Sentences with phrase «personal experience of painting»

Supported by the Foundation for FutureLondon in partnership with Bow Arts Trust, this imaginative and vibrant exhibition of Weismann's work explores the similarities between the introspective privacy of reading books and the personal experience of painting practice.

Not exact matches

Drawing on personal experience, I'd bet they fear that if they speak up at all, they'll be painted into the corner of an extreme view by others, just like Brene Brown experienced.

About me: my name is Judith Logan and I create painting and drawing based on my personal experiences in life, or snapshots I captures in my sketchbooks or commit to memory, all mixed with a healthy dose of my imagination.

Districts end up with both quantitative data than can be tracked from one year to the next as well as qualitative responses that can paint a more personal picture of the student experience.

The project, the Changing Face of Retirement, weaves together recently released survey data, regional and personal experiences and expertly comprised photos to paint a realistic view of modern - day retirement.

A: I didn't want to get into prognoses in the last email, because I don't have a lot of personal experience and the literature paints a pretty bleak picture.

Although Ms. Frankenthaler rarely discussed the sources of her abstract imagery, it reflected her impressions of landscape, her meditations on personal experience and the pleasures of dealing with paint.

Schutz, whose work helped open the way for much of the intimate and honest painting we're seeing now, told me she is impressed by the way that «Shara is willing to take personal experiences and put them in the work.»

Through their creative processes these artists take apart these tropes in order to visualize their own personal journeys of loss, experience and a vernacular urbanism that manifests in their paintings and sculptures.

Presenting more than 100 paintings from a twenty - year body of work, My American Dream weaves together famous figures, iconic events, inspiring landscapes, and personal experiences into a vibrant cosmology.

SHINIQUE SMITH: Wonder and Rainbows @ Frist Center for the Visual Arts Nashville Evocative of her own experiences, observations and values, Shinique Smith «s highly expressive paintings, sculptures, and installations often incorporate personal possessions which she believes «can inspire memories and shape our experience and identity.»

Hodgkin made the first of many trips to India in 1964 and a steady stream of paintings — from Coming Up From the Beach (1970 - 72) to The Sea, Goa (2013)-- and works on paper — Indian Views (1971) and Indian Leaves (1982)-- has ensued from the kaleidoscope of experiences it has offered him over time: personal encounters and visits to specific places; the seasons and times of day; and the more ineffable qualities of mood and emotion provoked by difference.

One of the more interesting phenomena that Kandel explains is that when viewing abstract paintings the brain uses what he calls a «top - down» mechanism to recruit personal experience, imagination, creativity, and responses to other works of art into the process.

The new paintings fuse, in Cranston's idiosyncratic way, her ongoing interest in color theory and how it functions within consumer culture vis - a-vis corporate marketing and branding strategies, as well as its relationship to personal and collective experience, with the aesthetics and history of high Modernist abstraction.

They are each portrayed in detailed compositions that combines art references and Selski's personal experiences through influences including Renaissance painting, Greek writings, Flemish masters, Surrealism and Magical Realism to create an unusual type of portraiture — especially since none of the subjects actually exist or are part of any known story.

The MacArthur Foundation profile of Joan Snyder declares that her paintings «mirror her personal experience, but, at the same time, the visual messages she provides through her images convey universal and readily understood emotions.

This new group exhibition features painting and sculpture works by four contemporary Korean artists whose striking and intimate art serves as a record of personal experiences and key moments in life, memorializing the often - overlooked value of the everyday.

Drawing on personal experiences, Emin often reveals emotional situations with brutal honesty and poetic humor in a wide variety of media including painting, drawing, embroidery, neon, installation, sculpture, and film.

DC Moore Gallery will bring together important early works from the 1960s and 1970s by renowned African American artist and historian, David Driskell (b. 1931), who draws upon personal experience, memory and aspects of American and African culture to create multifaceted paintings and collages.

Drawing from personal experiences, Emin reveals emotional situations with brutal honesty and humor in a wide variety of media, including painting, drawing, embroidery, neon, installation, sculpture, and film.

While Morley's paintings invite the viewer to reflect upon the conflicts that have shaped humanity since time immemorial, they also echo the artist's personal experiences as a child during the Second World War, his cultural affinity with both England and America, and his lifelong fascination with models, from the plastic Air - fix kits of his youth to the paper cut - out varieties.

There's a lot of duality happening, and the paintings that are going to be shown at the group show really talk about a personal and shared experience with people who are gender non-conforming or who break out of the rigid box of masculinity, especially in the black community and culture because I am so in love with my culture.

Her paintings are constellations of personal references - titles such as «Heathcliffe» and «Wasabi without Tears» simultaneously allude to experiences and leave us with an intense desire to form a narrative.

These paintings and sculptures are psychologically charged vestiges of personal narratives and painting tricks that create a visceral empathy where the tension between object, narrative, and illusion come together in a cohesive, yet mysterious experience for Streetʼs audience.

Though often reminiscent of traditional landscape painting, these deeply personal paintings are not intended to reproduce nature, but function as a thoughtful interior meditation on the experience of being located in those spaces and experiential contexts.

Her paintings unveil a magical Nature inspired by her personal experience of pregnancy and birth.

Chronicling an abstract personal account of his relationships, studio practice, and his sense of history through a spectrum of techniques, New York - based artist Richard Aldrich has in recent years placed himself at the forefront of a new approach to the medium that re-thinks how a painting is made, how it is experienced, and ultimately what it all means.

Many of Crosby's paintings are actually portals of some kind or another, providing glimpses into her personal life while momentarily transporting the viewer to the domestic spaces she experienced as a child in Nigeria.

In addition are paintings relating to more personal experiences of place and relocation; a sense of shifting, setting down, and collecting in an emotional, perceptive, sense.

Her signature approach to representational painting was forged in a crucible of artists and poets who championed the centrality of personal experience in creative production, paying particular attention to the ways in which one's perceptions of New York City could be translated into art.

On view October 25 to January 29, 2017, «Kerry James Marshall: Mastry» examines the artist's unique approach to history painting, the African - American experience and his own personal journey of self - discovery through art.

Luke Whitlatch's mixed media paintings are visual representation of the ghosts of lore and personal experience.

Their sculptures, paintings, inflatables, and objects are meant to trigger a wide range of the viewers» untapped emotions, from playfulness to self - reflection, enabling both personal and collective experiences.

Gerard Mosse evokes light in painting and watercolors, in layered compositions intended to suggest the registration of personal experience and identity.

ART AFRICA: Your paintings represent iconic history, personal experiences and the leaders of global nations.

Yes, but the problem with ``... the exploration / communication of personal subjective experience» is in how that relates to abstract painting.

The major exhibition, curated by Elena Crippa and Laura Castagnini, will celebrate how artists have captured intense moments of life in paint, portraying personal and immediate experiences.

Fowler creates elaborate assemblage paintings through intuitive layering of found objects and unconventional materials that illustrate imagined and concrete narratives from his personal experience.

In the context of his insistence on holding arts workers accountable for their own biases, Vélez's paintings suggest that formal explorations are not necessarily at odds with social forces, politics, and personal experiences, and this is perhaps the exhibition's greatest takeaway.

noon to 1 p.m. Thursday, February 19 FACULTY BIENNIAL ARTIST TALKS: Looking Through the Surface with Barry Badgett, associate professor of sculpture, and Ogallala Vision with Diane Thomas - Lincoln, assistant professor of painting and drawing and director of Art and Design's decorative and ornamental program Barry Badgett uses translucent surfaces in sculpture to interpret personal experiences, objects, and ideas.

Francesca Fuchs Working on a series of paintings of framed paintings, prints, and photos that hang in her house, Francesca Fuchs begins with personal history, focusing on an individual experience, rather than an art historical system of worth.

The exhibition explores the development of landscape painting, from a small window on the world to interpretations of artists» personal experiences with their surroundings on land and sea.

All Too Human is curated by Elena Crippa and Laura Castagnini and celebrates how artists have captured intense moments of life in paint, portraying personal and immediate experiences.

In both her painted images and her animations, Sikander uses the process of layering to knit together elements from Hindu mythology, Persian tales, and personal experience in order to explore the shifting nature of the space — metaphorical and physical — in which we live.

Like an impassioned fan, Erik den Breejen's paintings are in part an homage to his favorite songwriters and in part an expression of his personal interpretation and experience of powerful lyrics by bands like the Who, Pink Floyd, Roxy Music, Jarvis Cocker, Magnetic Fields, Elliott Smith, glam bands from the 70's, and select hit songs of today.

While Zhu's installations are simple, intuitive, practical, and readily accessible, his paintings demonstrate an abstract aggressiveness or chaos that offer glimpses into the artist's wealth of personal experience and openness to sharing it with others.

The paintings in this exhibition showcase den Breejen's characteristic text - based painting technique, applied to the representation of a deeply nuanced personal vision of nature, sensory experience, and their myriad intersections.

The Surrealist practice of mining the subconscious for material combined with her personal experience in analysis were the overriding influences in her paintings of the late 1930s and the 1940s.

In the case of Dyson, fragmented and abstract oceanic imagery in her painting Ramond (Water Table)(2017) evokes the personal turbulence we experience in confronting what's currently unfolding globally — at and below sea level.

Using a brace for support, Lenny taught himself to paint and began to produce complex hard - edge geometric abstractions, informed by his personal experience, but also reflecting the collective interests of his new Park Place friends.