Sentences with phrase «personal filmmaking»
"Personal filmmaking" refers to the creation of films that reflect the unique perspectives, experiences, and emotions of the filmmaker. It is a style of filmmaking that often delves into the filmmaker's own life, beliefs, and ideas, making the final product deeply personal and authentic. Full definition
For those fond of the»60s and hungry for personal filmmaking, the faults aren't grave enough to skip this film, which gets an admirable Blu - ray release.
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I like really expressive personal filmmaking that is also super entertaining.
Beautifully wrought, darkly funny and finally devastating, My Own Private Idaho almost single - handedly revives the notion of personal filmmaking in the United States.
At once a political epic and a radical gesture in personal filmmaking, Steven Soderbergh's Traffic is an unexpected, unlikely triumph.
Intensely personal filmmaking takes us deep into this darkly involving drama about a man who simply doesn't have the skills to deal with his inner desires.
Jim McBride's influential 1967 «David Holzman's Diary» (Lorber Films), a faux - documentary portrait of personal filmmaking as narcissistic self - involvement, debuts on DVD and Blu - ray following a recent theatrical revival.
The writer / director of «Crystal Fairy» and «The Maid» premiered a film at Sundance for the fifth time this weekend and the result is an odd hybrid of truly personal filmmaking and a final act that goes just horribly awry.
One wishes that Silva returns to the character - driven, personal filmmaking style of the first hour of «Nasty Baby» and soon realizes that that's more than enough.
ShockYa: I'm struck by all the obvious surface differences between something like «Fright Night» and «Lars and the Real Girl,» and without saying one film alone can represent the sum totality of your interests, how do you juggle your own personal filmmaking interests and instincts with what may be a studio's appetite for more commercial fare?
With «Stories We Tell,» which evades both the pitfalls of overly personal filmmaking and those of fiction - documentary hybrids — not to mention the philosophical trap of making a film «about narrative» instead of simply telling a story — Polley has delivered the first masterpiece of what promises to be an important career.
Sarah Polley's documentary / family - drama / soap - opera / whodunit, Stories We Tell, is a Frankenstein's monster of personal filmmaking goodness that exists outside any genre.
Independent films By Darcy Paquet Small - scale personal filmmaking continues to thrive and reinvent itself on the margins of the mainstream
This is personal filmmaking as well as dream poetry of the kind most movie commerce has ground underfoot, and if a better studio release comes along this year I'll be flabbergasted.
Mr. Schrader presents the most cogent, and certainly funniest, explanation of the 70's boom in personal filmmaking: the studios, stunned by big - budget bombs like «Hello Dolly» and «Star,» were willing to give money to anyone who could tell them he could provide what the new audience wanted.
I've seen the film several times, and it stands up as a true cult classic, a hilarious comedy and an example of astonishingly beautiful, personal filmmaking all at once.
There's a certain uniformity, and each element colludes to a greater whole — this is personal filmmaking.
Bold, original and ambitious, this is personal filmmaking of a rare vintage.
The indispensable 29 - minute interview has the director readily discussing his earlier works, as well as talking extensively about his personal filmmaking process.