In this volume, amply illustrated with many never - before - seen images from early in his career as well as new photography of his most recent works, scholarly essays provide a broad context for viewing: Cornelia Butler looks at Graham's relationship to landscape and Canadian identity, Lynne Cooke examines the construction of the artist's persona in works such as City Self / Country Self (2001), and Shep Steiner discusses the joke as a conceptual strategy for Graha
In this volume, amply illustrated with many never - before - seen images from early
in his career as well as new photography of his most recent works, scholarly essays provide a broad context for viewing: Cornelia Butler looks at Graham's relationship to landscape and Canadian identity, Lynne Cooke examines the construction of the artist's persona in works such as City Self / Country Self (2001), and Shep Steiner discusses the joke as a conceptual strategy for Graha
in his career as well as new photography of his most recent works, scholarly essays provide a
broad context for viewing: Cornelia Butler looks at Graham's relationship to landscape and Canadian identity, Lynne Cooke examines the construction of the artist's
persona in works such as City Self / Country Self (2001), and Shep Steiner discusses the joke as a conceptual strategy for Graha
in works such as City Self / Country Self (2001), and Shep Steiner discusses the joke as a conceptual strategy for Graham.