Writer, Paul Krainak described Patricia Bellan - Gillen's recent work as, «Formalist canon meets zoological illustration, penetrated by medieval spiritualism and glossed with
personal dream imagery.»
Not exact matches
While there is unmistakable regret in what has been «carted off,» things nevertheless continue to exist, occupying a landscape of the mind, as recorded history,
personal memory, or even yet to be realized
dream imagery.
Inspired by a diversity of sources — including historical and literary
imagery and Bitzer's own
dreams and fictional imaginings — and culled from an ongoing archive created over two decades, the iconography presented within these installations is particularly
personal to the artist.