The Genome Chronicles references previously unseen Super 8 footage taken by Rodney and is interlaced with Akomfrah's
personal film archive.
Not exact matches
Mattioli investigates the relationship between silence and sound in her work, creating a large
archive of
personal film footage that she assembles for commissioned projects in music, art and fashion.
In HOOKED ON HOLLYWOOD, Maltin opens up his vast and illustrious
personal archive to take readers on a fascinating journey through
film history.
Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay
film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies,
personal letters and diary extracts alongside
archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystical.
The
film brings together new reflections from Kubrick's collaborators and unseen materials from his
personal archives to shed light on this unique cinematic achievement.
POUTfest Docs will explore remarkable real lives reflecting
personal and social histories, whilst POUTfest Gold will revisit some of the best ground - breaking and cult
films from Peccadillo's
film archive.
The David Bowie Is traveling exhibit is a full - spectrum experience, with interlinking galleries, displaying the performer's costumes, album artwork, writings, memorabilia and handwritten lyrics, along with
film and videos from his
personal archives.
The Jerwood Gallery's exhibition includes photographs, exhibition catalogues and
archive material generously loaned by the William Scott Archive and screenings of the 1984 film Every Picture Tells a Story, a touching and personal biography of the life of William Scott told by his son, Academy Award - winning filmmaker, James
archive material generously loaned by the William Scott
Archive and screenings of the 1984 film Every Picture Tells a Story, a touching and personal biography of the life of William Scott told by his son, Academy Award - winning filmmaker, James
Archive and screenings of the 1984
film Every Picture Tells a Story, a touching and
personal biography of the life of William Scott told by his son, Academy Award - winning filmmaker, James Scott.
Zoe Leonard meticulously prepared a mix of publicity shots,
film stills, and
personal photos to create this fictional
archive.
Swiss Institute and ARTBOOK invite you to join us for the launch of Imponderable: The
Archives of Tony Oursler, Since the late 1990s, artist Tony Oursler has amassed a vast
personal archive of objects and ephemera relating to magic, the paranormal,
film, television, phantasmagoria, pseudoscience and technology.
Noon: Kate Dollenmayer Kate Dollenmayer is a filmmaker and the Audiovisual Archivist at the Wende Museum in Culver City, which collects and preserves art, artifacts,
archives,
films, and
personal histories from Cold War — era Eastern Europe and the Soviet Union relating to the period 1945 — 1991.
is a filmmaker and the Audiovisual Archivist at the Wende Museum in Culver City, which collects and preserves art, artifacts,
archives,
films, and
personal histories from Cold War — era Eastern Europe and the Soviet Union relating to the period 1945 — 1991.
The Gordon Matta - Clark
Archive is held at the Canadian Centre for Architecture in Montreal, and includes the artist's
personal correspondence, notebooks, drawings, photographs, slides,
films, as well as other archival material documenting his life and work.
In 2013, the Harry Ransom Center acquired a Ruscha
archive comprising five
personal journals filled with preliminary sketches and notes; materials related to the making of his artist's book On The Road (2010); notes, photographs, correspondence and contact sheets relating to the creation and publication of his many other artist's books; and materials relating to his short
films Miracle (1975) and Premium (1971); his portfolios; and several art commissions.
Whether political or
personal, Rodney illustrated his versatility, utilizing a range of mediums for artistic expression through painting, installations, audio, robotics,
film, and
archive.
Recent
films, such as Crow Requiem and The Way Out Is the Way To, move between Smith's active study of multiple sources and
archives (avant - garde, African - American histories and improvisational music), and Smith's
personal and political response to recent and ongoing violence against people of color at the hands of the state.
A special screening of Selections from Cory Arcangel's
personal archive of video and
film footage takes place on Saturday April 3 at 2 p.m.. On Saturday April 24, as part of the Sanford L. and Dolores Ziff Art Talk series, Arcangel will speak about his work.
«The Mind's Eye presents works drawn from the artist's
personal archive of vintage materials and, in addition to photographic prints, includes a selection of three - dimensional photographic sculptures,
films, artist's books, albums and work prints to give viewers first - hand insight into Uelsmann's creative process and expressive range.
The show includes objects from the fashion designer's
personal archives, over 60 Halston fashions along with
film and video documentation.
Images culled from the Internet, magazines, newspapers, advertisements, television,
films,
personal and public
archives, studio walls, and from other works of art are all fair game.