Sentences with phrase «person view of the character»

Not exact matches

According to studies conducted by Jayne Gackenbach, a psychologist at Grant MacEwan University, «people who frequently played video games were more likely to report lucid dreams, observer dreams where they viewed themselves from outside their bodies, and dream control that allowed people to actively influence or change their dream worlds — qualities suggestive of watching or controlling the action of a video - game character.»

Having been a Baptist for nearly twenty years and a Latter - day Saint for 35 years now, I can tell you his religion, if it is lived fully, will only make him a much better person, and not one you would have any problem trusting from a character and moral point of view.

But I suppose it has to be dealt with in this consultation from the point of view of its relevance and relation to the problems raised by the threat of Religious Communalism to the Secular Democratic character of Indian polity and the democratic struggle of the people for an egalitarian community.

Nonetheless, the Justices gravely declared that «the character of a nation of people who aspire to live according to the rule of law» is ultimately to be measured by the people's willingness to put aside their deeply held moral and religious views and accept the Court's pronouncements on this and other divisive questions.

And it was also from Comte and the cultural milieu that popularized his philosophy of science, that Ginzberg learned his own views on the character of the scientific culture into which the Jewish people was emerging.

As social scientists assist pastor and people in developing a rich fund of the stories, traditions, world views, character, symbols, and rituals of a congregation, chances for God's Word impacting the congregation in profound ways are greatly enhanced.

Yet if all this meant that Luther had only a low view of human worth and character, one must also listen for his simul: at the same time, he cried — now in happy dread before the Holy — when God looks at the trusting one God sees not the «bad» or «useful» life but the new person.

But the problem is some people's view has a lot of make - believe characters that lawyers and politicians from hundreds of years ago sold as something it wasn't.

Read the OSA's decision: https://humanism.org.uk/wp-content/uploads/AD2410The-London-Oratory-Hammersmith-Fulham-28August13.docx Read the BHA's previous press release on the OSA decision: https://humanism.org.uk/2013/08/29/schools-adjudicator-london-oratory-school-must-overhaul-admissions-criteria-after-bha-complaint/ Read the BHA's press release on the threat of judicial review: https://humanism.org.uk/2013/11/05/london-oratory-school-challenges-schools-adjudicators-decision-must-rewrite-admissions-policy/ Read more about the BHA's campaigns work on «faith» schools: http://www.humanism.org.uk/campaigns/religion-and-schools/faith-schools View the BHA's table of types of school with a religious character: http://www.humanism.org.uk/wp-content/uploads/schools-with-a-religious-character.pdf The British Humanist Association is the national charity working on behalf of non-religious people who seek to live ethical and fulfilling lives on the basis of reason and humanity.

Read St James's consultation: http://www.stjames.tgacademy.org.uk/wp-content/uploads/2013/03/finalconsultation.pdf Read the BHA's correspondence with the Academy and Diocese: http://humanism.org.uk/wp-content/uploads/BHA-correspondence-with-Tudor-Grange-Academy-Solihull.pdf Read Tudor Grange's affiliation agreement with the Diocese of Birmingham: http://www.tudor-grange.solihull.sch.uk/images/docs/draftjul11.doc Read the relevant section of the Equality Act 2010: http://www.legislation.gov.uk/ukpga/2010/15/section/85 Visit the local campaign's Facebook group: http://www.facebook.com/groups/150736215077978/ View the petition against the plans: http://www.ipetitions.com/petition/tudor-grange-admissions-policy Read more about the BHA's campaigns work on «faith» schools: http://humanism.org.uk/campaigns/schools-and-education/faith-schools/ Read the BHA's table of types of school with a religious character: http://www.humanism.org.uk/wp-content/uploads/schools-with-a-religious-character.pdf The British Humanist Association is the national charity working on behalf of non-religious people who seek to live ethical and fulfilling lives on the basis of reason and humanity.

Read The Times report: http://www.thetimes.co.uk/tto/education/article3807588.ece Read the CofE's press release: http://www.churchofengland.org/media-centre/news/2013/07/secretary-of-state-for-education-calls-for-continuing-partnership-with-cofe.aspx Listen to Michael Gove's comments at the event: http://www.archbishopofcanterbury.org/data/files/resources/5093/130703-Lambeth-Education-seminar.mp3 Read more about the BHA's campaigns work on «faith» schools: http://www.humanism.org.uk/campaigns/religion-and-schools/faith-schools View the BHA's table of types of school with a religious character: http://www.humanism.org.uk/wp-content/uploads/schools-with-a-religious-character.pdf The British Humanist Association is the national charity working on behalf of non-religious people who seek to live ethical and fulfilling lives on the basis of reason and humanity.

«When you were with him you saw the strength of character, and wonderful ability to explain to people why he viewed a particular issue a particular way,» Jutton said.

«I think people sometimes go for those kind of things because they haven't managed to trap me in the more normal way - they haven't found anything I have said and done that they can criticise and so they attempt to smear by giving a view of my character that I don't share,» Redwood once complained.

For example, a person with autism who is viewing a movie of people in a room will spend a relatively large amount of time looking at non-social objects — such as chairs — and is more likely to look at the mouths or bodies of the characters than their eyes.

Children and adults viewed several drawings of characters with an object and in each case judged how close the object was to the illustrated person.

Anon uses a lot of first - person points - of - view, allowing the viewer to see through the eyes of the character — shots that involve a wealth of on - screen text.

When talking with these people you're told entertaining stories and get to know the interesting views of each character.

While Baumbach's characters have generally aged with him, from the fresh - out - of - college grads of Kicking and Screaming to the middle - aged misanthrope of Greenberg, sharing screenplay duties (and life) with Gerwig has put him in tune with younger people and their different points of view.

Side effects include a general disinterest in life, increased aggression, creepily hovering over a person while she sleeps, and the ability to instantaneously disappear from the view of a character and reappear behind the character just in time for the camera to pan over his shoulder.

The camera does take on the point - of - view of someone at some point, then jumps back to an objective place, then plays that trick Evil Dead II plays with perspective in the scene where Ash wakes up in a clearing and looks around in a panning 360 - degree take, only for the audience to discover that the camera eye is both character and commentator, more physical in its way than a first - person point - of - view could ever be.

The old school charm of top - down games from the past is gone in a transition to a polygonal 3rd person view, but the added dimension gives an extra depth to the overall gameplay experience and character studies Nihon Falcom is known for.

A second viewing on Blu - ray opened up some of the attributes that I missed — most notably the lovely photography — and made me realize that I was reacting negatively to certain plot twists in the script by Baker and Chris Bergoch, as well as the actions of certain characters; more and more, I find that I don't wish to spend any more time than is necessary with people (including entirely fictional creatures) who are selfish and unkind.

His portrayal of a deeply sad man who is having trouble dealing with his past and moving on with his life is so realistic that we no longer see the actor playing the role, but instead view this character as a real person.

This is a well - written, beautifully directed film that fills a real world with people — not merely characters — who each have distinct points of view and approach life and / or death with very different perspectives.

But what is certain about Three Billboards is that if this many people saw Dixon's arc as redemptive — and if we take the most charitable view, that it wasn't intended to trivialize the experiences of abused and tortured black characters in order to humanize a white character — then the problem is in the film itself, which allowed room for a reading that was counter to its intentions.

In order to acquaint himself with his three lead actors, director Alfonso Cuarón had each of them write an essay about their characters, from a first - person point of view.

They practiced improvisational conversation and techniques, especially the «yes, and...» concept, which helps the student practice engaging in conversation with another person on non-preferred topics through the safer point of view of their character.

This poignant video hit a nerve — with 44 million views, I'm guessing many of those are from people who see themselves in the silent lead character growing increasingly isolated as everyone around her stares into their phones.

In President Obama's farewell address in Chicago, he notes that for democracy to work in a nation that is becoming more and more diverse, we need to «heed the advice of one of the great characters in American fiction, Atticus Finch, who said, «You never really understand a person until you consider things from his point of view... until you climb into his skin and walk around in it.»»

[11] Yet another writer approvingly traces the whole field back to the bleak world view of Thomas Hobbes: it is «an obvious assumption of character education,» writes Louis Goldman, that people lack the instinct to work together.

More important, though, Saturn targets its cars and its dealerships at that broad middle segment between car enthusiasts and car haters, a group that includes people of any income who view a car as an appliance - not as a personal statement of character, financial success, reverse snobbery or anything of the kind.

Rabbi Chaim calls Saul magnanimous, a person of character and fortitude, but to Simon he was a decorous, timid man who skirted conflict and trouble — a man who seemed to do so little out of passion that it was a wonder he had ever married Gertie, for no one would have viewed Simon's mother, with her ambition and pendulum moods, as a pragmatic choice.

Print This Post Filed Under: CRAFT, Writing life Tagged With: character, CRAFT, fantasy, first person, middle grade, Molly Best Tinsley, point of view, POV, story, twins

The story is told through first - person points of view of many different characters.

Told in first person point of view by Brian Atwood, who is our main character and works for the FBI.

This often pushes these creative nonfiction texts into omniscient or distant third person points of view, creating a detachment between the reader and the characters.

Often literary and genre fiction are at odds, but in Transference Kate Jonuska brings the two together through an extremely close third person point of view, snarky humor, and inner character conflict.

Print This Post Filed Under: CRAFT, REAL WORLD Tagged With: characters, CRAFT, developing characters, first person, intimate characters, Jordan Rosenfeld, jumping heads, perception, point of view, POV, third person, writing

The sad fact is, many people view large amounts of debt as a character flaw.

Trapped Dead: Lockdown is an homage to the horror movies of the»80s with players controlling their characters in a 3rd person isometric view.

Take something as simple as the footsteps of the main character, especially if the game takes place in a first - person view.

Unusually for a turn - based game there's no overhead view that provides a constant bird's - eye view except for when bringing up the strategic map for a better look at the situation, rather characters are moved using WASD and a traditional third - person camera angle that firmly places emphasis on line of sight and spotting enemies, because once a foe moves out of your vision he / she / it can no longer be tracked.

I barely got to create my own character, there was so much more depth in Origins where you could determine what race you were, what kind of person you were and how people viewed you.

As before, players step into the shoes of a character from a top - down, third person view, and proceed to enter buildings and murder every inhabitant inside using a combination of fists, melee weapons, and firearms, in order to move to the next level.

If you join an online multiplayer match that is already in progress or when your character has been overrun and killed by Zeds; the camera switches to a third - person spectator view which can be rotated around the player in focus, while a first - person perspective and a free camera is also available to view any of the action happening elsewhere in the match from the focus point of any player.

Th game includes a character color edit feature and a new «Way of the Hado» mode, which allows players to control Ryu in first person view and beat a ton of enemy Shadowloo shoulders.

Despite Rockstar's sometimes secretive aura, Houser is very direct and has strong views on GTAV's relationship with the movies («We don't need to hark back to film when technology allows us to produce our own response to real places»), on the lack of playable female characters («The concept of being masculine was so key to this story») and on game conferences like E3 and Gamescom, which he no longer attends («You don't play a videogame in a room with 20,000 people doing the same thing unless you're a lunatic»).

To further immerse themselves into the Sword Art Online world, players have the ability to enter first - person camera view at any time and observe the battle action and character interactions up close through the eyes of their avatar.

Dialogue options shift the story in an array of directions, causing characters to change their views on specific topics and people.

It's your basic horror - themed point - and - click adventure which, in a move hearkening back to old - school PnC games, makes use of a first - person view with static images, rather than actually letting players control a character.