Sentences with phrase «personal film change»

Though the language barrier makes for some Hawksian exchanges (Monda: «How can this personal film change the world?»

Not exact matches

Mirroring Joe's story is a series of testimonial videos submitted by people who saw the first film; their personal, intimate and often funny stories show that wanting to change is often easier than actually doing so.

The four fiction films that follow the documentaries were all made for politically motivated anthologies, and they focus on themes of social change and personal identity.

Every song on the «Lemonade» album is an anthem of personal and spiritual freedom, and the video that accompanies the music, for a change, is as emotionally engaging and enlightening as any feature film released throughout 2016.

In the film, it is his strong moral resolve that eventually changes a nation — but at a huge personal cost to the imprisoned man who is unable to raise his children, maintain his marriage or even attend the funerals of his mother and son.

Based on the comic book of the same name by Daniel Clowes, Terry Zwigoff's film follows Enid (Thora Birch) and Rebecca (Scarlett Johansson), who, as they graduate from high school, respond to a personal ad from a middle - aged record collector as a joke — a decision that changes their friendship.

As the film progresses, their relationship changes from Sestero being an almost blind admirer to his questioning of Wiseau's choices while filming «The Room» and intrusions into Sestero's personal life.

On a personal note, being a hardcore Spidey fan, I felt I might be bothered by some of the modifications made to the origin, but after watching the finished film, I must say that none of the changes really have any bearing on the overall story, and it's remarkably accurate as far as the characters go.

Alas, the film starts to change clothes before growing into them and while the SXSW section provides some of the biggest laughs (Frank's most likeable song is a personal favorite of mine,) they ultimately can't compensate for the transparently calculated conclusion and message, which brings the whole self - awareness aspect right back on centre stage.

Changing the direction that the film should have gone would be labeled as a personal preference; and one that I would have preferred.

Village Voice Bilge Elbiri on a film review that changed his live (J Hoberman's 1992 piece on Orson Welles» Othello)- lovely personal piece Nick Davis Chicago film festival jury picks and his own precise takes on the movies screened including high profile gems like Call Me By Your Name, and several foreign film Oscar submissions Esquire Bryan Cranston must be seeking to sabotage his Oscar hopes this year with this admission that he's rooting for Trump to succeed Huffington Post talks to Melissa Leo about Novitiate and becoming a gay icon with those «Consider...» ads

At 130 minutes, the film also feels unnecessarily drawn - out, although the length of the story gives Oz time to make positive personal changes in a more believable way.

The first, by George A. Romero, his wife and assistant director Chris Romero (née Forrest) and Tom Savini, reveals that almost all the cast were friends, family or local Pittsburgh volunteers (even the mall was owned by personal friends of Romero), that the original script had a far bleaker ending (everybody dies) which was changed during the shoot because the film was «too much fun» for it, and that the fourth film, should it ever get made, is a larger - scale affair set in a down - town area, with lots of action sequences and an overarching theme of «ignoring the problem».

The film is filled with highly intelligent conversation about art, the lives they lead, what needs to be changed, and the country's status, among other things like their personal lives.

Spike Jonze's return to the feature director's chair (and first time bringing a script he wrote entirely by himself with him) after a four year break is a thoroughly layered and personal film that is at times about the awkward nature of new relationships after a break up (and how we cope with that crushing in - between time), and at times about how technology shapes our modern world, and at times about how we demonstrate and understand love and relationships changes with both time and technology.

Based on a D. H. Lawrence novel of living free in a changing Britain and how that plays out sexually in such a suppressed society, we start with two good friends (Glenda Jackson and Jennie Lindon), a rougher contact in high society (Oliver Reed) and more open, freewheeling friend (Alan Bates) examining the slowly blooming new freedoms, their connection to nature, each other and what that portends for the future in this lush, warm, personal film that holds up extremely well today and has some of the best work of all involved.

Keep in mind that I still have quite a few films to see before the end of the year, so my personal top 10/15/20 that I'll be releasing in early January remains subject to change.

Made on a small budget, with recognisable, though indie - ish actors, this film is about love and regret, posing the characters and audience with the questions - what personal mistake would you go back and change if you could?

«What drew us to [the film] was both of their stories, but [King's] in particular: how she sought change and how it began on a very personal level.

We see the dirty political tricks, personal threats, and steadfast opposition to change that you'd expect in a reform - minded film.

In this film, artist LaToya Ruby Frazier reveals the personal story behind a series of videos and photographs of her family in Braddock, Pennsylvania, a selection of which were exhibited in «Video Studio: Changing Same» at the Studio Museum in Harlem.

SB14 will feature exhibitions by curators Zoe Butt, Omar Kholeif and Claire Tancons, bringing together a range of experiences and works — including major commissions, large - scale public installations, performances and films to explore how contemporary life, enabled by rapid technological change, has created a seemingly inescapable «echo chamber» of information, complex personal networks and shifting narratives that are physical, spiritual and virtual.

Two hours of film were condensed into three minutes, so that changes in the harshly beautiful landscape become a poetic metaphor for other kinds of changes, political and personal.

Renan will use this and other personal experiences to help understand how and why the unpredictable Conner changed film forever.

The exhibition — which contextualizes drawing as part of her broader consideration of photographic and film representation — shows how drawing can revisit, question and change images used for personal, cultural and national identity.

Vice President Gore's own personal share of proceeds will go to support the exact same work documented in the film: equipping and training citizens to become world - changing activists through the Climate Reality Leadership Corps and other Climate Reality programs.

Camilla Hall tells some intimate personal stories, but loses the bigger picture around the efforts to change policing by filming cops

Shimi Cohen's moving short film, The Innovation of Loneliness, will forever change the way you look at online technology and your personal relationships and eventually even your engagement with your LinkedIn profile.