any sort of patience around
people who talk nonsense the way these girls do.
As Saar has said about her work, «It was really about evolution rather
than revolution, about evolving the consciousness in another way and seeing black
people as human beings instead of the
caricatures or the derogatory images.»