Not exact matches
The very rich (and thick) volume includes a biographical
essay, a
personal memoir by one of Torrance's students, now an Orthodox priest; nine substantial papers
on subjects like St. Athanasius, the Divine Monarchia, and the rationality of the cosmos; a review of the letters between Torrance and Georges Florovsky; and two articles by Torrance himself, «The Relevance of Orthodoxy» and «The Orthodox Church in Great Britain.»
It is a must to present your
personal understanding of the problem along with the solutions — this way your
essay will be unique and not like the bunch of other writings
on this particular
subject.
Before completing your assignment, your
personal academic
essay writer conducts deep and thorough research
on your
subject, as well as sticking to the academic standards of your educational establishment.
Sounding too
personal; of course, it is necessary to show your own figure in the process of your opinion
essay ideas presenting, while mentioning your own opinion
on the
subject under consideration, however, if you are going to overfill the
essay with the examples you have taken from your own
personal experience, you will fail to get a good grade for your writing.
The British artist and former Turner Prize nominee pens a poetic,
personal essay on the place of music and history in the work of Anri Sala, the Albanian - born
subject of a solo retrospective at the New Museum.
Roberta Bernstein, whose
essay on Johns is excerpted in the catalogue for this show, continues this treatment by stating, «The map is a
subject which could be interpreted to have
personal meaning, if certain areas were made to stand out from others.
I end up either writing very
personal, very context - intensive one - liners or pouring an hour of intense ritalin - powered spirits into some long - winded
essays on abstract
subjects sprinkled with run -
on sentences and strange uses of propositions (I'm still getting used to «naturally» writing «
on», «in» or «at»).
Each taking as their
subjects the lives of a deceased creative individual and his
personal belongings, their projects build meaningfully
on the Whitney Biennial's recent history of both deceased artists and artist - curated «sub exhibitions,» notably from the 2012 edition the inclusion of George Kuchar (died, 2011); Robert Gober's presentation of work by Forrest Bess; Nick Mauss» curation of queer - oriented work culled from the museum collection; and also discursive contributions, such as Andrea Fraser's
essay No Place Like Home.