Sentences with phrase «personal nature of this work»

This book reveals the multifaceted, personal nature of this work and factors that proved to be most critical to progress.

The optimistic, romantic, psychological and personal nature of their works leads to the realization that these are not Formalist or for that matter Colorfield painters.

Despite the extremely personal nature of the work, Melissa hopes these paintings speak to others facing a similar battle: «I want these images to show other cancer patients, locked to an IV pump, that they are not alone in their struggle for survival.»

Because of the personal nature of this work I get to spend a lot of time working closely with families.»

Not exact matches

And while the company obviously doesn't recruit specifically on their parental leave policies given the personal nature of applicants» family situations, Siegel believes that ZipRecruiter's overall commitment to work - life balance, of which this policy is a part, is a huge help when it comes to winning talent for the company — particularly senior talent.

g) In this sense, it is right to speak of a struggle against an economic system, if the latter is understood as a method of upholding the absolute predominance of capital, the possession of the means of production and of the land, in contrast to the free and personal nature of human work.

This semi-autobiographical work, subti - tled «Non-Religious Thoughts on Christian Spirituality,» is a collection of essays and personal reflections chronicling the author's growing understanding of the nature of God and Jesus, and the need and responsibility for an authentic personal response to that understanding.

It involves, not belief in the sense of personal opinions, but rather a set of actions (saying certain things, going to services, doing good works, etc.) that can be done in the absence of belief — indeed the nature of a wager makes it such that you fully admit you don't know, which is actually an agnostic atti.tude toward the idea of God's existence.

As we speak of the representative nature of the church and the expansiveness of atonement, we say explicitly with P. T. Forsyth: «Any theology of atonement must be adjusted to the indubitable fact that Christ's forgiveness may and does reach personal cases apart from conscious reliance on His atoning work, or grasp of its theology» (CC 81).

Second, growth counseling involves a variety of growth - stimulating methods to help people use more of their potentialities by (1) developing better communication with self, others, nature, and God — the four basic relationships within which all growth occurs; (2) developing new skills of relating in mutually - affirming, mutually - fulfilling ways; (3) growing by making constructive decisions and taking responsible action; (4) using the growth possibilities inherent in each life stage; (5) learning to use the pain and problems of unexpected crises as growth opportunities; (6) learning better methods of spiritual growth — the maturing of one's personal faith, working values, sense of purpose, peak experiences, and awareness of really belonging in the universe.

But considering the nature of so much of your work (which I love BTW) and your discussions concerning your personal journey (which you have been pretty open about), it would seem that all of the responses (whether they be agreement, rebuttal, or concern) would be appropriate.

(How was it ever conceivable, we ask, that a man like Christian Wolff, in whose dry - as - dust head all the learning of the early eighteenth century was concentrated, should have preserved such a baby - like faith in the personal and human character of Nature as to expound her operations as he did in his work on the uses of natural things?

Some of us have to work to support our families, use disposables and formula because of a personal choice or one that was made for them by mother nature.

We feel that whilst valid concerns are being raised about the potential mis implementation of diet advice in cancer cases, the extent of the personal attacks on Mrs Daly are bordering on harassment and the content of much of the criticism is generic in nature and uninformed with regard to any specific cases Mrs Daly is working with.

I'm glad people are getting compensated for their work, but it's taken the personal nature out of blogging for many blogs.

This last one about the damage ostensibly wrought by Trank's dog captures the vindictive, weirdly personal nature of the coverage of the film.

You've often mentioned Brooks and also Cameron Crowe as formative influences, but I tend to think of your films, and This Is 40 in particular, as having even more in common with the work of Paul Mazursky and Blake Edwards — especially Edwards films like S.O.B. and That's Life — in their improvisational looseness, their unabashedly personal nature, and the generosity to actors.

Among other anecdata, the director explains how working on location restricts the mobility of the camera, points out the film's trickiest special - effects work, and reveals his own personal beliefs about the nature of life after death.

Based on a D. H. Lawrence novel of living free in a changing Britain and how that plays out sexually in such a suppressed society, we start with two good friends (Glenda Jackson and Jennie Lindon), a rougher contact in high society (Oliver Reed) and more open, freewheeling friend (Alan Bates) examining the slowly blooming new freedoms, their connection to nature, each other and what that portends for the future in this lush, warm, personal film that holds up extremely well today and has some of the best work of all involved.

My research has shown that it can take just two weeks for a habit to become second nature, and applying this to a personal sun protection routine can help those who work with kids to think automatically of using this habit to protect the children in their care.»

This is because the nature of any work involving a personal response, whether creative or analytical, is to some extent subjective and I want to avoid the danger of short - circuiting this creative process for my students.

Thorstein Veblen once taught at Stanford and later lived in a mountain cabin nearby; in spite of a complicated personal life he worked towards his ideal of living in communion with nature (see «Beyond the Book»).

The first is what have come to be recognized as Dyer's common denominators, the personal interests and obsessions that can be found in nearly all his work: travel by train, ship, bus and bicycle; the arcades, piazzas, and spired cathedrals of European cities; the tiny frustrations that make up daily life; the mutability and unreliable nature of memory.

Blending the vibrant, compassionate nature of a New Orleanian with her weighty Greek heritage, Pelias creates work that is rich with personal depth of emotion, life experience and the spirit of exploration.

This work investigates the nature of melancholia and solitude, translating these most intimate and deeply personal feelings into their aesthetic essences.

Though large in scale, her work is intimate in nature — and the grand gesture of this mural should touch pedestrians and those passing in cars in deeply personal ways, as the work points to the complex layers of all human experience.

The influence of the cultural background of each individual designer is reflected in their work, drawing inspiration from nature, science, culture, personal journeys and human behavior.

Titled after the photographic term «nearest neighbor», referring to the type of sampling used when resizing a digital image, the exhibition also alludes to the personal nature of Ethridge's work, evident beneath the commercial façade.

Using my personal archive as source material, the work questions the nature of image production, circulation, and distribution.

The fact that the history of art is always a social history, never just a history of style, and the enormously complicated nature of personal identity that exists in each and every work of art.

But this ingenious exhibition hints at the nature and broad scope of these assets, while reminding visitors that any collection is skewed by personal taste — and luck: Lange's work came to the museum from her stepdaughter, who lives in Chicago.

Burton, an advocate for making art personal and social, once said of the experience he desired for the seated audiences of his Behavior Tableaux works, ``... what I want people to become aware of is the emotional nature of the number of inches between them.»

Saul's choice of this particular poem to frame her new body of work speaks to the personal nature of her sculptures — that of the eternal unfolding of an artist.

Do Ho Suh's immersive, dreamlike work explores the nature and meaning of home, fastening ties between personal space and shared experience.

The deeply personal and subjective nature of Ronay's work will be mirrored in his performance during the opening.

KSThe fact that the history of art is always a social history, never just a history of style, and the enormously complicated nature of personal identity that exists in each and every work of art.

By creating works that explore the connections between animal behaviorisms and human nature, she seeks to unveil inner truths of personal identity.

Her drawings, objects, and installations conflate references to nature and culture, each work embodying a single instance of their collision, taking inspiration from the artist's personal experience, cultural memory, or historical events.

The nature and meaning of the signs of the Soviet era in works of art often depend on the artist's personal experiences, and the links between personal and «great» history.

Gillian Wearing's powerful and provocative film, video and photographic works question the nature and construction of personal identity.

The author, Juliane Neubauer, describes a sense of discomfort at being confronted by the deeply personal and somewhat unsettling nature of the work in the show, specifically citing Soda's Instagram Live performance lip - syncing to a Selena Gomez song.

Many of the earlier works in the show reference perennial themes in Weil's practice, including nature, literature and her own personal history.

Integrating unique and personal perspectives and, perhaps applying interfaces with technology and ecology, this class updates the tradition of working en plein air to give form to our present - day experiences with and in nature.

As a result of the paradoxical nature of the creature itself, and also reflecting Bourgeois» own turbulent relationships with those close to her, the spider's rich symbolic associations along with its deeply personal meaning for the artist have resulted in a powerful body of work whose legacy continues today.

The intimate nature of his work is reflected in his writings, which include excerpts from early and most recent interviews and a personal discussion of his video piece, Lights / Body (2002), as well as examples of his many influential artist's books.

Attending to the cyclical nature of the artist's work, the project examines the transformations in Braque's creative process as he moved from painting small, intimate interiors in the late 1920s, to depicting bold, large - scale, tactile Cubist spaces in the 1930s, to creating personal renderings of daily life in the 1940s.

The main characteristic of her work is that her subject matter includes her personal feelings about an unrooted childhood when she had to leave The Soviet Union and move to America, the clashing cultures and nature's magnificence.

This recent body of work reflects Mr.'s impulse to push the seemingly kitschy nature of these imaginary realms into a gritty and abstract painting style in order to explore personal, global, and environmental themes of destruction.

In 2014 she began developing new installation work deepening her explorations of personal and cosmic time, the universe, nature, philosophy, and beauty.

Many of these works are studies of the basic nature of objects which are combined with the artist's personal narratives and references including variations of the form of the French curve, the use of the top hat in «Blowing Hats» 2011 and the clock in «Clock with Primary Parts», 2011 which hangs on a wall but doesn't tell time, acting as an invisible indicator of that which we can not control, yet measures our days.