Sentences with phrase «personal practice of art»

Orange County Museum of Art, Newport Beach Through February 25, 2018 SHI ZHIYING «SHI ZHIYING» is a solo exhibition for Shanghai - based Shi Zhiying that touches on the relationship between Buddhism, the natural world, and her personal practice of art - making.

Not exact matches

These include history and geography, schools of thought, mysticism, religious belief, religious practice, Islamic law, theology, philosophy and ideology, politics (dynastic states, political and religious roles, political concepts and terms), economics, culture and society (personal life, community life, arts and literature, science and medicine, communications, popular religion), Islamic studies, institutions, organizations, movements, biographies.

(Modern Postural) Yoga is part of my personal fitness strategy, and I practice a martial art invented and transmitted by animists, my most recent teacher included.

We must practice the art of personal responsibility and own up to our feelings, beliefs, thoughts, and actions so that our children can learn to do the same.

We welcome Watsu practitioners to share our beautiful, state - of - the - art Watsu Pool at The Sanctuary for personal practice and private sessions to clients.

California About Blog North Valley Aikikai's mission is to promote an understanding of martial arts and other life practices as ways to self - discovery and personal evolution, as well as being a resource for community growth.

California About Blog North Valley Aikikai's mission is to promote an understanding of martial arts and other life practices as ways to self - discovery and personal evolution, as well as being a resource for community growth.

In my personal world (one that, at times, seems to take on fictional overtones), the image of Cobble's Knot provides a nice way to begin pulling at the threads of my own practice as I implement a new arts - based alternative program for seventh - and eighth - grade students.

These days, she is putting those ideas into practice in her Writing Workshop, an Ed School course that gives master's and doctoral students a chance to dive into the art and craft of the personal essay.

ArtsEdSearch focuses on research examining how education in the arts — in both discrete arts classes and integrated arts lessons — affects students» cognitive, personal, social and civic development, as well as how the integration of the arts into the school curriculum affects educators» instructional practice and engagement in the teaching profession.

To design effective professional development programs using the arts, it is essential to understand the personal and institutional factors that enhance or undermine teachers» efforts to use the arts in their own practice and to look at the characteristics and attitudes of teachers who have been able to successfully implement the arts in various ways in their classrooms.

While the practice of reading a writer's take on art is always interesting, I love the tidbits of the personal Moore has strewn throughout.

Among the Certification Program's topics will be advanced mantra techniques and content, the Primordial Sound Mantras, the Personal Instruction Procedure, the art of teaching, public - speaking skills, methods for facilitating group meditations and workshops, teaching to specialty groups, and marketing and business best practices.

Practice your daily fitness regime in our state - of - the - art gymnasium, perfect to use as your personal workout space, or visit our beautiful day spa to rejuvenate all of your senses.

The conversation will focus on their individual artistic practices, the personal and cultural context that led them to their art, how they each express themselves through paint, and how they identify their place within the lineage of Latino painters.

«RASHID JOHNSON: Anxious Men» @ The Drawing Center New York, N.Y. Over the past 15 years or so, Rashid Johnson «s practice has explored a range of themes, including «the black experience in America, the dialogue between abstraction and figuration, and the relationship between art and personal identity.»

Providing us with the first comprehensive survey of international artists who incorporate science, biology, kinetics, telecommunications, the computer, and the physical sciences, the book also incorporates the relevant art theory and personal statements of the surveyed artists, hoping for a better understanding of the new artistic practice.

Artist Dorit Cypis» project titled, FabLab (looking for patterns), is a three - month art laboratory centered around Cypis» research and reflection on her past 30 - year artistic practice to actively explore models of personal and social engagement.

Of specific note is the artist talk Wynter will be giving on July 5 where she will be discussing her personal practice as well as her involvement with the recent campaign, movement and activist group, WHEREISANAMENDIETA, who have recently protested in London over the exclusion of women of colour within art historOf specific note is the artist talk Wynter will be giving on July 5 where she will be discussing her personal practice as well as her involvement with the recent campaign, movement and activist group, WHEREISANAMENDIETA, who have recently protested in London over the exclusion of women of colour within art historof women of colour within art historof colour within art history.

The Master of Fine Arts is the terminal degree for practicing artists, and the thesis exhibition is the capstone experience of that program, demonstrating a personal direction and mastery in the work of graduating artists.

Empowered by all the happenings in her personal life, both good and bad, Eva Hesse poured her inspiration into her artistic work comprised of drawings, paintings, and sculpture, constantly pushing the borders of her own practice and thus moving the whole art movement forward with her.

It's fascinating to think of Schapiro, inspired by the discourse she was helping to create, doing these pieces when she was able to return to her studio after the intense period of working with the feminist program on the Womanhouse project in the fall of 1971 and early winter of 1972, but before she had a name for this work, before «femmage» and «pattern and decoration» became movements and personal brands, with their declarative power but sometimes restrictive effect on art practice.

Here, Ortel contextualizes the personal and historical transformation of Saint Phalle's art practice, her reception of Pollock and other American artists, and the development of Nouveau Réalisme within postwar French visual culture.

One of the important developments of postminimalism was the resurgence of craft, often maligned as a «low» mode of art making, and the emergence of a diversity of artists (that is, artists of color, such as the California assemblagists, and female - identified artists) who brought personal experiences and politics to their creative practices.

Bradford's personal vision of his Los Angeles community exists within and beyond the canvas: the artist cofounded Art + Practice, a local organization that works with teens and young adults in foster care to stress the cultural importance of art in social conteArt + Practice, a local organization that works with teens and young adults in foster care to stress the cultural importance of art in social conteart in social context.

Implicit in their practice is the idea that an artist's sacrifice and personal investment is a necessary condition of art.

The Master of Fine Arts is the terminal degree for practicing artists, and the Thesis Exhibition demonstrates the culmination of two years of work and represents the students» highest personal and academic achievements.

The Master of Fine Arts is the terminal degree for practicing artists, and the Thesis exhibition is the capstone experience of that program, demonstrating a personal direction and mastery in the work of graduating artists.

EXILE presents artists of different generations, often setting these in dialogue with each other and understands art as a collaborative, inter-generational and overarching discourse embedded in a complex web of socio - political, gender and personal histories as much as in aesthetic theory and conceptual practice.

Last week our Arts + Advocacy Blog highlighted the work of three artists who have used their personal artistic practice to affect positive change in hearts, minds, and cultural norms.

Supported by the Foundation for FutureLondon in partnership with Bow Arts Trust, this imaginative and vibrant exhibition of Weismann's work explores the similarities between the introspective privacy of reading books and the personal experience of painting practice.

In this book of interviews, Heidi Zuckerman, CEO and Director of the Aspen Art Museum, opens up the studios and practices of more than thirty prominent contemporary artists through personal and illuminating conversations.

Students come away with the ability to write clearly about their personal artistic practice and to examine methods of inquiry for art making and research, artistic influences and relationships to historical and contemporary printmaking.

Exploiting the creative potential of free association and past experience, he created deeply personal, often autobiographical, images by drawing liberally from such disparate fields as urban street culture, music, poetry, Christian iconography, African and Aztec cultural histories and a broad range of art historical sources, a practice that is particularly evident in this work.

Through this practice the artist explored the political and personal implications of the museum space by enabling the place of art creation and art presentation to become one.

The game's variations for artists originate from a research project beginning with the Yap's «Artists» Personal Impacts Survey» to explore positive psychological benefits of art practice.

For Rose, as she stated in the catalogue of «The Eighties,» the decades of the»60s and the»70s were periods in which «the self - hatred of the artist expressed [itself] in eliminating the hand...» Such a powerful wish to annihilate personal expression implies that the artist does not love his creation: The art of the»60s and»70s, she argued, was «practiced not out of love, but out

Elective Affinities epitomizes the feminising of artistic practice, in terms of both subject and substance, that is typical of Wilke's art, and as autobiography (the work was made in response to a particularly difficult romantic episode in Wilke's life), it similarly exemplifies the urgent dissolving of the private and public, and so the personal and political, that is also everywhere evident in her work.

Occupying an important position in contemporary art practice, Lutz Bacher's oeuvre is an enigmatic and eclectic mixture of ideas, full of personal and philosophical significance and frequently driven by tactical humor.

Brown was also the only known gay member of the Imagist group and inserted his personal experiences with Chicago's shifting sexual culture into his artistic practice, from cruising and leather culture in the 1970s to the onset of AIDS in the «80s and arts censorship in the «90s.

It is not only the most personal of all his works, but it connects all his other art practices thus completing a circle, which without beginnings or endings connects seamlessly with his art and himself.

Our mission is to create impactful arts programming and foster cultural exchange between local and international artist communities, while leveraging the unique features of our region, neighborhood, and personal practices.

O'Grady's practice intermingles with personal family history, which resulted in extremely personal portrayals of her New York community — «the city, its art world, and its media,» the release concludes.

Marking a change in the direction of her artistic practice, Wong's new work considers the profound ways that motherhood has transformed her personal convictions and philosophy on making art.

The exhibition explores Anatsui's unique practice of transforming modest materials into striking works of art that tell personal and universal stories.

On the occasion of the solo show by Sean Scully at the Hong Kong Arts Centre, which inaugurated during Art Basel Hong Kong, we asked the artist and the curator to have a conversation to learn more about the exhibition, the artist's practice and his personal attitude.

Exile presents artists of different generations, often setting these in dialogue with each other and understands art as a collaborative, inter-generatioal and overarching discourse embedded in a complex web of socio - political, gender and personal histories as much as in aesthetic theory and conceptual practice.

Visitors will explore Brazilian art history and major postwar movements channeled through Maiolino's personal, psychologically charged practice that not only charts her own path as a mother, migrant and global citizen, but poses significant philosophical questions of repetition and difference, transience and permanence.

Encounters and Collisions will be a unique opportunity to see Ligon's own personal art history brought to life in a single exhibition and will reveal the larger, submerged part of the proverbial iceberg of his celebrated practice.»

Whatever personal ties Hsieh may retain to his place of origin, he effectively transformed himself, in his artistic practice, from a restive Taiwanese citizen who jumped ship in the US in 1974 to a full - fledged Western avant - garde artist, known familiarly in the downtown New York art scene as «Sam.»