Sentences with phrase «personal ephemera»

Her new Boat Book makes use of photography, sound, prints, collage, photography, and personal ephemera.

sat30jun12: 00 pmsat5: 00 pmAriadne's Thread with Elena EshlemanMeet the artist and explore her site - specific installation using personal ephemera.12: 00 pm - 5:00 pm

mon02jul12: 00 pmmon5: 00 pmAriadne's Thread with Elena EshlemanMeet the artist and explore her site - specific installation using personal ephemera.12: 00 pm - 5:00 pm

sun01jul12: 00 pmsun5: 00 pmAriadne's Thread with Elena EshlemanMeet the artist and explore her site - specific installation using personal ephemera.12: 00 pm - 5:00 pm

Ariadne's Thread with Elena Eshleman Jun 30, 31 + Jul 1 12 - 5 PM Meet the artist and explore her site - specific installation using personal ephemera.

In biographer Frances Spalding's exhibition - as - portrait, however, it's paintings, photographs and personal ephemera that bring the world of the iconic modernist author and her circle to life.

For six months in 2011, Los Angeles photographer Catherine Opie documented the Bel - Air estate of Elizabeth Taylor — the clothes, the photographs, the jewelry, the little bits of personal ephemera that make a house a home.

Posters for Imaginary Events uses interviews and personal ephemera to generate a series of fictional and actual event posters.

Inside the suitcase — alongside tools, supplies, newspaper clippings, and personal ephemera — works by George Clack and Ruth G. Waddy were found.

Holberton reflects upon the smart - phoned classes compulsively and carefully arranging, digitally displaying, and sharing their personal ephemera at incredible speed with both still images (Just This One Thing) and animations (The Drone is not Distracted by the Perfume of Flowers).

Though not literally exposed, they appear surrounded by personal ephemera (a disco ball; a forlorn stuffed elephant), revealing some incontrovertibly private side of themselves.

Gluck's work — much of which is on show alongside clothing and personal ephemera in Gluck: Art and Identity at Brighton Museum and Art Gallery — was autobiographical and contingent on the woman in her life.

Count among these offerings Joseph Grigley's «The Gregory Battcock Archive» (2009 - 14) a selection of personal ephemera from the late art historian and critic; Julie Ault's selection of works by the late - artist Martin Wong and her screening of filmmaker James Benning's Easy Rider (1969); and the late Tony Greene's paintings curated by Catherine Opie and Richard Hawkins.

Tillmans's installations translate the aesthetic of a teenager's bedroom, hung with postcards, personal ephemera and snapshots, to the gallery.

As well as their work, this exhibition examines their remarkable life, presenting clothing, accessories and other personal ephemera alongside their paintings.

The first section, for instance, is dedicated to the «portrait without a person» — exemplified by Marsden Hartley's Painting, Number 5, memorializing a German soldier and love of the artist with an array of personal ephemera (epaulets from the subject's uniform and a chessboard, in homage to his favorite pastime, among other objects and symbols).

Not exact matches

And while even the best episodes of Galactica and Lost are ultimately pop - culture ephemera, HBO's mob show is closer to real art: Dostoevsky crossed with Emile Zola, a novelistic meditation on the nature of societal corruption and personal sin.

Today, the 42 - year - old sits at a single desk, framed by a high shelf lined with photographs, print campaigns and other ephemera that document the story of Rag & Bone, a brand as deeply rooted in Wainwright's upper class British background as his life in New York and his personal connection to America's shrinking manufacturing base.

The exhibition brought together more than 300 works including ephemera and materials from Pettibon's personal archive.

Also included are two of his curatorial projects: Queer Zines, incorporating more than 100 queer zines from the punk era until today; and Ancestors, a personal archive of books, editions, and ephemera that form a fragmentary and incoherent historical underpinning to the overall project.

The exhibition highlights a selection of 65 black and white exclusive prints as well as ephemera and personal items of the artist.

Swiss Institute and ARTBOOK invite you to join us for the launch of Imponderable: The Archives of Tony Oursler, Since the late 1990s, artist Tony Oursler has amassed a vast personal archive of objects and ephemera relating to magic, the paranormal, film, television, phantasmagoria, pseudoscience and technology.

Included in each forger's profile are their original works, personal effects and ephemera, photographs, film clips, and representations of the material and techniques used to create these convincing artworks.

In addition to pivotal works by Noguchi, the exhibition illuminates his relationships through personal photographs, exhibition - related ephemera and correspondence from The Noguchi Museum Archive, as well as sculptures, paintings and drawings by those who influenced his artistic practice.

The exhibition includes major figures, such as Oscar Wilde, and features works by Simeon Solomon, John Singer Sargent, Gluck, Ethel Sands, Duncan Grant, Dora Carrington, Keith Vaughan, David Hockney and Francis Bacon, alongside ephemera and personal photographs.

Working with found and original materials, she creates zines and books as well as archive - like installations that map conversations between texts, ephemera, personal memorabilia, and photography.

Hewitt reshuffles historical and everyday ephemera in a new suspended time and context to consider the role of images and objects in our personal and collective consciousness.

Carefully building a nuanced soundtrack whereby even the collective voice of its re-enactors never drowns out the source material, what might be an otherwise banal video collage eloquently reveals our personal response to nostalgic ephemera to be a whisper relative to the flat and highly constructed voice of pop culture.

The collection continues to grow, and, together with select additions, now holds over 100 Hartley drawings, two small early paintings, memorabilia such as souvenirs from his travels, ephemera including letters and exhibition programs, personal effects, and many photographs.

Louise Nevelson: The Fourth Dimension brings this important work in SJMA's permanent collection together with personal objects and ephemera from the Peter and Beverly Lipman Collection.

It includes more than 60 works and photographs by the pioneering modernist designer, and also features a selection of her personal letters, furniture and ephemera.

Drawing on inspirations ranging from Buddhism and American modernist painting to psychedelia and Amy Winehouse, Brooklyn - based painter Chris Martin (born 1954) «lets the paintings make themselves,» with often generously scaled canvases characterized by flat yet textured planes of bright, saturated color, frequently incorporating found materials and highly personal paper ephemera.

These photographs will be shown with snapshots and ephemera from the Center for Curatorial Studies and the Felix Gonzalez - Torres / Carl George / Ross Laycock Archive at Visual AIDS that suggest the distribution and preservation of memories and histories through archives, both personal and public.

The volume also includes interviews between Atlas and a number of writers and collaborators who have played a critical role in the development and reception of his oeuvre, as well as an array of fascinating ephemera from the artist's personal archives.

This groundbreaking exhibition, which features approximately 25 paintings along with selected ephemera by each artist, provides unprecedented access to the couple's intertwined artistic and personal lives.

Photographs, newspapers, and magazines; fan letters, business, and personal correspondence; artwork; source images; books, exhibition catalogues, and telephone messages; dinner invitations and poetry reading announcements; and ephemera were placed on an almost daily basis into a box kept conveniently next to his desk.

This artist - designed exhibition catalogue features more than 60 works in various media, illuminating the artist's process with selections from his personal archive of clippings and ephemera, as well as raw sketches for his projects.

The exhibition will include over 60 vintage and contemporary dresses from Diane's personal archives along with letters, photographs and ephemera that evoke specific moments in Diane's history — from a Francesco Scavullo photo from the height of the disco era at Studio 54 to the Obama family's 2009 Christmas portrait by Annie Leibovitz featuring First Lady Michelle Obama in the very same DVF wrap dress that began the story.

This retrospective will explore all aspects of her oeuvre, and includes works from past multi-media installations and newly made pieces, as well as objects from her vast personal archives of ephemera and advertisements.

Referencing the minimalism of Frank Stella, Donald Judd and Dan Flavin, Loesch draws on a personal and professional archive of more than 24,000 contemporary images and texts, scanned from newspapers; art, fashion and lifestyle magazines; playing cards, banknotes, logos and other ephemera, and physically pastes them across ten, twenty or sometimes fifty or more individual aluminium rods.

The exhibition can be combined with the ephemera supplement, which features archival materials, including photographic contact sheets, scrapbooks, diaries, Soviet publications, and the photographers» personal book maquettes, which reveal the photographic process side by side with the finished versions.

Working predominantly with textiles, Los Angeles - based artist Megan Whitmarsh uses hand - stitched embroidery to fabricate replicas of personal and cultural ephemera.

This new installation consists of two opposing constructions of concrete posts, wire, mirrors and corrugated zinc sheeting and is strewn with personal items — children's clothing, toys, photographs and kitchen ephemera.

The volume also includes conversations between Atlas and a number of writers and collaborators who have played a critical role in the development and reception of his oeuvre, as well as an array of fascinating ephemera from the artist's personal archives.

Within this exhibit, each artist evokes their working space (internal / external) by placing physical items and ephemera around the completed work, to provide the audience context into personal influences that inform their craft.

Familial rituals — cooking, hosting, and archiving the ephemera of personal histories — closely inform his processes and subject matter, as do the cycles of contact and conflict between Arab and Occidental cultures.

The walls of his 7,500 square - foot studio are literally filled with file boxes that are filled with carefully noted and labeled scraps of paper and other ephemera — all of which forms a personal encyclopedia describing the world he knows and providing a vast catalog of micro-tools to create his canvas universes.

Also on view is a host of transportive ephemera, from photos and archival footage of the artist to his paint brushes and personal treasures, making this booth an enticing cabinet of curiosities.

A major part of the Garage summer exhibition season, the show — curated by Massimiliano Gioni and Gary Carrion - Murayari from the New Museum in New York — brings together around four hundred works, including ephemera and materials from the personal archive of a figure who has been key to the American art scene since the 1990s.

The Cloud of Misreading show brings together around four hundred works, including ephemera and materials from the personal archive of the artist.