To accompany his exhibition, Alex Katz has made
a personal selection of paintings from the Tate collection, on show in the West Gallery.
Not exact matches
Co-organized by the BMA and SFMOMA, Matisse / Diebenkorn will feature over 90 objects — including more than 30
paintings and drawings by Matisse with 60
paintings and drawings by Diebenkorn from museums and private collections throughout the U.S. and Europe, as well as a
selection from Diebenkorn's
personal library
of books on Matisse.
Firstly, it presents the visual artist through a
selection from two
of his outstanding bodies
of work: those from the late 1990s related to the character Mr DOB and the concept
of «Superflat», which placed him within the legacy
of Pop art but with an exceptionally original artistic language, and works from recent years in which Murakami has developed an intelligent
personal dialogue with Japanese historical
paintings.
Count among these offerings Joseph Grigley's «The Gregory Battcock Archive» (2009 - 14) a
selection of personal ephemera from the late art historian and critic; Julie Ault's
selection of works by the late - artist Martin Wong and her screening
of filmmaker James Benning's Easy Rider (1969); and the late Tony Greene's
paintings curated by Catherine Opie and Richard Hawkins.
There is a further peculiarity to this all - embracing profile
of current
painting practice, and that is a sense that the
selection of artists and
paintings was a distinctly
personal choice.
This exhibition includes some
of the artist's most subtle and
personal work: a
selection of charcoal studies and a new installation
of pastel word drawings and abstract
paintings titled «Is What Is.»
It gathers a
selection of pieces that vary from video to
painting, from sculpture to performance, narrating
personal stories about displacement and settlement processes.
With a complete
selection of over 90 works in different media such as
painting, industrial design, animation and fashion, the exhibition, curated by MOCA Chief Curator Paul Schimmel, reveals this artist's
personal universe: from his early works in the 1990s, in which he explored his own identity, to his large - scale sculptures created after 2000, veritable icons
of this artist, and ending with his gallery
of manufactured objects, his animation projects, his connection to the world
of fashion, and his compelling works
of recent years.
The exhibition brought together a
selection of Kilimnik's new and historical works from the past three decades, evoking the history
of painting through the construction
of fantastical narratives which drew on a rich pastiche and
personal flights
of fancy.
The exhibition explores the confines
of the
personal, political, and mysterious through a
selection of works by 24 artists utilizing photography,
painting, sculpture, video, and installation.
At Kavi Gupta gallery in Chicago, a retrospective paired Roger Brown: Estate
Paintings, a selection of paintings and sculptures by the seminal Imagist artist, with Collecting came quite natural for me, a series of recreated assemblages of objects in Brown's personal colle
Paintings, a
selection of paintings and sculptures by the seminal Imagist artist, with Collecting came quite natural for me, a series of recreated assemblages of objects in Brown's personal colle
paintings and sculptures by the seminal Imagist artist, with Collecting came quite natural for me, a series
of recreated assemblages
of objects in Brown's
personal collections...
The exhibition
of new work
painted for this exhibition and a
selection of never - exhibited watercolors from the artist's
personal collection will inaugurate the Pleasant T. Rowland Galleries on the expansion's main floor.
The Howardena Pindell: What Remains To Be Seen exhibition spans the New York — based artist's five - decades - long career, featuring a rich
selection of early figurative
paintings, mature pure abstraction and conceptual works, and her
personal and political art that initially emerged during the aftermath
of a life - threatening car accident that took place in 1979.
Selections from his
personal collections
of found
paintings and wacky religious materials add to the delirium.